A pair of 18/19th C. Chinese Manchurian ladies platform high rised sole shoes, beautiful embroidery museum quality with normal wear in good condition. L23cm Sold to China

Embossed pendant decorated with two figures of deities, one male wearing a dhoti and the other, a female, entirely naked, each with an aureola, standing in front of what seems to be an altar. A loop on top allowed attachment to a necklace. The pendant is made of 18 K gold, with remnants of soil encrustations. Graeco-Buddhist art, Gandhara, 1st to 3rd century. Height: 5.5 cm. Lower part slightly bent (no damage), otherwise very good condition...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 17.8 cm diameter. The dish has some light wear from normal use but is otherwise in fine condition...

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 18 cm diameter. The dish has some light wear from normal use, plate stacking for example, but is otherwise in fine condition...

A Pair of Very Rare/Fine Korean Polychrome Enameled Wood Carved Tigers: 19th C.: Korea, Joseon dynasty, 19th century. A pair of lacquered wood tigers. Both are modeled in poses to suggesting hunting or stalking, with mouths open as if ready to bite - or possibly they have caught their prey and are ready to roar with triumph! The lacquer is yellow, black, and red. Both tigers stand on a wooden base and they likely served as guardians at an entryway...

Antique pair of Japanese shokudai (candle stands), made of bronze. Beautiful simple design with faceted stem and small chrysanthemum shaped detail where stick meets base. Each stand has a little hook and circular candle guard.

Meiji Period (1868-1912)

Dimensions: 17 1/4" high x 8" wide

A jar of squat form with three lugs and a short neck with flaring mouth. Moulded peony spray decoration in low relief on the shoulder. A translucent glaze over a white porcelain body, the flat base unglazed. Yuan to Ming Dynasty, fourteenth to fifteenth centuries. Dehua ware Fujian. H : 4,3 cm. Diameter : 5,4 cm. Condition : Chips to the flaring moutg ( see images ) further in excellent condition. Please see an exactly similar jarlet, but with four lugs on page 84 ( item Nr. 20 ) in John S...

A well potted jar of globular form, decorated in underglaze cobalt blue with a collar of lotus petals around the neck and a continuous floral scroll meander on the body. Off-white stoneware body with a transparent glaze. The base unglazed. Annamese ware ( Vietnam ) fifteenth century. H : 7,4 cm. Diameter : 8,3 cm. Condition : Perfect.

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square...

It is the decoration and this really brilliant cobalt blue that makes this jar to an realy extraordinary nice example of an Qing Dynasty blue and white vase / jar. Qing Dynasty, late 18th. century. H.: 9,4 cm. Diameter: 8,7 cm. Condition : Perfect.

H. 11,6 cm. Very nice age wear and a soft patina with traces of puja worship. Provenance: Belgian private collection.

Chinese Qing dynasty bronze censer or incense burner. 15,5 cm wide from ear to ear. 10,8 cm mouth diameter. 6 cm high. 904 gram weight. good conditions.

This is a Qing Dinasty, Flattened, Rectangular form tapering towards base snuff bottle, with rounded shoulders, rounded straight neck, and raised rounded rectangular footing. It is mostly of brick red color with some subdue light brown streaks. A light sheen on its surface enhances its natural Cher stone color...

Wonderful Minpei/Awaji ware tea bowl made by the legendary 1st Minpei Kashu during the Edo Period, with deep glaze cracks and soft cobalt blue pictures. It comes with a signed wooden box and a signed and sealed attestation of Hasshu Uewashi, issue number 256. Hasshu Uewashi was a famous judge of Japanese pottery who worked during the Meiji and Taisho Era.

Awaji ware was founded in the early 1830s by Minpei Kashu (1796-1871) from Iga village...

This is a Qing Dinasty, 18th/19th century, Flattened, Rectangular form tapering towards base snuff bottle, with rounded shoulders, flared short neck, and raised oval footing. It has a deep, rich spinach-green color with dark mottling...

An attractive blue and white Qing Dynasty snuff bottle with lid. Small chip to base, but otherwise in good condition. High resolution images on request.

The classic yongmok samcheung-jang (Korean zelkova root chest with three levels) is probably the most-widely imitated type of Korean antique chest among the reproductions that are all over the internet. This exquisite and genuine 19th Century Joseon Dynasty yongmok samcheung-jang will surely be the showcase piece in any collection. Yongmok is zelkova root, and literally translates to dragon burlwood, which describes the shapes of dragons that can be seen in the very fancy grain of the zelkova ro...

