Early Meiji Period (circa 1880) Japanese Isho Ningyô of Sugawara no Michizane dressed in court attire. After his death, he was deified as Tenjin, the God of Literature and Knowledge. He gives an impressive appearance, elegant and commanding. His face bears an imperial expression. 28 inches, 71 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Early Meiji Period (circa 1880) Japanese Empress Hina Ningyô (Girls Day Doll) She really has quite a regal presence. She wears wears the many layered Kimono of Royalty, featuring elaborate embroidery. She has a beautifully carved face, covered with Gofun (Oyster Shell Lacquer). Her fantastic crown is something special. 11.5 inches (29 cm) high and 12 inches (30.5 cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Edo Period (circa 1750) Large Japanese Wood Sculpture of a Shrine Horse, a gift from an upper-class family to a shrine. Images of Horses are highly prized in Japan. It is commissioned and presented to protect a newborn male child. Rising up on its back legs, set to gallop, it strikes an animated, exciting, and beautiful pose that sets it apart from the usual static poses that these horses have...

Samurai Yoritomo (Minamonoto) Japanese Doll, first Kamakura Shogun dressed in Suoh, high ranking Samurai's attire in Kamakura Period. The doll was possibly made by Maruhei in Kyoto. Circa Taisho period, 1920-1930. Damages in the black cloth hat.

The measurements: 14 inches to the tip of his hair and 13 inches across the sleeves at the bottom when the doll is displayed. The bow is a new addition.

Showing the whimsy that exemplifies good American folk art, this watercolor double portrait depicts a young man and woman who are clearly siblings. The artist achieved a starkness by having them in black clothing and not accentuating the details of their garb. In fact, the basic touches of color are only the blue in the girl's eyes and in the sky against which they are posed. Note that neither sitter is gazing directly at the viewer, nor are they looking in the same direction...

Figured blue silk. Stitched on embroidered roundels with design of a boy holding flowers. Applied with black silk band and ribbon at the collar, cuffs and hem. On yellow silk satin in satin stitch and Peking knot beautifully embroidered sleeve bands with flowers, peaches and bats. Peach colored silk lining. Condition: One roundel at the back and parts of the ribbon missing. Some wear and minor staining, loose threads, lining worn, repair. Dimension: Sleeve to sleeve 148 cm, 57 cm high.

This is a pair of old chinese handmade boots which were brought back to the US by an American missionary. In China, it was a woman's responsibility to make shoes for the entire family. This pair was made of cotton fabric, using traditional Chinese techniques. Being slightly padded, they were probably for winter use. They are in excellent condition...an authentic and interesting artifact of old China.

This blanket shaped Miao ethnic minority baby carrier is from Jian He and is a good example of the whorl pattern which was so significant to the Chinese Minority. Made from hand-loomed plant fibers (maybe cotton, maybe bast fibers) the surface is heavily decorated with appliques edged with chain stitching. This carrier is in good condition showing a minimum of wear and dirt and it 80+ years old

Each band of this pair of very fine silk embroideries have 2 sets mirror images: one set of floral motif and the other set of a couple celebrating. Both sets use satin stitch, french knot (aka forbidden stitch) and couching embroidery techniques. The embroideries are on a background fabric of fine patterned silk which measures 6" by 15". The floral embroidery is 1.5 x 2" and the couple embroidery is 1.5 x 5"...

A double knopped multiple spiral air twist drinking glass with a round funnel bowl. Between the shoulder knop and the bowl is a plain straight section of stem which might almost qualify this glass a composite stem type. Conical foot. 6 5/16 inches in height with a bowl diameter of 1 7/8 inches and a foot diameter of 2 3/4 inches.

An attractive antique wine glass with a waisted bucket bowl above a single series air twist stem with a pair of spiral cables. The glass has a conical foot and is 6 1/4 inches tall, with a bowl diameter of 2 5/16 inches and a foot diameter of 2 5/8 inches. There is a very small invisible fill under the foot.

An English wine glass with a waisted bucket bowl above a single series air twist stem containing twin spiral cables. Conical foot. The height is 6 3/8 inches, the bowl diameter is 2 3/8 inches, and the foot diameter is 2 1/2 inches.

