UNITED STATES WATCH Co. Marion Watch Co. Marion New Jersey 1865 – 1877

The United States Watch Company was chartered in 1865, and the factory building was started in August 1865 and was completed in 1866. The first watch, called “The Frederic Atherton” was not put on the market until March, 1867. It was Americas first mass produced stem wind watch. The first Grade was 18s, 19 Jewels, full plate and a gilt finish movement...

Tsuba in cut iron, details inlaid in solid gold. The characters are excessively in relief, thickness of the tsuba 4.8 mm and 9.6 mm for the characters. Diameter: 76mm. Decor representing Jô and Uba with their broom and rake under a pine tree. This refers to the legend of 2 lovers who, united for life, were very happy and together became very old. They died the same day at the same time. Their spirit lives in 2 old pines, one in Sumi-Yoshi and one on the beach of Taka-Sago...

Very Fine Gilded Bronze Cloisonne , depicting Chinese Auspicious Symbols and geometric patterns, with incised four-character Qianlong Mark, as shown in the listed photos This bottle is in remarkable preserved condition. Bottle Measurements Height: 2.46 inches (6.2cm) - not including Cloisonne stopper Width: 1.76 inches (4.4cm) Thickness: 0.76 inches (1.9cm) Weight: 1.8 ounces

We kindly like to offer you a very unique tea bowl, made around 1800. Very sophisticated Karatsu Chawan, perfect in form and shape.

It presents a real wabi sabi aura with its fantastic lacquer-silver repair and its antique Japanese characters on. The 1st one seem to be Sakura (Cherry), and the 2nd probably Umi (ocean), but they are hard to read.

Size: 10 cm height x 10,5 cm in diameter.

Shipping included

Kozuka of good quality.Shibuichi inlaid with silver, gold shakudo and sentoku. Cockfighting and a Chinese person. curiously no signature. About 100x15mm Good condition. 19th century or earlier.

Chinese cloisonné and gilt bronze horned mythical animal from the late 19th century. The body is decorated with a colorful cloud pattern. The top, also a lid, is decorated with a blue, green, and gold hexagonal turtle shell pattern and two blue dragons on body. It has three pieces, the body, a fitted lid, and an inset piece. It measures 6" long, 6" tall.

An antique Japanese 3 section kimono chest called Isho Biraki Tansu made entirely of Kiri (Paulwonia) wood. All original hardware and natural patina finish. Top section has two sliding doors behind which lies three small drawers and a split level shelf. The drawers and shelf front have a Kuwanoki (Mulberry) wood trim. The center section features 2 large hinged doors which house 4 kimono trays with Kura on the center shelf. The bottom section has 3 large drawers for additional storage...

An antique Korean money chest or trunk made entirely of heavy Red Pine wood. All hand forged iron hardmounts and fittings. Strong box design to withstand the heavy weight caused by the storage of coins.

Age: 19th Century (Yi Dynasty)

Dimensions: 42" Wide by 16 1/4" High by 20" Deep

Large Sukhothai stoneware water jar with four loop handles around the neck and naturally running brown glaze on the body, traces of original remain in good condition.

Age: Thailand, Sukhothai Period, 16th Century
Measurement: Height 58 C.M. / Width 42 C.M.
Condition: Nice condition overall (some restoration on mouthrim and a chip on bottom). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Fine wooden Buddha subduing Mara with brown lacquer patina, early 19th Century, Shan State, Burma, condition good (bottom of base and back of base shows raw wood, i.e. patina worn), nice specimen, size: H. 32cm x W. 15cm x D. 6cm

A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

A massive and extremely rare Mandarin and famille rose pattern bottle with lid. This rare Chinese export stands at 18 inches high with the lid. In excellent condition, no cracks, hairlines, chips, etc. Only minimal wear to the enamels about the neck handle, where it was most likely held. Circa 1840.