A Fine Korean Copper-Red//Blue Glazed Peach Shape Water Dropper-19th C.: Korea, Joseon dynasty, 19th century. Resting on a eight-sided stand modelled as the stem of the peach fruit, the two side leaves Incised with diagonal lines to indicate veins and painted in underglaze blue, the pointed tip, and three stylized flowerheads below the tip in painted underglaze copper-red, and stem painted in underglaze iron-oxide, also covered by a glossy translucent glaze. the base glazed with ...

Antique Thai panel with red and gilt pigments, featuring detailed hand-carvings of two dancing human figures with a monkey over a reticulated ground of various flora.

Dates from the 19th century

Dimensions : 13"L x 2" D x 16.5" H

Antique Korean blue and white porcelain water dropper. The large body is rectangular with designs of scholar rock formations and a cherry blossom branch on its top surface in underglaze cobalt blue. Two small frogs serve as air holes adding a whimsical charm to the piece.

Dates from the 19th/20th century

Dimensions: 5" L x 2.75" D x 2.75" H

Unusual Japanese 2-panel calligraphy screen with highly stylized brushstrokes, bordered with silver leaf and silk. The left character reads "Gi" (or Righteousness); On the right reads "Dao" (the path or way). The inscriptions appear to mean "Righteousness must always be pursued".

Signature of a monk or a priest in his late 70s named Kakuan, appearing to date Spring 1851 with a description of the studio in which the painting was made. It is also written that Kakuan was overcome by gr...

A small globular porcelain vase with short neck, unglazed base and decorated with an score design. The scores emphasized with underglaze cobalt blue. Late Ming Dynasty, sixteenth century. H: 5 cm. Diameter: 4,9 cm. Condition: Perfect.

Antique Japanese ikebana (flower arranging) basket, very finely hand-woven with thin strips of bamboo. Its form is narrow towards the mouth of the basket and flutes slightly towards the squared base, with four knot-woven feet, and the frame of the basket is reinforced with thicker bamboo sections, secured with tight coils. The handle is formed by natural Wisteria burl root. With hand inscribed signature on the base.

Dimensions : 9" x 7" x 19.75" H

A Very Rare Korean Unified Silla Bronze Standing Figure-8th-10th C.: $3,200 Korea, Unified Silla Period, 8th to 10th century, an old natural greenish dark black patina. It is a cast solid, standing on a lotus pedestal base and cast with drapery falling in u-shaped folds from the neck to the ankles, back cast of the figure open including its head with an old natural patina. It’s in fair condition in its age, it measures 3. 7/8" ( 9.8cm ) approx.

Elegant Chinese Jian hare's fur tenmoku chawan made during the Southern Song Dynasty (1127-1279). Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The deep rounded sides rising from a short straight foot to a lipped rim, covered overall in a carmine-red glaze falling short of the foot and thinning to brown at the mouth-rim. The interior with br...

A very rare and early depiction of baby Krishna. The silver bracelet makes it even more special. H. 6,3 cm. Fabulous age wear and patina. Provenance: private collection Belgium.

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).It is the pattern that is impressive with a dragon and the boldness of the sword. It is a very high technique. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 116cm. The lining is indigo dyeing. Textile is thick cotton with wonderful atmosphere of the era. I recommend it to collection of you. It...

Antique Japanese 2-section, 3ft. Mizuya made with Hinoki (cedar) and Sugi (cypress) hardwoods, accented by gorgeous Keyaki (elm) burl wood front panels in a lovely contrast to the frame. Both the upper and lower section house a large central compartment with shelving for the storage of kitchen articles, with 2 and 3 burl front drawers beneath respectively.

Meiji Period (1868-1912)

Dimensions: 35.5" L x 16.5" D x 62.5" H

One of a kind! Wonderful Shiro-Hira Raku Natsu (Summer) Chawan made and sealed by greatest Kichizaemon Konyu XII.

The wooden box has an attestation written by Sokuchusai, the 13th Omotesenke master. The chawan is named shira-kumo, white clouds.

No chips or cracks except natural inborn and intended kiln cracks for a great wabi-sabi aura.

Born 1857 as the eldest son of Keinyû, he succeeded as the 12th generation in 1871 at the age of 15. He took the name of K�...

A porcelain jarlet with underglaze Cobalt blue decoration. Ming Dynasty ( 1573 - 1622 ). Diameter : 6,2 cm. H.: 4,6 cm. Condition: Perfect.