A wine glass with a large flared bell bowl with a solid base. The stem is of the multiple spiral air twist (MSAT) type, above a conical foot. 6 7/8 inches tall, bowl diameter 3 inches, foot diameter 2 7/8 inches. Perfect condition and the discrepancy between the bowl and foot diameters is due to the large flare of the bowl.

A Royal Crown Derby 6452 hand painted covered entree dish 1907. This fine quality English bone china covered oval entree dish is dated 1907and it was made by Royal Crown Derby in the 6452 pattern. This 11-1/4" x 7-3/4" serving dish has a cobalt band with matte gold painting including a grape vine motif and white enamel jewelling. It is marked on both pieces with the orange ROYAL CROWN DERBY ENGLAND 6452 mark, the M year letter (for 1907) and an underglaze stamped DERBY 6-07...

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss...

1300s/1400s

Decorated under the glaze with stylized patterns and concentric circles in iron oxide. Skillfully wheel-thrown and rests on a slightly flaring foot. Well-formed lid is surmounted by a circular knop with a yellowish-brown iron glaze. The interior and foot are unglazed. There are minor areas of glaze degradation on the top of the lid from burial. Some minor wear, small old chips to the interior lip of the bowl. Some evidence of burial earth remaining...

Exceptionally beautiful Japanese lacquer box with a small doll, mame (pea sized) Ichimatsu nigyo (doll) inside - she actually is 4 ½” tall. This must have been some girl's (or woman’s) treasure box years ago. It may have been a gift from her mother or grandmother. The lacquer box is decorated with auspicious designs; a long tailed turtle emerging from a stream, pine, bamboo and rocks on the bank with a crane flying above...

This type ware is often mistakenly referred to as Leeds and feather edge. In reality, many factories other than Leeds made pearlware items of this nature, and the type edge here is more properly called a molded edge. This particular plate is marked with an impressed flower on the back. It has an elaborate raised tree and floral decoration.

10 " diameter, in excellent condition. with no chips, cracks, or other problems...

A Central Anatolian prayer kilim in beautiful colors. Woven in slit tapestry, warp and weft in wool. Condition: Colors slightly faded, minor wear and few small repairs. Collectors piece, the weave is very fine and delicate, should not be exposed to heavy traffic. Dimensions: 202 x 118 cm without fringes.

An antique embroidered silk with cotton back bed hanging or valance from the Xuantong era in the late Qing period 1908 - 1912. This beautiful fringed antique valance has fine embroidery, including gold thread and multi-color silk thread depicting flowers, butterflies, fish, people and many other symbolic figures and images, with fine short and long stitch embroidery and extraordinarily fine seed stitching. It is mounted on a pinkish cotton backing and it has a fine 7" fringe and edge netting...

Late Edo Period (1850 -1868) Kyoto Bronze Vessel with an Encircling Dragon beautifully casted in high relief. Rich patina, wonderful shape, and a stunning design. Dragons are a Japanese symbol of strength and valor. 10 inches (25.5cm) tall x 10 inches (25.5cm) across. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Large Japanese Early Meiji Period (circa 1880) Okimono of a Kirin, one of the most magnificent and admired creatures in Japanese mythology. The Kirin is a Japanese unicorn, an animal-god who punishes the wicked with its single horn. It protects the just and grants them good luck. Seeing a kirin is considered an omen of extreme good luck - if one is a virtuous person. This spectacular carving is a masterpiece. It truly captures this fantastical creature in every detail. 13.25 inches (33.5cm) ta...

Very Rare Early Edo Period (early 17th Century) Japanese Lion Mask for the Gion Festival. It would have been part of a two man costume, one man holding the mask and the other at the back covered by fabric to perform the traditional Lion Dance. To find this mask from such an early period is really quite an important find for the serious mingei collector. 12 inches (30.5 cm)h x 10.5 inches (27 cm)w x 11 inches (28 cm)d. From a widely renowned and published collection that has been exhibited at t...

