A Rare and Genuine Antique Enamelled BENCHARONG-BENJARONG DOMED COVERED BOWL with a jewel knob/finial; decorated with 5 colors of enamel depicting alternating Budhhist Deities against a black background with flame pattern (Famille Noire). Bencharong signifies 5 colors. Size: height 3 5/8" (9.75 cm.). Provenance: Old Private Collection in Maryland, USA.

A most attractive Genuine Antique Enamelled BENCHARONG-BENJARONG BOWL, made in China by special order from the Court and Nobility of Siam, 19th Century. BENCHARONG signifies 5 colors. This superb bowl has a bronze rim band. Good condition considering the age, one small inconsequential hairline. Size: 4 1/2" (11 cm.)

Late 19c Chinese Blackwood or possibly Zitan wood brush pot in the classic style with smooth sides and a raised ring at mouth and bottom having 3 low standing low profile feet with drain hole in center bottom of pot. Carved from a single piece of wood, it still retains its original plug which is easily removed for drainage. In excellent condition commensurate with age, it measures 4-5/8" high x 4-1/8" diameter.

Okimono depicting a koi carp in boxwood with excellent color and blonde patina. The carp is represented in movement with glass eyes and scales superimposed on the body. The carp has a difficult to read signature under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 33 x 9.5 x 12 cm. State of conservation: Very good

Japanese lacquer inro depicting a dragon partially hidden among clouds lacquered in relief. The outer surface is covered in lacquer with dark brown nuances, which offers an elegant contrast with the dragon's shimmering mother-of-pearl. Looking at the inside of the box you can see that there are two compartments. The ojime is made of glass with parallel horizontal blue lines while the netsuke in lacquered wood and metal depicts an archaic design that could depict the Tama (the sacred Bud...

Large Chinese Qing dynasty cylindrical form lidded porcelain food container decorated on the front and slightly domed cover in famille rose enamel leafy flowers and on the back with three rows of black calligraphy holding a poem which translates loosely as: "Hundreds of grasses and thousands of plants wait for spring. The most amazing is the color of the green poplar. The rain and dew on the horizon are strong every year...

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Snow covered bamboo. Painted with ink on silk. Signed and sealed.

Suzuki Shonen (1848-1918) was a Japanese painter from the Meiji(1868-1912) to Taisho periods(1912-1926). Born as Suzuki Hyakunen's eldest son, he learned painting from his father from an early age. Shonen became a teacher at the Kyoto Prefectural Painting School in 1898. He was good at portrait painting and received awards at national industrial exhibitions, etc...

1900's Japanese Studio Porcelain Vase with Bamboo Marked "Kanzan Denchichi"

It is 7.2 inches (18.3 cm) tall by 3.46 inches (8.8 cm) wide. It is 1 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A fine Chinese snuff bottle made from Carnelian, well hollowed. One side carved in relief with a bird on a rock beneath a bat, the backside engraved with a ruyi scepter. The stopper is made from white jadeit with a green spot and a bone spoon. Condition: the stopper eventually not original, traces of usage. Dimension: c. 6.2 cm high.

Early 20th Century rose quartz carving of 2 beauties. Made of one piece, it is difficult to find a double figure carving like this. Presented on a custom rosewood stand, this rose quartz carving has really nice details that we were not able to fully capture with a camera. It is much nicer in person and you won't be disappointed. In excellent condition, it measures on stand 10-1/2" high x 5" wide x 2". Carving alone measures 9-1/8" high.

Chinese hanging scroll with calligraphy work. Ink on paper, hanging scroll. Three seals. Some tears as is.

Chinese Qing Dynasty scroll painting by the artist, Jiang Ting-xi (1669-1732). Ink on silk, hanging scroll. The painting represents lotus flower behind its huge leaf. Signed “Nansha Lao Ren Jiang Ting-xi” by the artist, with one signature seal of the artist. Three collectors’ seals on the right side. Re-mounted by the previous owner. Excellent condition.

Japanese Edo period wood block print. Print on paper, hanging scroll. Two artist’s seals, one censor’s seal. Print is in good condition, except for some tears and wears on the original mounting of the scroll. AS IS antique condition.

Probably Ming dynasty or earlier. Artist unknown. Ink and color on paper, no mounting or framing. The painting depicts a scholar resting under a tree and five oxen by the river. The painting has a long rip next to the black ox, and a noticeable damage at the bottom of the paper. Please see pictures for more details.

Late Qing Dynasty (1890s to 1911) Chinese wooden stand for a snuff bottle with round top and wide skirt above 3 short feet. Beautifully made out of dark dense rosewood, very nice patina, in excellent condition. Diameter of the recessed area on the top is 1 inch (24 mm), total diameter 1.76 inches, height 0.6 inches.

Chinese Qing dynasty rectangular form hardwood stand with four inward curving legs resting upon small balls. The stand is carved on the curved apron with vines and lingzhi fungus. Top: 17” long (about 18” at apron) x top: 10” wide (about 11 1/4" at apron) x 7” high. Weighs 6 lbs. 19th century. The stand was more recently refinished and is in very good overall condition. A few of the balls twist a bit but are secure. From a Sun City West, Arizona collection.

Wooden figure of a lion, companion to Fugen bosatsu. On his back he carries a lotus base, on which Fugen used to sit (figure missing). The lion stands on high and slightly stiff legs, each foot positioned on a small lotus base.
The figure has been carved out of several blocks of wood that were subsequently assembled into the final figure. This technique is called yosegi saiku and was widely used for complex sculptures like these. The tail is stuck into the back, remaining loose...