Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...
Ko Imari Oranda-jin Hexagonal Hakukaku Mukuzuke c.1800
A deep octagonal bowl, mukuzuke, or choku, decorated with eight panels containing figures of orand-jin Dutchmen in various poses and involved in a number of activities. Some carry canes or cudgels and are perhaps involved in some sort of martial activity, whilst others carry a dove, a chatusbo (tea-jar) and a ruyi sceptre, auspicious objects...
Container in 2 parts. Rare form. Perhaps an incense burner or a container to keep a liquid warm? A small undecorated white porcelain bucket fits into a porcelain container decorated with enamel birds. Below mark of Tong-Zhi, one of the last Chinese Emperor. The porcelains of this reign are usually of very low quality, our porcelain is an exception, indeed the birds are well drawn, precision and elegance. Technically, the cooking is perfect, no flaws, no splits or lacks, well-cooked enamels...
Late Goryeo Dynasty (14c or earlier) Korean Blue Celadon Bowl with floral design.
From Japanese private collection
Size
about 5.4 cm in height,
about 16.9 cm in diameter
Condition
There few repairs with gold.
Please see the photos for reference.
No cracks.
Eye-catching cup with vivid three colors known as Tangsancai in Chinese
From Japanese private collection
Size
Width 6.5cm
Height 3cm
Condition
There is a repair on mouth.
Also there are scratches, peeling, chips, and minor cracks.
Please see the photos for reference.
Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition.
NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire...
A finely carved jade dragon plaque dating, most likely, to the Warring States - Eastern Han period. The plaque measures 3-3/4"in length and is 1-1/2" at the widest. The stone is a grayish-green nephrite. Guaranteed authentic.
An authentic marble stele fragment depicting an Apsara, measuring 4-3/4" in height by 3-1/2" in width. The carving is very well done and the details are crisp. The surface retains its original patina. A very fine example, mounted on a custom stand (the base of the sculpture has been drilled with a hole to accommodate the shaft). Please see the photos, as they are a part of the description.
This pieces was made in Jingdezhen kiln on North Song dynasty era, stunning blueish white that is the feature of Jingdezhen kiln. It is flower shaped and has carved peony pattern at the inside surface.
YouTube: https://www.youtube.com/watch?v=bnDlIGh4uOI
Size:12.7cm(D)4.5cm(H)
Accessary: new made wooden box signed by Noriki Shimazu
Certification: by Noriki Shimazu the famous researcher with Asian antiques in Japan.
Lovely large figural stele of Pavati, Eastern Java, Early Majapahit, c. 13th.-14th. cent. AD.
The figure is carved in grey-black Vulcanic rock with red iron-oxide patination.
In this sculpture the Hindu goddess Parvati, consort of Siva is represented. It was customary in Javanese sculpture of this period to identify local rulers with cult deities and it is possible that this image of Parvati is intended to represent a deceased east Javanese queen...
This is a Bakumatsu item.
This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues...
A Chinese cloisonne circular box and cover decorated to the top with formal lotus, the sides with flower groups. 10.5cms diam. Qing dynasty. The gilded base incised with a Jiajing mark in a vertical line.
Provenance: L. Wannieck, Paris (label). A London collection. Previously the property of a professor in Seal Beach, California. Originally purchased in Pasadena.
Rectangular-shaped (nadekakugata) iron tsuba decorated with two dragonflies with copper tara-zogan inlay.
Japan – Edo period (1603-1868)
Width: 2.4 in. (6.2 cm) – depth: 2.7 in. (7 cm)
Bronze dropper (suiteki) representing a chubby guardian lion, called komainu in Japanese or shishi in Chinese.
The komainu is inspired by the Chinese guardian lion shishi, which dates back to the Tang dynasty (581-618). Supposed to repel evil, it appears on both sides of the entrance to the doors or gates of shrines and temples.
The suiteki is a small container used to hold water that is added to the ink stone during the grinding of the ink stick, used for calligraphy...
A large powerful and deep repousse Tibetan piece with features raised almost 5/8", measuring 4-1/4" in height by X 3-3/4" in width. In excellent condition with complete original gilding intact. Minor loss to the flaming aureole. Excellent detail. A substantial early depiction of a great subject.
An incredible Mishima Chawan dating from the Edo period with a wide repair to the rim in dark lacquer decorated with golden grasses in gold maki-e lacquer designs. It comes in an ancient dilapidated silk pouch with cotton buffer enclosed in an age darkened kiri-wood box titled Mishima Chawan. The bowl is 5.5 cm (2 inches) tall, 12.5 -13.5 cm (5-1/2 -6 inches) diameter and in fine condition. Mishima ware refers to different types of imported and adopted Japanese pottery...
This is a japanese antique Edo period (1800-1867)hemp Buddhist Shugensha hanten coat worn by Shugen practitioners and Yamabushi who practiced Shugendo.
Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains).
It has some light stains and one very small hole, but is in very good condition.
Size::Length :90 cm (35.3 inch) / Sleeve to sleeve :128 cm (50.3 inch)
Standing in samabhanga, with her right hand raised, left arm broken. Naked upper body with well defined breast. Wearing a sarong elegantly carved and secured with a decorated belt secured at her waist.
This splendid rare piece is 75 cm (29.5 In) height not including display stand and 85 cm (33.5 In) on the mount...