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Of slightly squat form, with metal handle and protective metal bands on the rim of the pot and the cover, and the end of the spout. The bottom with incised mark of the potter’s name.

Age: China, Qing Dynasty, circa19th century
Measurement: Height (measured from the foot to the cover's knob) 12 C.M. / Diameter (of the pot) 19 C.M.
Condition: Repaired to the interior rim of the cover and with some rim chips to the end of the cover. Please refer to the enlargement photos for more d...

English sterling hinged snuff box from Chester, c.1898. Measures 2" by 1 1/4" by 3/4" high with light decorative monogram. It is signed with appropriate marks and the maker and is in excellent condition......$10 for insured shipping.

Victorian decorative sterling clip, c.1893. Measures 2 3/4" by 1 5/8" and the hinge is in excellent working order. it is marked "STERLING 3905 PAT.1893". There is also a maker's mark that has faded and is hard to read. Excellent condition......$10 for insured shipping.

Two lovely English trios with painted decoration of single roses. Wishbone or London handles, c 1820, probably New Hall. Numbers painted to base: 925 and 923. Height of cups "3/ 7,5 cm, diameter of saucers "5 ½/ 14 cm. Condition: a yellow tone to part of the handle of one cup (from fabrication), otherwise fine.

This is a nice pair of tomb guardian, one piece in the form of a warrior and the other a mythical beast. The pair of tomb guardian is made of white earthen ware with copper green glaze. The green glazed is also nearer to the celadon glazed type. The clay, glaze and style suggest that the pair of tomb guardian suggest that this pair of tomb guardian straddles between the late Sui dynasty to the early Tang dynasty or about 7 century.

There is a re-attachment to the broken right ear of ...

This is a small and square jarlet from the Yuan dynasty (1277-1367). It stands on a flat base and rise straight up to a flat shoulder and then towards a small vertical square mouth rim. There are two small lugs on the opposite side of the shoulder. On all four side of the jarlet, there is a drawing of a single chrysanthemum flower in copper red colour. Most of the jarlets found are painted in cobalt blue and it is pretty rare to find them in copper red. The origin of this piece is from South-Ea...

Very nice Imperial Russian peacock blue pressed glass tea box. Glass tea caddies are difficult to find in this color. The design features fans, strawberry diamonds and Russian cane motifs. The box is bound with silverplated mountings and a lock. The box was almost certainly made by the “OtyM.F. Atelier”. Locked tea boxes were a holdover from earlier days when tea was a precious commodity that had to be kept safe from marauding servants.

Origin: Russia, ca. 1900. Condition: very good, some...

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

I have too many bronze arrowheads to post separately so here is another group. These are all from China and date from as early as the Western Zhou (circa 700 BC) to as late as the Han period (circa 200 BC). Each of these is a great specimen for collecting, for study, or both. Inquire for individual prices. I will certainly sell them as a group at a discount - just email me with offers or requests.

Burmese lacquerware offering tray coated with black and red lacquer.

Age: Burma, Mandalay period, circa 19th century
Measurement: Diameter 31.8 C.M. / Height 6.3 C.M.
Condition: Nice conditon overall (some expected degradation due to its age such as natural cracks which are common for old lacquerware). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Takeda dolls are modeled after the characters from 17th to 19th century Japanese theater. They are known for exaggerated postures and often with a vivid facial expression of the Kabuki actors or Jyoruri puppets on stage from the period.

This doll is holding up a "takafuda" bulletin board in one hand and a brush in the other. "takafuda" was an official bulletin board for Tokugawa government (1603-1868) to announce any regulations, or changes etc.

Little was known about Takeda do...

A fine pair of sterling silver sugar tongs in the classic “Kings” pattern. The design is very nicely worked and the tongs are generously sized. The inside of the tongs are fully hallmarked for London, 1837. They also bear the William IV duty mark. This mark, used in conjunction with the 1837 date mark, was used for only 22 days before being changed to the Victoria duty mark. The maker’s mark is that of either William Barber or William Barrett II.

Origin: England, 1837. Condition: e...