Heavily cast in the naïve style that is so typical for Laos. H. 29,5 cm. Good age wear and patina. Remains of gilding. Old repairs to the feet.

Lovely bronze Buddha in the naïve style that is so typical for Laos. It's heavily cast. The Buddha in Bhumisparsa Mudra, seated on a lotus throne. H. 26 cm. Very nice age wear and good patina. There is a minor hole in the front, this is a casting flaw.

This is Egata used for the Taisho era period. As for this, a ramie spun by hand is used. This is drawn in Tsutsugaki. This is a natural indigo plant, and both sides are dyed. Egata dyed only by indigo dyeing in Okinawa dyeing and weaving is rare. This does not have stain damage at all. The state is good. Size 115cm x 115cm (45.2 "x 45.2")

Finely cast small statue of Green Tara, wearing diadem jewelry and dhoti, sitting in regal repose on a double lotus throne, her left hand holding a lotus flower. Tibet, 19the century. Height: 4 cm. Slight erosion on the gliding, otherwise very good condition.

We are proud to present this extremely rare mugi-de Oribe chawan dating back to early stage of the Momoyama Period. It is a slightly distorted cylidrical shape Hanzutsu tea bowl with flaring brim and trimmed sides. The bowl was covered with a Shino-Oribe-type glaze (a feldspat glaze with a higher content of ash than Shino).

Under the decoration of vertical parallel lines in four different shades of brown, which gave this decor the name 'mugi-de', which means barley straw. This des...

Large wood stand of circular shape resting on five feet. The stand was carved from a unique piece of heavy high quality wood. China, Qing Dynasty, 19th century. Inside diameter: 14 cm. Height: 7 cm. Very good condition.

Excellently glazed stoneware body, glazed with a very nice chreamy white, close crackled glaze. The body where exposed has turned dark-brown in the firing. Song Dynasty, 12th century. Diameter : 4,6 cm. H.: 4,7 cm. Condition : Very nice, noch chip, no crack, partly some original glaze-fritting below the rim ( please regard the images ).

We present a rare Tenmoku tea bowl with partrige feather mottles (Chinese: 'Zhegu Ban'), made during the Southern Song Dynasty (1127-1279) or earlier. Looking inside this Tenmoku chawan is like glazing deep into the cosmos. There one can understand the meaning of microcosm and ask whether one is looking inward or outward; probably both.

The deep rounded sides of this elegantly potted tenmoku chawan are rising from a short straight foot to a lipped rim, covered overall in a black g...

Diameter approximately 10.8 cm. In good condition.

Diameter approximately 17.5 cm. Little dirt to the dish. A hairline at the rim. In good condition.

Antique Japanese gilt lacquered kanban, or shop sign. With hand-painted portrait of the shop's owner and the words "Trade Mark" above and kanji below.

Meiji period (1868-1912)

Dimensions: 12" W x 2" D x 54" H

Excellently potted porcelain jarlet with underglaze Cobalt blue "Lotus" decoration.The base unglazed. Ming Dynasy, Jiajing Period ( 1522 - 1566 ). Jingdezhen ware. Diameter: 7,5 cm. H.: 7,8 cm. Condition: Perfect original condition, very nice glaze, no chip, no crack, some original glaze fritting to the rim which is absolutely is normal for such kind of ware.

Japanese antique transom made of keyaki (elm) wood and carved with a scene of Ushiwaka and Benkei battling on Gojo Bridge in Kyoto. The young samurai, Yoshitsune (also known as Ushiwaka-maru) is depicted in an acrobatic pose, leaping over Benkei, the giant wild-man who was intent on stealing Ushiwaka's sword. Another samurai is carved below them, his much smaller form suggesting he is far below the action. On the right hand side of the carving, another samurai stands among the pine tree...

Small ceramic cup, very thin (see the last 2 photos). Celadon color, with a relief decoration of concentric grains . Unglazed rim. China, Song Dynasty period. Diameter: 10.7 cm. Height: 2 cm. Very good condition.

Rosewood ("hongmu") of rectangular shape, its sides decorated with openwork carving representing classical geometric designs. China, 19th century. Length: 34 cm. Width: 16 cm. Height: 6.7 cm. Very good condition. NOTE: the table still bears the seal of the Chinese Cultural Relics and Antiques Department.

Korean antique 2-panel screen painting depicting two tigers. The charming style of this original painting is indicative of traditional Korean folk tigers and yet, they of a finer quality. The artist paid close attention to detail including every hair of each tiger. Wide toothy mouths and round, wild eyes project a playful ferociousness. Painted in mineral colors and ink on paper. Each panel is signed by the artist.

