This is a very fine Japanese cloisonne vase done in the style of Namikawa Yasuyuki. It is not signed but we believe it was made by Honda, another great Meiji era artist. The enamels are rich in color and this heavy vase has a superb high gloss sheen. It stands 4 3/4 inches tall and is in excellent condition.

DESCRIPTION: A fine and very sculptural Chinese Duan ink stone in the form of a bell with a deeply carved water well on one end, and a flaring flat surface on the other for mixing ink. The stone is raised on two elongated prong feet, between which is a five character inscription...

This is truly a great Meiji Era Japanese satsuma vase. Look very close at the images and notice the extraordinarily fine detailing in the scenery etc. This masterpiece stands just 3 5/8 inches tall. Signed Yabu Meizan and in nearly mint condition.

Antique Japanese 2-section kaidan tansu, or step/stair chest of drawers. Made of solid Keyaki (elm) hardwood, the bold woodgrain is well-complimented by the original deep red lacquer finish and heavy iron hardware. With original set of keys.
Exhibited at the Prestigious SF Fall Art and Antique show, 2017.

Meiji Period (1868-1912)

Dimensions: 55" L x 26 1/8" D x 80" H

Antique Japanese kannon biraki (opening door) isho tansu (clothing chest) in 2 sections. Made with kiri (paulownia) wood front with sugi (cryptomeria) wood top and sides. The top section has a pair of hinged doors which open to reveal two large drawers. The bottom section has two large drawers and a safe box in the lower right hand side. The hinged safe box door opens to reveal two small interior drawers, one of which has a hidden compartment...

An elaborately inlaid three drawer marquetry cabinet, unusually, with tambour doors. This item was made in Japan, for export, during the late 19th or early 20th century. In very good used condition; there is one small piece of veneer missing from the top back corner of the right side; no further losses, no restoration and no alterations. 23 cm (9 inches) high; 24.5 cm (9.5 inches) high.

A large and impressive Qingbai glazed "Crysanthemum - box" and cover. Northern Song Dynasty. Diameter : 11,8 cm. H : 8 cm. Condition : The lower part of the box in perfect condition. The cover has an old, very professionally done restauration which is invisible to the naked eye ( even this restored cover still with a nice "ping" tone when tapped ).

Extremely rare: Korean Amamori Chawan of Choson (Yi) Dynasty (1392-1910). Wan shaped tea bowl, thrown from light, refined clay, with very little iron oxide, covered with a white feldspatic glaze with fine crackles and pin holes including the small foot.

Through many years of use the tea has seeped through the holes and crack to discolour the white clay body underneath, creating an effect called amamory - rain leak. The effect is especially strong along the rim...

Antique Japanese small Kiri (paulownia) wood bar tansu, with five front drawers opened by squared iron handles. Its three mid front drawers are kept secure by a locking bar with decorative iron plates. The side of the chest has a safe door, with pierced iron hardware. The safe door opens to reveal three more small drawers inside.

Meiji Period (1868-1912)

Dimensions: 23" L x 12" x 24" H

A Fine and Rare Korean Civil Rank Badge(흉배-Hyungbae)-19th C.: Korea, Joseon dynasty, 19th century. For a civil official of the rank, embroidered in polychrome silk on a navy blue silk ground with a single crane flying with a silk of pullocho sacred fungus in its beak amongst multicolored clouds above clouds and cresting waves...

Antique Japanese tansu from the Nigata area of Japan. Most likely used by a merchant for storage. The 9 drawers are in three rows with the shallowest drawers along the top and gradually getting deeper toward the bottom of the chest. The hardware is all of iron and includes elegant hirute shaped drawer pulls, fan shaped lock plates and corner bracing. The wood is paulownia (kiri) wood.

Edo Period (early 1800's)

Dimensions: 19 1/2" high x 31" wide x 19" deep.

This captivating bin-kake, or traditional brazier for tea ceremony, is crafted from fine celadon porcelain using methods first perfected in the southern Song Dynasty. The outside is decorated with low-relief Peony flowers which display a vivid sheen, owing mainly to the expert craftsmanship of the Meiji period Imperial Court artist Suwa Sozan who created this wonderful masterpiece...

Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use...

The porcelain body decorated in iron red and gold. Qianlong period 1736 - 1796. L : 24 cm. Condition : Perfect. An exactly similar tureen was offered at Christies New York, Wednesday Sept. 16. 2015 with an estimate of 10.000 - 15.000 US$. Please have a look at Christies New York, "Mandarin & Menagerie" The Sowell Collection, Part II, Lot 674.