Koryo Dynasty, 1100s

Glazed entirely including the foot and base with a pale greenish-grey glaze, and decorated on two sides with bold stylized calligraphic designs. Good condition except for a small chip to the mouth rim. The foot retains evidence of at least eight spurs on which it was fired and possibly a dusting of wood ash from the firing adding character and a bit of visual texture to the upper body.

Diameter: 3 ½ in.; Height: 2 ¼ in.

This is a rare and attractive example of Japanese Golden Age Cloisonne. The colors are bright and the design is very desirable. It is a unique piece that was probably made in the mid 1890's. The tray is heavy and measures 12 3/4 inches by 8 inches. All in all condition is very good and it displays wonderfully. If you look close, there is a short craze and slight bend in the outer rim (see image). There is some roughness on the bottom is from the firing process.

Ca. 1900
Late Qing Dynasty
Porcelain with underglaze cobalt blue
Height: 56.8 cm / 22.4 in
From a Vero Beach, Florida estate

A 22.4 inch tall late Qing floor vase, powerfully painted with a dragon hidden within clouds, flying over a carp emerging from the ocean waves. Jingdezhen potters created the scattered clouds by blowing cobalt pigment onto the vase through a straw...

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Antique, late 18th or early 19th century, imperial Russian casket, or chest, veneered with bone in a manner characteristic of the 18th-century works of Khalkogory artisans from the Arkhangelsk region...

Faience shabti for Hathor-em-achet. Depicted mummiform, with hands emerging from tightly fitting garment, wearing the false beard and seed sack strung over his left shoulder. 30th Dynasty, 380-340 B.C. Small chip on nose. Otherwise, intact. From a Manhattan, NYC estate. For similar, see photo of reference.

Antique Japanese two section cha tansu (tea chest) made with beautiful burl wood front drawer panels, and persimmon wood front frame, in all original lacquer finish. The top section has two burl sliding doors and two very large textured glass panel doors, the interior of which has very unique shelving with natural wood accents, lacquered in red. The bottom most section has six drawers, two small sliding burl panels and one hinged door. Taisho period (1912-1925)

Size: 33.5" L x 14" W ...

Decorated with four stylized panels revealing the Buddha on the lotus throne, the background is painted with flower and leafy scrolls, with a mark reads “Yung Cheng” on the bottom.

Age: Chinese, Qing dynasty, 19th century
Measurement: Diameter 20 C.M. / Height 25 C.M.
Condition: With a cracked line starting from the mouth rim to the upper part of the jar. Please refer to the enlargement photos for more details.
Shipping: Worldwide shipping from Bangkok, Thailand at actu...

A Ming cast-iron figure of Vairocana, the Dharmakaya Buddha, the most important of the Five Dhyani Buddhas, the one from whom the other emanate from; his name means "luminous" or "embodiment of light”. He is sitting on a lotus throne, holding his hands in Abisheka Mudra (consecration gesture). On the back side there is a dedication: donated by the Li family. Ming Dynasty, 1368–1644. H. 27. Condition: Very good but with few casting mistakes on the back

17th/18th C Chinese hardwood carving of Quan Yin. Beautifully carved with nice elegant lines, this statue has a wonderful patina than only comes with time. In very good condition there are a few age cracks which do not affect the integrity of the piece. There is some glue residue on the bottom where she was attached to an old lamp base. Measures 11.5" high, 4.75 inches across, 3.75 inches deep

A rare hand painted Snuffbox (tobacco) English circa 1790 view of Battersea measuring 2 1/2 inches wide, 1.75 inches deep 1.25” high (Quillen estate)

From the Greek colonies in southern Italy. Trefoil oinochoe depicting a nude satyr, also known as a silenus or silenos, typically portrayed as a male figure with ears and a tail, said to be resembling features of a horse, and with a large phallus, the sides decorated with floral design. 3rd/4th Century B.C. 5 1/4 inches high. Intact. From an old NYC collection.