Choson (Yi) Dynasty circa 19th century (newly remounted)

A Very Fine/Rare Korean Silver Inlaid Rectangular Iron Box with Cover-19th C.: Korea, Joseon dynasty, 19th century. Of rectangular shape box with four round supporter on the flat bottom, the cover inlaid with a large, stylized character “double happiness”- medallion with in bands of florets, key-fret work, the sides of the box inlaid with a deer, pine, fungus, cranes, bamboo and auspicious plants within medallion scrolls. It’s in very fine condition. Measurements: 8.5cm h. x 12....

A Very Fine/Rare Korean Silver Inlaid Rectangular Iron Box with Cover-19th C. Korea, Joseon Dynasty, 19th Century. The rectangular iron box and lid inlaid in silver with a “Shou” (longevity) surrounded by key-fret and coil pattern designed borders on the cover and with symbols of longevity “turtle and deer and auspicious floral plants on the sides of the box, each of the four sides silver inlaid with geometric patterns and borders of fretwork. It is in very fine condition...

A Very Fine/Rare Korean Total Blue Hae-Tae (Sea Lion)-Shape Water Dropper-19th C.: Korea, Joseon dynasty, 19th century. Amusingly molded as a recumbent figure of a mythical lion-dog, the surface details incised and realistically molded, decorated in a washy underglaze blue beneath a white glaze, the base unglazed. It’s in very good condition with no chips, cracks or repairs, it measures in inches:3” L. x 2 3/8” w. x 1 3/8” h. (7.5cm x 6cm x 3.5cm).

Museum quality and very rare group of three statues representing Indra and his consorts. Indra is sitting in "vajrasana" on a lotus throne, his left hand resting on his knee , his right hand in "vitarka mudra". Indra has his forehead showing the third eye horizontally, and is wearing an elaborate crown, jewels and a "dhoti". A lotus is attached to each shoulder. The lotus on the right, supporting the typical "vajra", allows, together with the horizontal third eye, to identify the central statue ...

A rare finely painted pair of underglaze blue decorated dragon and phoenix 'wedding' dishes made in Jingdezhen, southern China, and exported to Europe in the late 19th or early 20th Century during the reign of the Guangxu emperor (1875-1908). Condition: there are some production iron marks;there is a 1.5cm hairline visible on the back of the phoenix dish and there is a light 2.5cm hairline to the rim of the dragon dish. No further damages and no restoration. 24cm (9.5 inches) diameter. ...

Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan.

It comes with an old wooden box with appraisal, a silk pouch (shif...

Here is a real beauty. Perfect in form, shape and design: Ao-Oribe (Green Oribe) Chawan from the early stage of Edo period. Little distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay.

The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside. Just the foot ring and its immediate surrounding were left unglazed (with the exception of a few spots of gla...

Antique Chinese scroll painting of a realistic looking pile of old fan cards, one of them with the image of Quan Yin. This style is called "trompe l'oeil". Signed "Lei, Tian Yun" with red chop, and calligraphy dedicating the piece in Hong Kong. Circa 1960

Dimensions: 35" x 15.25" (entire scroll) 27.5" x 14.25" (artwork only)

This is an amazing small cloisonne vase. It is only 5 inches tall but has as much fine work as a great 12 inch vase. The rims are silver. It is not signed but the enamel colors and wire designs in the flowers appear to be the work Hayashi. Condition is excellent.

Antique Korean single section bedside chest, with "book matching" front panels of hardwood burl. Four drawers line the top of the chest with brass handles in motifs of lucky bats. The front of the chest features a pair of doors with incised brass plating.

Dimensions: 36.5" L x 17.5" D x 24.25" H

A beautiful 19/20th C. Chinese silver split bangle in excellent condition . Marked . Weight ：75.6g D:5.3 Sold to China

Height approximately 46.8 cm. Ivory color. Few hairlines at the rim. Soft frits at the rim. Few firing cracks at the rim. More pictures are available. In good condition.

Well potted brush washer with incised decoration and glazed with a nice, glossy, pale-blue Qingbai glaze. The base of the dish full covered with glaze like we do know this from some Ding ware dishes. The rim of the dish unglazed. Southern Song Dynasty ( 1127 - 1279 ). Diameter : 14,6 cm. H : 3,3 cm. Condition: Perfect.

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batch noboriga...