Small bronze sculpture of a seated rhinoceros.
Japan, Meiji period (1868-1912)
Height : 4.3 in (11 cm) - Width : 2.7 in (7 cm)
Ivory netsuke representing a bag.
Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.
At the end of the Edo period, Japan started to adopt western ideas. Japan entered a phase of commodification. The movement of people and goods was facilitated by improved land and sea transportation...
Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.
On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes...
Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords...
A cast bronze vase. Finely executed. The finish is nice, made with a lathe and a scraper. Very elegant decoration of chains and tassels inlaid in gold and silver. At the neck a frieze of stylized dragons.
Beautiful old patina, good condition, no restoration.
No mark.
High: 30cm.
A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.
Porcelain dish decorated in cobalt blue representing Buddhai and children. In the background we can see a fireworks rocket.Below a mark of 4 characters. The enamelled edge of brown enamel. Traces of pernettes.
Diameter: 295mm (11,6 inches)
Good condition,normal wear for old porcelain.
Large Chinese porcelain vase. Incised decoration of dragons and clouds enamelled with colors on a yellow enamelled background.
Probably from the Guanxu period. Accident with a long crack visible on photo.
High: 46cm
18th century Indian bronze votive sculpture of Radha beautifully flexing her body, her arms wide spread, a betel nut in her right hand, cast in the State of Orissa. Radha is a Hindu goddess and a chief consort of the god Krishna and is worshiped as the goddess of love, tenderness, compassion and devotion. She is the avatar of Lakshmi and is also described as the chief of gopis (milkmaids), who are entranced by Krishna playing flute...
18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see his eyes inlaid with silver), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 7/8 inches.
18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see the loose ends of his tied loincloth), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 1/4 inches.
A Pair of Fine Korean Embroidered Official Rank Badges/a Double White cranes-late 19th C.
Korean, Joseon dynasty, 19th century. framed.
A double crane embroidered with white silk thread on dark blue ground, made for a civilian
official of first to third rank, a square showing a pair of white cranes above foaming
stylized wave and rock work below clouds, worked in the shades of blue, white, pink, yellow,
orange, green, purple and brown on the blue silk ground...
18th century Indian bronze votive sculpture of Ganesha sitting on a rectangular throne with probhavali at his back, his vahana (vehicle) - a bandicoot rat - by his left foot, and holding his usual attributes in his 4 hands. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home. They are believed to be representing Ida Nadi (lunar energy) with its moonlike nature and feminine energy with a cooling effect...
18th century votive Indian bronze sculpture depicting the mother goddess Durga standing on the back of her vehicle - a roaring lion - and slaying the buffalo demon Mahishasura. Durga is the most powerful female deity in the Hindu pantheon. She is grabbing the hair of the demon with one hand while holding in her back hands various weapons symbolic of the attributes of all the gods given to her to slay the demon...
18th century Indian bronze votive sculpture of Ganesha sitting on a rectangular throne, with his vahana (vehicle) - a bandicoot rat - in his lap, and holding his usual attributes in his 4 hands. There is a protective naga (cobra) above his head. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship...
18th century votive Indian bronze sculpture depicting the mother goddess Durga slaying the buffalo demon Mahishasura, with her right foot resting on the back of her vehicle - a roaring lion. Durga is the most powerful female deity in the Hindu pantheon. She has a spear in one front hand, and is grabbing the hair of the demon with the other. In her back hands Durga holds various weapons symbolic of the attributes of all the gods given to her to slay the demon...
18th century Indian bronze votive sculpture of Ganesha sitting on an elevated base and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship...
18th century Indian bronze votive sculpture of Nandi - the vehicle of Shiva, or sometimes considered to be a form of Shiva himself. It rests wearing rich trappings in front of Shiva lingam. Very nice casting, wonderful feel of age produced by devotional wear and compressed sandalwood paste used during worship. Very good devotional object, pleasant to hold. Length 2 inches.