Shrine with the very rare image of the death of the historical Buddha Shakyamuni, called nehan-zu, and his entrance into the state or perfect peace, called nirvana or nehan. The Buddha lays stretched out on a rectangular lotus base, his head resting on his right arm. Although normally in nehan-zu one will see gathered around the bed 52 kinds of beings, human and animals mourning the Buddha, there are none present in this zushi. From the ceiling of the case hangs a curtain of sorts.
Carved ...

Japanese cloisonné vase, decorated with silver thread, depicting blooming chrysanthemums, symbolic flowers of Japan and the emperor, painted with bright enamels that vary from shades of white to purple. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30.2 x 12.5 cm. State of conservation: Very good

Sculpture of Daikoku sitting on a rice bale with a big grin on his face, spilling countless jewels (tama) from his treasure bag.
Keyaki (Paulownia) wood, carved in a slightly abstracted manner, called ittobori.
Unsigned. Mingei (folk art)
Japan, 19th century.

H ca. 11 x W 10½ in.

Tension cracks (consistent with material and age), several scuff marks, painters tape on bottom.

Daikoku is one of the seven gods of good fortune. He stands for good fortune and wealth. T...

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

A comparatively large sized Japanese Amitabha AMIDA-NYORAI from the Mid Edo Period - about 200 years old.

It is made of premium wood and has been carved by a master craftsman. The golden colour is still vivid and shiny and looks absolutely amazing. Buddha Statues of this quality are very rare.

It is in very good condition with no repairs and no serious damage.

Size: Width 4.9 in : Length 3.7 in : Height 15.7 in : Weight 530 g

Shipping included...

Budai is the Chinese "Père Noël" ,the Japanese calls him Hoteï. He carries toys in a big bag and distributes them to children who adore him and are sometimes represented at his side. The god is seated, his half-open robe reveals his large belly, a symbol of his generosity. He holds his rosary in his hand. Oddly enough his big bag is missing. It is sculpted from a beige steatite ( soap stone) stained with pink, on the skull appear red veins of the stone. The artist knew how to breathe life int...

American brilliant-cut glass and sterling silver decanter. Made by Gorham in Providence in 1894. Round body with thumb ring handle. Cut ornament in arched frames. Collar silver as is hinged and cork-lined cover with floral repousse. On cover is engraved block monogram and dates “1870 W. G. C. 1895”. Fully marked including no. S1744 and date symbol. Very good condition.

Dimensions: H 9 x W 5 1/4 x D 3 1/2 in. #BO891

Very refined zushi with the sculpture of the bodhisattva Jizo. He stands on a lotus throne on rocks, holding a jewel in his left hand, his right hand missing. Behind his head a halo with very fine decoration in relief of clouds and jewels. Light wood with polychrome and gorgeous gold decoration, especially on the garment. Japan, Edo period, 19th century.
Height 6 in. (15.3 cm).
Right hand missing, otherwise excellent condition. Case: some dents and chips, basically in very good condi...

Circa 1870s-90s Japanese Hirado porcelain vase with a globular body raised on a short footrim and rising to a slender, knopped neck with everted mouth and galleried rim. Decorated in underglaze cobalt blue with a falcon perched on the bole of a gnarled pine tree, a band of lappets around the foot, and the rim with a continuous key-fret border, it is in excellent condition. Measures 10.5" high x 6.5" diameter

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl. Signed Kozan under the base. Origin: Japan Period: Meiji end ...

Antique bronze scholar's brush rest - holder in the form of a Chilong dragon, Ming Dynasty (1368–1644. AD), China.

This brush rest was cast in the form of a sinuous dragon with hand-chiseled details. It is further distinguished by a single horn and a bifurcated tail that coils and unfurls.

This brush stand is more than a functional object; it is an imaginative and auspicious sculpture designed to decorate a scholar's table. Its neck, body, and tail provide places for resting writing...