Gilt iron plate, of rounded triangular shape, finely cast in openwork, to represent a dragon in relief in clouds. Four coral inlays enhance the beauty of the plate. This plate is likely to have been part of a saddle decoration. Tibet, 18th century. The plate is nicely mounted on a custom stand. Length: 15.6 cm. Height: around 9 cm. Oxydation at the back due to age, otherwise very good condition.

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. Several years prior to receiving this designation, Sozan spent a period of time in Korea where he undertook the formidable task of excavating and restoring ancient Korean kilns in an attempt to replicate traditional techniques used in centuries past...

A high quality crisply cast Japanese mirror. The reverse of the mirror decorated in high relief with a conventionalised representation of the utopian Isle of the Immortals typical of the Edo period integrating into the design the auspicious Takasago twin branched pine tree with a pair of flying cranes and a Minogame in the left hand corner. All set against a crisp granular ground. Probably late Edo period, or possibly slightly earlier...

An excellently potted and fine and brilliantly enamelled bottle vase with "Shou Characters", bats and branches with peaches. Iron red six character Guangxu Mark and Period of Guangxu ( 1875 - 1908 ). H.: 16,3 cm. Diameter : 9,3 cm. Condition : Perfect.

Jambupati type (Buddha in royal attire). Shan State. H. 20,5 cm ( 24 cm. incl. stand). Condition: part of the pedestal is missing, mi or chips and age wear. Overall in good condition. Please have a close look at the pictures.

Made of painted wood, depicting husband and wife, seated on a chair. Most probably from the Hunan Province. The lady still has a small parcel with offerings in her back. We opened it up and found a seahorse, pieces of stone and mica and other materials. H. 27 and 29,5 cm. Condition: heavily eaten by woodworms, which adds to the charme. The figures were treated by the former owner and are perfectly clean.

Made of red pottery, covered with a white layer of slib, then painted. Tang Dynasty (618-907). Height 34,5 cm. Condition: expected age wear, overall in good condition. A thermoluminescence-test from Kotalla confirms the dating of this figure and is included in the sale.

In Ayutthaya style. H. 13 cm (the head), 21 cm including the stand. Very good age wear and patina.

Lovely Qing Dynasty (late 19th Century) Famille Rose rice bowl with figures and inscriptions. High resolution images by email on request.

Antique Chinese pair of oxbow arm chairs with a matching rectangular stand, carved with a pierced scrolling vine motif, the heavy golden hardwood with classic Huanghuali "ghost eye" grain. Very heavy in weight.

Dates early 20th century Dimensions: 29.5" L x 26" D x 39" H (each chair) 20" L x 16" D x 28.5" H (stand)

A splendid Chilong Dragon with a bifurcated tail is presented on the front of this unusual bottle. The material is limestone of a dark hue but under decent lighting exhibits a snowstorm of whitish inclusions.

Approximately 6.6 cm high. Fine condition. The coral stopper is not original.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

Small statue of Buddha, in monk's robes, standing on a lotus, his hands in abhaya and varada mudras. Hollowed at the back. Tenon below the lotus. Bronze, with reddish-green patina and traces of soil encrustations. China, Tang Dynasty. Height: 9.8 cm. Tiny casting defect on the lower left side of the robes, otherwise very good condition.

A really rare type of chawan: wan shaped tea bowl with a rounded brim, made of light coarse clay. The fine iron bearing clay was nearly fully covered with glaze mixed from wood ash and feldspat.

The iron oxide in the body turned the glaze to a bright orange where thin. The bowl shows a fantastic discoloration from tea as a result of many years of careful use.

This chawan was manufactured in the early stage of the 17th cent...

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.

A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325. A great deal of the detail has been lost as a result of wear and over polishing...

A Set of Three Small Thai Market Chinese Canton Enamel Cosmetic Boxes 19thC The dark blue enamel with gilt decoration. The interiors with turquoise enamel and the bases with paler blue. Two boxes with composition finials. Chinese 19thC. Diameters: 6.2, 5.3 and 4.1 cm. Condition: some wear to gilding, minor small chips and a flake. The actual colour of the enamel is darker than in the images.

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga...