Chinese monochrome porcelain vase with a pretty apple green glaze, wide base and long, narrow neck. Prominent midwest collection. 18th/19th century Size: 4.5" height, 3" width

Antique Japanese black lacquer jingasa (samurai helmet), gold lacquer Maeda mon (crest), the edges are also lacquered gold, red lacquer on the underside, metal chrysanthemum form finial on top, Meiji Period. Size: 14" long

Japanese small bronze censer for a Buddhist shrine, made in a squat round form with inlaid gold metal shapes in a random pattern. Cast mark on the bottom. Nice patina.

Meiji Period (1868-1912)

Dimensions: 2" high x 2 7/8" wide diameter

Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer)...

Early 19th century Indian painting, Rajasthan, Mewar or Bundi, illustration of hell punishments, 21x17cm, gouache on paper, mounted, can be viewed in central London and shipped worldwide.

Albumen Photograph of Egyptian Ruins of Doorways with Hieroglyphs, Frith originally etched on plate, size: 8.5"H x 6.5"W, good condition, matted and framed in gold leaf frame, overall dimensions: 27"H x 21"W. Photographed in 1857 on 2nd trip to Middle East. Print Date: 1857. One of the first to travel and photograph area. Reference: Egypt and the Holy Land by Richard Lunn.

A very finely decorated Imperial wine cup depicting two iron-red five-clawed dragons, over breaking waves, in pursuit of flaming pearls. The base carries the underglaze blue seal mark of the Daoguang Emperor and was made during his reign (1821-1850). There is a 4cm hairline running from the rim ...

Qianlong seal mark, but 1800s

Round box is very well-potted and very skillfully painted in underglaze cobalt blue with a design of a boy, or possibly an immortal, riding on the back of a crane flying among clouds. The brushwork is finely detailed—even picking out tiny feathers on the crane’s back. Encircling both the base and the lid are bands of mille-fleurs decoration executed in minute detail with skillful brushwork...

19th century
Late Qing dynasty
Porcelain with underglaze cobalt blue
H: 35.7 cm
From a Bedford, Ohio private collection

A wonderful 19th century blue and white vase, painted fully with continuous landscapes of mountains and pavilions, with the cliffs and trees rendered in bold calligraphic strokes.

Condition report: tiny chip to mouth rim, bottom drilled (with two glazelines radiating from hole)...

Ca. early 1800s

These bowls with matching inset lids are crafted from turn wood, and are lacquered black and red in the folk art tradition. They are intended for everyday use for soup and rice. Each has a kanji character painted in red lacquer on the lid and centers of the base. There is minor lacquer flaking here and there and usual evidence of use, but overall the condition is good. The sizes, though similar, are not exactly the same...

1th Generation Zengoro Eiraku Hozen (1795-1855）Tea Bowl (Chawan) for Tea Ceremony.

The Eiraku family is one of the most important and historically significant family of potters in Japan since 17 century.
They belong to a limited number of craftsmen who is allowed to create tea ceremony utensils for three schools of tea ceremony which are Mushakoujisenke, Urasenke and Omotesenke.

Size
2.6in. (6.7cm.) high;
6.2in...

Japanese antique 2-section mizuya (kitchen tansu), from the Niigata area of Japan, made with keyaki wood on front and side bracing, deep orange / red original translucent lacquer finish with wonderful deep pantina, iron side hardware, unusual lacquered wood carved drawer knobs, each compartment with one long original shelf, Edo Period (18th/19th century). Size: 68" high x 68" wide x 20 1/2" deep.

Antique Japanese warrior dolls, musha ningyo displayed for the Japanese Boys Day. Clad in armor is a beautiful young widow, the Empress Jingo with her faithful retainer/high ranking minister, Takenouchi no Sukune. He is holding her baby Ojin (Oh-jin) who was later known as “The God of War”, the 15th Japanese emperor, Emperor Ojin. These are all original dolls including the baby.

Some old records indicate that in 300 AD, God came down to talk to Empress Jingo in her sleep...

We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we see a beautiful work that appears to be at least 100-200 years old which would place its era of production in late Edo or Meiji...

1800s

This cream-white glazed vase is covered overall with a network of fine crackles stained over time with a pale brownish tone. The small meiping form tapers gracefully from a broad shoulder to a narrow waist and flares out again at the base. The base is glazed leaving the slightly rounded footring unglazed. The interior is glazed and the crackle pattern continues inside the neck. Vases like this one were used in the scholar’s studio. Good condition, no damages...

This is a large and early Buddhist applique textile, dating to no later than the mid-19th century. The design consists of a double-dorje centering a "yin-yang" emblem, representing the masculine and feminine principles of the universe. The piece is complete and intact with minimal wear as one would expect. It measures just over 30" in diameter. Textiles such as this one are exceedingly rare and seldom found.

Ko Hagi Bajohai Chawan with Kintsugi Repair made in the Meiji Period (1868-1912)
Supplied with old wooden box with label "Ko Hagi Bajohai Chawan"


Size
Height 10.5cm
Width 13cm


Repaired with gold lacquer Kintsugi

Hagi ware, also known as Hagi-yaki, is a type of traditional Japanese pottery that originated in the town of Hagi, located in Yamaguchi Prefecture on the island of Kyushu, Japan...

Qing Flambe Tianqiuping Vase
Date: 19th century | Qing Dynasty
Materials: Porcelain with flambe transmutation glaze
Height: 33.5 cm
Diameter (at widest point): 22.5 cm
Provenance: From an Ambler, Pennsylvania estate

Description: A beautiful 19th century Qing flambé glaze vase, of bottle form with a straight cylindrical neck paired with a globular body...