Chinese Qing dynasty 18th century stand for bronze censer or incense burner with xuande mark. Good conditions. 14,3 cm diameter. 2,3 cm high. 11,3 cm diameter inside .

Small statue of Buddha depicting an important stage of his life when, still as Siddhartha, he sat meditating for a long time almost without eating and became emaciated and close to death, before realizing that the way to seek the Truth was not to torture oneself. Siddhartha, with an aureola at the back of his head, sits on a semi-circular throne with a vajra in relief on its front. Gilt copper, with a fine patina. Tibet or China, 19th century, maybe earlier. Height: 8.5 cm...

Head of Buddha, eyelids lowered, with a meditative expression, with a small usnisa above forehead. Wood, with multiple layers of lacquering and gilding. China, Qing Dynasty, 18th century, maybe earlier. Height: 32.5 cm. Some chips, otherwise very good condition.

A Very Fine and Large Korean 신중도(神衆圖) (Host of Spirits)” Buddhist Painting-19th C. Korea, Joseon dynasty, 19th century...

Antique Tibetan lacquer cabinet, hand-painted in motifs of flowers and foliage surrounding a central auspicious object on each front panel. Its 4 front doors are removable and swing open on rounded pegs. The top surface is slightly flared and has a panel carved with geometric designs below, similar to those seen in each painting.

Early 20th century

Dimensions: 46" L x 19" D x 37.5" H

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A single spur to the base...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base...

A rather unusual export dish decorated with a Kraak style border of six larger panels containing respectively a pair of Peaches, symbols of Longevity, and a scroll and whisk, representative of the Eight precious objects, Baxia, with the smaller intermediate panels decorated with a combined clove and jewelled Rhinoceros horn motif. The centre is decorated with a wreath of Pomegrantes and Pomegranate leaves in iron red, green and blue enamels, partially disguising an unglazed circle, enabling stac...

Red pottery moulded figure, glazed in turquoise, amber and black. On the back of his stool there is a coin symbol ( god of wealth?). H. 20 cm. Overall in very good condition with wear and flaking to the glaze and a chip at the back of his right arm. Ming Dynasty (1368-1644).

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with inc...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs. The male is almost al...

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô. In particular, his invention of a new type of glaze, s...

Chinese yixing teapot from Tek Sing shipwreck. 15,5 cm wide. 7,5 cm high. Good conditions. No lid.

Chinese yixing teapot from Tek Sing shipwreck. 14,5 cm wide. 6 cm high. Good conditions. No lid.

Chinese yixing teapot from Tek sing cargo shipwreck. 20 cm wide. 14 cm high. Good conditions.

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such. Practitioners of tea in particular are fond of reminding us that works repaired in this way become more resilient and more be...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged. In this case, the gold repairs undoubtedly enhance the bea...

Chinese yixing teapot from Tek sing cargo shipwreck. 16 cm wide. 10,5 cm high. Good conditions.

Antique Japanese small chest with drawers, called a dibukuro. Traditional Japanese homes hold a tea ceremony room with a tokonama, or a recessed closet/alcove in which pieces of artistic appeal would be displayed such as hanging scrolls, pottery, okimono and ikebana floral arrangements. The dibukuro would be seated on the floor of the tokonama. (shown in detail photos). The piece is constructed with Keyaki (elm/zelkova) burl wood, with its 4 book-matched sliding front panels and rustic natural w...

Chinese Qing dynasty bronze censer with Xuande mark. 17,5 cm mouth rim diameter. 20,5 cm from ear to ear. 8,5 cm high. 1398 gram weight. Good conditions.

Antique Japanese single section isho tansu (clothing chest of drawers). Made with Kiri (paulownia) and Sugi (cedar) woods with original finish. The chest holds 5 long drawers and 3 smaller side drawers, with hirute drawer pulls and rectangular iron locks.

Meiji period (1868-1912)

Dimensions: 44.5" L x 16.75" D x 30.25" H

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat. It shows a beautiful fine crazing from many years of careful us...

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

Free shipping.

Small seal cast in the shape of a tortoise standing on a square base. Archaic characters beneath. Bronze, with fine green patina. China, Ming Dynasty or earlier. Height: 2 cm. Width: 2.6 cm. Very good condition.

