Meiji (1868-1912) Japanese Dark Green Satsuma Bowl with Chicken Group & Geisha (Unmarked)

It is 2.75 inches (7 cm) tall by 3.75 inches (9.7 cm) wide. It is 0.5 Lb.

It has minor rubbing of gold and stains, glaze crazing, and surface wears (as seen in the photos).

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18th Century Chinese Gilt Lacquered Bronze Miniature Buddha on a Silver Clip Pin

It is 1.18 inches (3 cm) tall by 0.78 inch (2 cm) wide. It is 8.6 gram.

It is tarnished and has rubbing of gilt, oxidation, surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

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This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a large Seated Hotei with a wide Smile, by an unknown artist from the Iwami Province, carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region...

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall...

An Asian wood cookie press. Folk art (Japanese or Korean - if Japanese would be considered "Mingei") utilitarian object. The "cookies", or treats, pressed from this mechanism could have been sweetened bean paste, possibly with rice starch, and not necessarily cooked. The iron nails slide along routing to enable the pressing action. Well used and in fair condition - exhibiting some distress by loss of wood on ends of the top board. A nicely decorative curiosity. Length, 9 7/8 inches

Rather unusual late 19th century Chinese glass seal in a shaped of a stylized rock. Beautiful transparent glass, excellent finish to the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). The bottom is crisply carved with four raised characters that can be translated as THE HALL WHERE KINDNESS is CULTIVATED, old dried red seal paste in the grooves. Very nice object for scholar’s desk...

A Japanese white glazed studio porcelain model of a water buffalo. Hirado type though the eyes are not left unglazed to the biscuit as is typical. Holding sculpted form and details well, the biscuit base smooth to the touch and bearing an imprint from the fabric it sat upon. Except for a clean break to one horn, in otherwise good condiiton. A line of separation of the glaze under the buffalo's neck due to "crawling" in the kiln. Length, about 14 inches horn tip to tail...

19th century (late Qing Dynasty - 1890s to 1911) unusual Chinese scholar’s rock in a form of a large natural amber nugget. The piece is true Baltic amber, large for amber as material, can be viewed from 2 sides, and conveys a very good feeling of a lonely mountain with its surface weathered by years of exposure to wind and water. Wonderful internal energy in the piece produced by combination of shape, texture and color of the material...

1920's Chinese Silver White Jade Carved Goldfish, Shrimp & Crab Necklace

It is 20.27 inches (51.5 cm) in length. The inner circumference is 17.7 inches (45 cm). The jade carved goldfish range from 20.88 mm to 21.80 mm in length. It weighs 40.4 gram.

The silver is tarnished and has surface wears and scratches. Two of the jade goldfish have flea bite chips. Some of the jade carved gold fish have inclusions and surface wears and scratches (as seen in the photos)...

19th century small votive Indian bronze sculpture of Ganesha sitting on a square base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship...

Antique Chinese large 12-panel Coromandel screen. Decorated with dramatic scene of men on horseback. Bordered by red dragons. The reverse is a quiet scene of trees and flowers. Made of kuan cai (incised colors) lacquer on wood.

Age: Republic Period

Dimensions: 96" high x 222" long x 3/4" deep

A charming painting in ink and colors on silk depicting a young, long-haired girl in traditional dress with her back turned to the viewer. Signed: Nobumaru (Mitsubumi 1812–1879), a late Tosa School painter in the Nihonga tradition. Exquisite mounting. Meiji, c. 1865–1875. L 182 cm, W 60 cm. Picture frame: L 109 cm, W 42.5 cm. Condition: Very good.

Antique Thai gilt cast bronze figure of a recumbent temple deer. These sika deer are closely associated with the Buddha because of his "Teaching in the Deer Park" in Sarnath. Buddha's teaching, or "Spinning the Wheel of the Law" further links the deer to this sacred event. Thus deer are often depicted with the Wheel of the Law, or Dharmachakra in a temple setting. With one leg bent under his body and one outstretched, the deer turns a long, graceful neck to look back over it's shoulder. ...

Height approximately 20 cm. Crack glazes aren't appear at the other side. The cover, probably 19th century. In good condition.

Width approximately 20 cm (across the masks). In good condition.

Width approximately 18 cm(across the masks). In good condition.

Diameter approximately 22 cm. There are some cracks at the body. Ge-type inside the bowl. There are no missing parts.

Late Qing Dynasty (1890s to 1911) small Chinese Canton enamel covered box for seal paste painted on the top with polychrome enamels depicting a Chinese lady with a fan in a garden, border of flower spray reserves and scrolling vines. Nice quality painting with famille rose colors, all dark spots are original pitting marks. Quiet item for a scholar’s desk. Height 1 inch, diameter 2 1/4 inches.

Late 19th century Chinese Canton enamel footed shallow dish painted in polychrome enamels with 2 different stands holding various archaic bronze vessels with leaves and flowers, and bamboo tubes tied with a knot - one of the Emblems of the Eight Immortals. Cavetto with painted flowers on yellow background, outside is enameled light green. Beautifully painted, few faint lines of crazing, overall in great condition. Wonderful item for a scholar’s desk. Length 4 1/2 inches.

Diameter approximately 26 cm. In good condition.

Width approximately 17.3 cm (across the handles). In good condition.

19th century Edo period (before 1867) Japanese porcelain Hirado plate with scalloped edge and underglaze blue decoration of a dragon in pursuit of a tama (Sacred Gem). Excellent potting, milky white body and clear glaze. Great early painting with charming freedom, wonderful dynamic design - see the flames issuing from the body of the dragon. Some surface wear as to be expected, overall in great condition. Diameter 7 1/4 inches.

Height approximately 22.5 cm (only the jar). In good condition.

1900-1920s (late Meiji - early Taisho) Japanese ceramic tea ceremony kashiki (dish for holding sweets served along with the tea) modeled in modified lozenge shape. Shino ware with stoneware body and thick glaze with a texture of small holes originated in the 16th century in Mino Province (present-day Gifu Prefecture) and has been popular ever since. Wonderful free potting, elegant grey nezumi (“mouse”) glaze with underglaze iron painting of a long leaf and tendrils with smaller leaves, beau...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region. Beautiful potting with spiral line on the bottom of the bowl showing the way potter finished turning the piece. Stamped with potter’s seal on the lower body. Well-used, in great condition, 3 old Japanese gold lacquer repairs on the rim testifying to the ...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body. Stamped by the foot ...

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm).
Hands slightly damaged.

Genjo ...

A Thai polychrome enamel decorated stoneware offering dish. Similar porcelains were made in China for the Thai market. Primitively painted decoration in yellow, green white, red and blue enamels. It is not clear to us whether this is imported production or domestic production. Two Chinese characters appear within rectangular, impressed seal mark on the base. Diameter, about 9 1/8 inches. Height, about 3 5/8 inches.

Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added.
The main islands of Japan are surrounded by several islands (names written partly or entirely in katakana) and real and imaginary countries, such as Choseon, the Ryukyus, the country o...

A matching pair of massive pottery horses with riders, Chinese, Tang Dynasty (AD 618-907).

This matching pair from the same tomb comes with a TL test from Ralf Kotallas lab, dating them to ca. 800 AD - so 1200 years old.

The set consists of a two similar horses brown coloured with details in red and white, lovely long dressed manes and large sadles, with a female and male rider. The female rider with her right hand thrown back and seated in a relaxed pose. The male rider,...

Rare Tang Dynasty Henan ( 618 - 906 ) vase. Stoneware with a dark brown glaze. H : 15,6 cm. Very good condition ! IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CERAMIC ITEMS : SINCE I`M NOW ENJOYING MY RETIREMENT PENSION NOW IT IS A MATTER OF SELLING OFF MY STOCK OF CHINESE CERAMICS. FROM NOW ON A DISCOUNT OF 50% APPLIES TO ANY OF MY PRICES FOR ANY OF MY HERE OFFERED PIECES OF CHINESE CERAMICS! NOW TO RE-EDIT THE PRICE OF EACH PIECE OF CHINESE CER...

The body of pear shape with a faux bois ground. The front face and the reverse – medallion superbly enamelled. The interior and the base of the vase white glazed. Iron-red Shengdetang – Mark to the base of the vase. Exactly written iron red Shengdetang – marks were common during the Daoguang period ( 1821 – 1850 ) and were used until the Republican period. The Shengdetang marks of the Republican period. were written in a poor quality. This vase is probably from the Republican altho...

Antique Japanese pair of paintings depicting two dragons in a dense mist. Gold flashes light up the clouds. Symbolizing the ultimate yang, or masculine energy, the dragon is the controller of both winds and water. Painted in sumi and gold ink on silk and signed by the artist. Both panels are loose (unmounted). Dates from 1834 or later by painter Kanō Seisen'in Osanobu (1796-1846) Some biographical information here: https://www.britishmuseum.org/collection/term/BIOG4764 Here he's...

Soulful Chinese antique seated wood carved figure of Daoist sage holding scroll in one hand. Beautifully aged with lovely patina.

Size: 7.25"H 6" L 3.5"D

Age: circa 1800s

Hanging scroll. A dragon shoots upwards through the clouds. Its head clearly visible, pointing straight up, the tail faintly disappearing in the darkness of the sky. Black ink on silk. Very skillful use of many shades of black and gray. Signed and dated in the lower left: Bunka year of the dog (1814), Fuyu and artist’s red seal Rintai.
Japan

Image: H 52.5 x W 20 in. Mounting: H 81.5 x W 25 in. (lower roller 27.25 in. wide)

Mounting in excellent condition, painting too.

A Japanese studio porcelain okimono of Daruma (the legendary Chinese Buddhist monk Bodhidharma), dating to the first half of the 20th C. The long robe with thick celadon glaze, the face with fierce expression, the ears with movable earrings. Base with sealmark. Condition: fine, one ear with firing crack. Dimension: 22.8 cm high, weight: 1.2 kg.