Japanese wood zuishin figures probably from early 1900s. They are figures of the Toneri, the imperial guardsmen from the Heian period (794-1185). Later in the Kamakura period, they became the gate keepers of the Shinto shrines. Zuishin are sometimes called sa(left)-daijin and ya(arrows)-daijin (arrow-minister). The first character 'dai' means large or great and the second character means 'god'. There are zuishin dolls in Japanese Hina doll - the Minister of the Right and the Left - the ...

This panel was taken from Japanese "futon" bed cover. It is decorated with a chagama and other utencils used in the tea ceremony. They are drawn in the paste resist dying technique called tsutsugaki. The green area appears to be dyed with two colors, "ai" indigo blue first then yellow dye. The fabric (cotton) is loosely woven with one repair as shown in the photos. Meiji Period(1868-1912). Dimensions: 61" x 48"

Decorated with parrot in the form of a human, seated at the end of the handle, holding a rope in both hands.

Age: Burmese, Early 20th century.
Measurement: Total Height 27.5 C.M. (Height excluding stand 17.5 C.M.)
Length 29.5 C.M.
Condition: With aged crack and natural wears. Please refer to the enlargement photos for more details.
Shipping: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

One of the best examples of Japanese bronzes we have seen in an increasingly sparse market, this beautiful piece is worth a second look. Deep, rich Meiji Period (c.1867-1912) bronze with carp swimming over waves in raised relief on one side; geese frolicing among grasses, also in raised relief on the other side. Handles come out of baku's (bad dream eaters) mouths. Absolutely stunning. c.1890. (10½" x 5½") (27cm x 14cm). EMS Shipping/Insurance to USA or Western Europe $90.

A Rare Oiled Entire Papered Marche Documentary Box: Korea, Choson Dynasty, 19th Century It is of rectangular shape with a flat base and fitted with a rectangular cover hinged at two places in the back, the interior box applied with an original decorated silk, it has two c-shape cast iron handles on back and front sides and the front applied with a foliaged rectangular lock plate. This papered box used only paper without any wood which is one This rare documentary box is covered over al...

Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of 13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...

Wonderful figural statue clock depicting a boy relaxing on his horse by a tree. Made of mixed metals (spelter, tin) and polychromed porcelain giving this a bronze-like finish. Reins intact. Piece dates to the turn of the century and is in very good condition. Measures over 16 inches tall. Marked Czechoslovakia. Working condition. Gorgeous piece with such expression. **** Orders can be taken over the phone at 704-564-1952 or email address wellingtonandco@bellsouth.net. If you prefer to pay throu...

Description: A lovely dog was carved vividly in a crouching way. Lying as is in sleeping, the dog's ribs were obvious by the carver's observation.The sandstone's quality was strong and the color was in grayish white and amid with black dots. Date was judged by the overall erosions and the characteristic style of the subject. Date: Song period(12th century), Width: 12cm , Height: 9.5cm.

Attractive Louis XVI period oak/cherry/pear/maple wood Desk/Secretaire/Chest, center folds down as writing surface, inside has numerous smaller drawers and storage areas; top drawer as well as 3 bottom drawers with locks/keys, size L. 125cm x H. 120cm x D. 60cm, used condition, of Swiss origin and will be shipped from Switzerland.

Description:
In abstract form, a pair of stone tiger weights of Han dynasty was preserved in original excavation condition.
Covered all over the surface with adhering earth coatings, the images of recumbent tigers were still revealed by the silhouettes.
Han-Bar-Dao, a typical carving skill of Han Dynasty was used on two of the pieces.
In simple and clear carving skill, the images of two tigers were vaguely and subtly rendered.
Had been applied with white slip as the ...

An attractive and well made hand-blown pair of early-mid Victorian stoppered glass liquor decanters. These matching 11-3/8" decanters have some hand cutting on the shoulder ribs and they retain their original blown and cut stoppers. They have polished pontils, they are unsigned, and they are in excellent original condition with no cracks, losses, damage or repairs other than some tiny fleabites on a few of the bottom of the ribs and at a few of the handcut facets, a small chip on one stopper a...