A Very Fine, Rare/Large Korean Seven Star Spirits (七星神圖) Buddhist Painting-18th/19th C.: Korea, Joseon dynasty, 18th -early 19th century, removed from a frame. A very rare Seven Star (七星神) Buddhist painting with Buddha Sakyamuni and assembled Buddhist deities, painted in polychrome mineral pigments and gold on silk, It’s in fine condition but a small area repairs in the middle of right attendants. I measures 57.5” x 45.5” (145.5cm x 115.5cm).

A lovely antique hand-knotted wool Chinese Mongolian rug, with scene of a white cat seated on a structure of rocks, its head pointed towards the sky in observation of a nearby butterfly, with branches of blue and red flowers against a red ground. Good color and thick pile. Previous owner's publication. done in 1990s, Antique Chinese Carpets, Te-Chun Wang Collection.

19th Century, Early 20th Century, circa 1910

Dimensions: 2'4" x 4'6"

Chinese Tang dynasty Changsha large bowl. 20 cm diameter. Bowl in good conditions except glaze erosion. Free from any restorations or repainted.

This is a rare, seldom seen, Snuff Bottle made from Shagreen (Stingray Skin), of a flattened rectangular form, with a flat footing, and a rounded neck. It shows the natural bumps of the stingray skin which have been shortened, and now have a back background with hundreds of gray dots. It is very light in weight. It comes with a coral over a yellow calchedony band stopper. This rare and curious bottle is in excellent preserved condition. Bottle Measurements Height: 2.25 inches (5...

This is an exceptional Famille Rose and Encre de Chine Porcelain Snuff Bottle of globular form, with a gilded ruyi band decorated straight neck, a wide gilded mouth, and a raised recessed oval footing. The entire bottle is decorated with scrolling Encre de Chine Vines and pink lotus blossoms, set atop a white background. It comes with a two-tone green celadon jade stopper in the form of a flattened capsule. The underside bearing, in blue, the mark of Emperor Qianlong (1736-1795). This super...

This is a 19th century, Molded and Enameled Snuff Bottle, of flattened ovoid form, with shoulders slopping to a waisted neck and everted mouth rim, tapering toward a slightly concave oval foot, molded with a dragon that is enveloping the entire piece. It has been carved and colored to look like cinnabar lacquer. It comes with a green jadeite flattened stopper. This interesting snuff bottle is in excellent preserved condition Bottle Measurements Height: 2.58 inches (6.6cm) Width: 1.4...

This is an Amygdaloidal Basalt , well hollowed, of circular form, with a round neck, a flat, wide lip, and a recessed oval foot surrounded by a footrim. The background is dark gray, almost black, and the attractive mineral inclusions of various shapes are light brown, blue, gray and some shades of red. Some of them have multicolor burst like forms. It comes with a like material stopper that shows various shades of blue. This very fine bottle is in excellent preserved condition. Bo...

1800's, excellently hand-carved Japanese mix-materials netsuke depicting Okame performing the Japanese custom of Mamemaki (bean scattering) during Setsubun (the day before the beginning of Spring) to cleanse away all the evil (demons) of the former year, and drive away disease-bringing evil spirits for the year to come. In the scene depicted by the netsuke, Okame is covering her face while grinning when she sees the Oni's (demons) trying to hide from the beans that she is throwing and that are ...

19th century finely hand-carved Japanese boxwood netsuke of Shogun Yoritomo (General Minamoto no Yoritomo 1147-99) sitting in his court; ready to begin audiences with his advisers and subjects. Netsuke measures 1.35 inches (3.4cm) wide, and 1.35 inches (3.4cm) tall. It is in excellent preserved condition, as may be seen in the posted photo Note: A reference to carver Ransen and his signature may be found on page 862 of Lazarnick's Netsuke and Inro Artists and how to Read their Signatures...

19th Century, Japanese nicely hand-carved boxwood Netsuke depicting a character of a Japanese folk tale 'The story of the old man who made withered trees blossom': Hanasaca Jiisan. Here, Hanasaca is shown in one of the scenes of the folk tale where he is chopping down a tree to make a mortar. Hanasaca's dog who appeared to him in a dream is showing him the location of the tree. Netsuke has a chimney himotoshi that starts on the bottom of the irregular platform where both characters stand, and...

