Two characters with bird beaks serving as incense holders. They are in sandstone covered with lead glassures of three colors (sancai), yellow, green and manganese, these models also have a part enamelled in white. Models with animal masks are much rarer than those with human faces and probably represent the animals of the zodiac. Good condition, almost not worn, a broken and glued head visible on photos. The glassure is finely cracked. Height: 325mm. Chinese work probably 17°, but maybe before.

Pair of Rare Chinese Sui / Early Tang Dynasty Pottery Ladies

These fine and very rare pottery ladies were made during either the Sui Dynasty (AD 581 - 518) or the early part of the Tang Dynasty (AD 618 - 906). They are made from a fine-grained grey pottery and are particularly well-detailed; note the detail of the faces, the hairstyle, the folds of the clothing with the very long sleeves. Traces of the original "cold painted" surface pigment remain. 

Height 25.5 cm...

Fine Large Chinese Western Han Dynasty Painted Pottery Ding Tripod (206 BC - AD 8)

This fine example of a painted pottery ding was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The lower part stands on three long curved legs and has two curved square-cup handles on opposing sides...

A Chinese painted grey pottery figure of a standing musician, very well modelled wearing a wind hat, his head turned down to the right. 20 cms. Northern Wei dynasty, 5th/6th century AD. Oxford TL Test Certificate. This is a rare figure. To date I have only seen one other musician from the same set.

Polychrome bronze statuette of a group of mice around a pumpkin and a pomegranate. The five mice have a dark brown patina, while the hollowed-out gourd is dark brown and the split pomegranate is dark red.

Written in a cartouche on one of the pumpkin slices, "Shôsai Foundry" (正齊鋳, shôsai-chû).
Japan – Meiji era (1868-1912)
Height: 6.4 in. (16.3 cm) – width: 7.8 in. (20 cm) – depth: 7.3 in. (18.5 cm)

Bronze sculpture representing an owl on a tree stump covered with ivy. The owl, detachable from its base, has shakudo eyes. It is certainly an Ryûkyû scops owl (Otus elegans), present in the south of Japan in Ryûkyû Islands.
Red fabric glued to the base of the trunk to protect the base and the pedestal (not original).

The owl (fukurô, 梟) symbolizes good luck and protection from hardship...

Cast bronze vase of square shape. Beautiful casting and fine detailed chasing. Taotie mask decoration. The handles in the shape of birds'heads Fine finish. Archaic style but Qing period. Good condition. Nice old patina. Height: 41cm Weight: 7,5kg

19th century Chinese rock crystal seal blank of square section. All features seen in the stone are natural, no chips except for a small one by the base seen on Enlargement 2, left photo. Uncommon material for a seal, beautiful finish to the surface. Excellent object for scholar’s table. Height 1.63 inches, base 0.5 inches square.

An antique Japanese Kansai Mizuya Tansu in 2 sections made of Hinoki (Cypress) and Keyaki (Zelkova) woods. Upper section features two sets of sliding doors with a set of 5 side by side drawers. Bottom section has 2 large sliding doors that open to a spacious storage area behind. Constructed using Japanese mortise and tenon joinery. Drawer handles are Hikute style made of hand forged iron.

Age: Meiji Era (1890-1900).

Dimensions: 71 3/4" Wide by 67 1/4" High by 19 3/4" Deep

A rare antique Japanese Kuruma Tansu (wheeled chest) made of Keyaki (Zelkova) wood. All original hand forged iron hardware including the Warabite handles and bottom rope pull rings. Horizontal wood slats on all four sides provide strength and age old beauty. Two large sliding doors open to a spacious storage area with a storage shelf. Below are two side by side drawers for additional organization and storage needs...

This is a Japanese antique tsutsugaki big furoshiki indigo dye cotton. The traditional and very auspicious design of bamboo, plum, and scales is very beautiful and impressive.There are 5 pieces of cloth sewn together. Natural indigo dyed hand spun cotton. Recommended for wall decorations and bedspreads. There are light stains due to aging and two small repair marks. Age::1800-1868 Size::Length 157 cm (61.8inch) / Width 161 cm (63.3inch)

Width: 4 cm (2.6 in)
Height: 1.9 cm (0.6 in)

Japanese wooden manju netsuke of a phoenix, the backside carved into a woven chained effect; good condition

Height: 4.7 cm (1.9 in)
Width: 4 cm (1.6 in)
Depth: 4.4 cm (1.8 in)

Fine wooden netsuke of a man sitting with a turtle between his feet; he is busy tying up the animal; quality carving throughout; good condition

Length: 7.2 cm (2.8 in)
Height: 8.2 cm (3.2 in)
Depth: 3.6 cm (1.4 in)
Weight: 210 gm

Rare early Chinese bronze water dropper in the form of the mythical creature, Baize; fine patina; good condition

Height: 3.4 cm (1.3 in)
Width: 2.1 cm (0.8 in)
Depth: 2.4 cm (0.9 in)

Finely carved deer antler netsuke of Hotei with, typically, his large bag draped over his shoulder; white metal has been inlaid into the top section of the piece, possibly silver; good condition

Height: 3.5 cm (1.3 in)
Width: 3 cm (1.2 in)
Depth: 3.7 cm (1.6 in)

Fine wooden netsuke carved by Gyokkei; a stone lifter, masseur or a man attempting to lift his distended scrotum?; a tumour is also present on the back of his head; the poor fellow also has a wall-eye; signed on an inlaid tablet; good condition

The vase is cast in one piece. Inspired by archaic Chinese bronze ritual vessels, it bears a Taotie mask decoration. This decoration is reduced to two narrow bands instead of occupying more space as usually on the bronzes of the Ming period, this more austere character, the slender shape and the patina with a much more antique aspect allows us to think so. older, probably from the Song period or earlier. The base split on one side as shown in the photos...

The teapot is cast in bronze. The body has the shape of a melon and the spout that of a stylized bird. The handle supports have a typical shape for this period. The handle, which has now disappeared, must have been made of perishable materials, probably braided bamboo fibre. It is exceedingly rare to find a Chinese bronze teapot from this period. It is functional and perfectly pours the tea without uncontrolled drips. Good condition, the lid is crack (see photo), no restoration...