This is a late Qing dynasty bamboo design yixing teapot of rectangular shape. It is dated to the Tongzhi period (1862-1874), late Qing dynasty. All the sides are shaped with the bamboo design, including the spout as well as the handle. The cover has two bamboo leave of dark green colour. On the base of the teapot, it shows the Tongzhi reign mark of the Qing dynasty. Also on the cover, it bears the seal mark of either the potter or the seal carver.

The teapot is in good condition. The...

5.25". On the back of the handle the spoon is engraved "Edith 1912".

This charming old Chinese headband was handmade for a small child sometime in the late Qing dynasty. It is one of the nicest animal headbands that I have seen, and it is in good condition. The cat's face would have been worn at the child's forehead and is 3 dimensional. Made with silk fabric, with silk thread for the elaborately embroidery, the face is complete with ears that flap, and side paws. Opened at the back seam for easy framing, it can easily be re-sewn to fit display stand.

This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.

A charming oil on cardboard American folk art painting of a white clapboard house with a red porch, set amidst trees and greenery. Overall very fine condition with some truly minor scuffs. The gilt frame is period. Sight size is 16 inches by 12 inches.

A wonderful double sided smalt trade sign for D.M. Woodward, Doctor of Chiropractic. The gilded letters and the black smalt background are virtually intact and vibrant. The frame is original, and measures 28 3/4 inches by 14 inches by 2 inches deep. There is a small sliver out of the frame at one upper edge, and a small gap in the frame at the corner. Aside from these very minor flaws, the piece is in excellent condition.

A beautiful and vibrant chausable set from the mid 18th century, comprised of the chausable, the maniple, the chalice cover, and mat. The deep, rich purple damask of the material is set off by the intricate embroidered orphrey on the chausable and maniple. Even the cover and mat, made of the same damask, have embroidered crosses on them, and are bordered with metallic thread. Overall condition is very good, with some scattered splits and stains.

Flint EAPG goblet in the "Washington" pattern produced by the New England Glass Company. The clarity is excellent.

Origin: America, ca. 1860. Condition: no chips or cracks, normal frost wear on base. Size: 5-13/16" high.

Flint EAPG ale goblet in the "Colonial" pattern, probably by the Boston & Sandwich Glass Company. The goblet has a very attractive, narrow form. Nice clarity.

Origin: America, ca. 1850. Condition: no chips or cracks, a scratch on the bottom interior of the bowl, normal frosted wear on the bottom. Size: 6-3/8" tall.

A very fine early cut crystal wine decanter with etched grapevine decoration. The neck is panel cut and accented with a diamond-cut ring at the base. The panel cutting extends past the ring on the shoulders and resumes at the base. The sides are beautifully decorated with an etched grapevine pattern. The etching is finely done. The base is star-cut. The hollow-blown stopper is panel cut to match the decanter's neck. The inside of the neck and the base of the stopper are etched with matchin...

A simple black glazed ribbed vase with foliated rim. It stand on a two tier splay high foot, then everted towards a bulb like body towards a straight neck and then slightly everted towards a foliated mouth rim.

No damage, repair or restoration. There are abrasion, minor chips, pin holes, bubble burst and minute shrinkage of the glaze. All this are shown in the picture 3. Overall it is in good condition,

The dimension of the ribbed black glazed vase is: The height is 21.7cm...

A beautiful and elegant pair of coach or carriage lamps, with the original oil burners. The lamps are fashioned of brass and copper, and retain all the original features in superb condition, including the glass, caps, and holders. Measuring slightly over 16 inches in length, and 7 inches wide, the lamps could be used indoors or out, as is, stunning your guests with the warm oil flame. Alternatively, they could be electrified for either indoor or outdoor use.

This is a cizhou style wine jar in a baluster shape from the Yuan dynasty (1277-1367 A.D). It stands on a shallow short recessed foot-rim like a stand and then everted outward like a short “C” shaped pedestal and the everted outward and upwards to a baluster shaped body with a flat shoulder and then straight upwards towards a very short neck mouth rim. The jar is divided into four horizontal bands with design in between them. Each horizontal band is separated by a thick ring surrounded by a...