This is a finely hand carved, 19th Century Kurokaki Wood Netsuke depicting Tenaga "Long Arms" being carried on the back of Ashinaga "Long Legs". Ashinaga is wearing a mugwort skirt, while Tenaga is wearing a rice straw skirt. According to "Pointers and Clues to the Subjects of Chinese and Japanese Art", by Will Edmunds, "Ashinaga and Tenaga are mythical people supposed to inhabit the islands Ashinaga-jima, and Tenaga-jima, east of the Shakasui or Water-ladle river, all imaginary place...

This is an excellently and intricately carved boxwood netsuke depicting a Boat full of passengers (11 of them) dressed in various garb, carrying different articles and set in different poses. One of them, in the rear of the boat, seems to be either sunbathing or nurturing an ailment; another is wearing a large Amigasa Kasa hat; there is woman carrying a baby in her arms. It is full of great form and expressions. Unsigned. Netsuke has a rich patina. It measures 0.78 inches (2.0cm) wide, 2....

A nice and rare original set of Qinghai ewer, these are a fluted side bowl, ewer and original lid with lion figure. Southern Song Dynasty. Condition is good, only the bowl had been re-stuck, otherwise is perfect with no any chip and no other crack. Height maximum: 26 cm.

A Very Unusual Korean Buddhist Female Monk/Goddess?(여승/여신도)Portrait-19th C. Korea, Joseon dynady, 19th century. Portraits of a female portrait as a Buddhist monk, goddess or other portraits like this one are a very, very scarce, the most portraits are man figures in Joseon period. Seating the portrait of female with her impression of dignity, with wearing a white robe, expressed her respects to Buddhism, and holding a Buddhist rosary on the right hand . Painted in gouache...

A Very Fine/Rare Korean “Chaekkori-책가도 冊架圖) -Scholar’s Utensils” 8 Panel Paintings-19th C.: Korea, Joseon dynasty, early 19th century, Framed. This 8 panel “Chaekkori” is not a large size but is earlier painted than ordinary “Chaekkori”. This “Chaekkori” is represented along with all kinds of subjects related to scholar’s utensils, painted in a very bright natural colorful mineral pigments on silk, they had been mounted in 8 panel folding screen, and...

This is a finely carved boxwood netsuke depicting the Skeleton of the Buddhist Priest Danka beating oa a Mokugyo, or Buddhist Temple Drum. Very nice detail and wonderful symmetry all throughout, rich patina. Signed Tomoyuki, a disciple of Tomochika, in an irregular oval reserve, on the bottom of the netsuke. Netsuke measures 0.92 inches (2.3cm) wide, 1.40 inches (3.5cm) long, and 1.27 inches (3.2cm) tall. It is in excellent preserved condition, as may be seen in the posted photos. Note:...

19th Century, excellently hand-carved in rare Persimmon Wood Netsuke depicting a realistic version of a Cicada that is laying upon a half Walnut shell. This netsuke is carved in intricate detail; faithful in form and image to the subject in nature that it represents. It is attributed to the Iwami School, because it presents all the characteristics of netsuke made by carvers of the region in Japan (See partial illustration - photo #10 - of the book 'Iwami Netsuke from the R. S. Huthart Col...

Antique Chinese small hardwood display cabinet, with multi-tiered platforms for the display of tea articles and other special pieces. The front of the cabinet has two front hinged doors carved with fu dogs, its apron below carved with scrolling motifs. The interior holds two small secret drawers and an open storage compartment.

Dimensions: 12" W x 6" D x 19.75" H

Antique Japanese unusually small kannon biraki (hinged doors) tansu chest made of kiri (paulownia) wood. The top portion of the chest opens to reveal a compartment with a single shelf. The bottom portion has two exterior drawers. Elaborate iron hardware is like that of a larger kannon biraki chest and includes heavy hinges and cross bracing on the doors with an ivy leaf mon (crest).

Edo Period (early 1800's)

Dimensions: 16 1/4" high x 19 1/4" wide x 10" deep.

Antique Chinese hardwood brush pot. Made of huanghuali wood (Dalbergia odorifera) of a cylindrical shape, the base with a slight protruding lip. The front of the brush pot is carved with a stylized bamboo forest; The opposite side carved with a calligraphy inscription and artist's chops. The original finish brings out the natural "ghost eye" woodgrain characteristic of huanghuali.

18th/19th century

Dimensions: 6 5/8" x 6 5/8" x 6 1/8" H

Antique Chinese pair of small porcelain plates. Foliate rims and raised design of two fish and swirling waves. Intricately modeled with great detail. Very delicate and beautiful.

Song Dynasty

Size of each: 4" wide