Japanese bronze rooster with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 17 C.M. / Width 6.3 C.M. / Length 12.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Painting in ink, polychromy and gold on silk. The scene represents (several sennins) Taoist immortals with children or servants. In the background we can distinguish mountains more or less masked by golden clouds. In the center of the screen we can see Chokaro with his gourd, Chinnan with two dragons emerging from his alms bowl, and Tekkai leaning against his cane and pointing his finger at Jurojin who is mounted on a white crane...

Cut iron tsuba. Decor of dragons and sacred pearls. Inside the beads, tiny iron balls are mobile. The style is called Namban. This kind of tsuba is little represented without however being rare. But the model presented here is exceptionally of excellent quality. Indeed the blacksmith has cut out his pattern excessively finely like an iron lace. We do not know of a model with such thin wires cut at the extreme limit of the constraints of the metal...

Japanese sword hilt (tsuba) in gold damascened iron (nunomezogan). The metal is finely cut with dragons pursuing the sacred pearl in the Namban style. The pearl is pierced and contains a small movable ball. Japanese work beginning of the 17th century Edo period. Dimensions 72x5mm Good condition.

A lovely early variant of the bronze opium weight of the 20 Tical, Elongated octagonal base, c. 1720-1750.

This 20 tical weight is a transitional or Hybrid piece sporting a beautiful elongated octagonal base, very detailed and with an aucillery mark with 4 rays, which belongs to the types of the late 17th.-early 18th...

Rare 4.9cm/1.9in Thai green glazed stoneware bowl from the Sankampaeng kiln circa 15th/16th CE with two fish in the center and scalloped cavetto, there is well done repaired chip on the inner rim noted last enlargement. This is a classic and definitive piece for the Sankampaeng kiln as the incised/impressed fish motif is only found on ceramics from this Thai kiln. There are some blue flambé highlights in the center, probably accidental but quite attractive...

Charming and unusually small black and red lacquer vessel from Kenteng, Shan State, Burma. A very cute piece and genuinely old- circa 80 years. This piece is uncommon in that it has six feet instead of the usual four. The entire piece is covered in red lacquer with a black lacquer overcoat on the outside. There is surface craqueleur as to be expected from authentic old lacquer but no breakage in the body. D: 13.5cm/5.3in and H: 8.2cm/3.2in.

Qing light celadon Ge type ware plate, circa 18th century. This has filled chip with gold leaf on the rim. #1 D: 22.5cm/8.8in and H: 4cm/1.5in.

Qing light colored celadon, crackle glaze plate circa 18th century. This has a filled chip with gold leaf. Nice cracquelure. The original owner had incised their name on the glaze, which I have highlighted with a bit of baby powder. D: 22.7cm/8.9in and H: 4.3cm/1.7in.

Rare Song dynasty group of Cizhou black glaze cup 7 pieces, good condition minor glaze chip or lines are fair condition for very old piece, please see picture for detail, size about 7 - 8 cm diameter.

Bronze 5 tical opium Toe weight with lovely patina, ca. 1750-1776 AD.

Nice version of the Toe type with the elavated tail and with three spikes, with a octagonal base engraved with concenthric lines and fine details to the cast.

Possible released by King Hsinbyushin in connection with his war campaigns into Manipur, Lanna and Siam in 1763-1767. Reff: Leif B. Mikkelsen 'Opium Weights', p.133, fig...

An attractive late medieval bronze opium weight in the old classical style featuring the elongated octagonal base. Depicting a ‘Toe’ or lionbeast, Burma c. 1550 AD

Note the beside standard circular verification mark at the front of the base, there's also a later 6 rayed star or auxillery mark and added mass between the legs, so this weight was upgraded during time of use...

Quirky Cizhou type, heavy, completely black glazed, waisted beaker from circa Ming Dynasty. Possibly this was used in a Chinese Apothecary, but this is just a best guess to its function. The hole on the bottom was made prior to firing and is part of the original design. Lovely thick glaze and aside from a couple of chips on the outside of the foot, in very good condition. H: 13cm/5.1in- width at base : 8.7cm/3.8in and width at mouthrim : 11cm/4.3in.

Good Cizhou type high fired, well balanced, ovoid soy glazed with russet highlights jar from a northern kiln, circa- Five Dynasties to Northern Song. There is a possible chip on the outer mouthrim (see enlargement)- difficult to tell if this happened after firing or before. There are remnants of kiln supports on the concave foot. H: 9.6cm/3.8in and D: 10.3cm/4in.

Lovely Jin Dynasty circa 1115-1234CE, from a northern kiln, jar with near tea dust colored soy brown glaze, excellent original condition, heavily potted with two lugs. Please note tow subtle russet splashes in last enlargement. D: 10.5cm/4.1in and H: 8.1cm/3.2in.

Bronze 10 tical opium Toe weight with lovely patina, ca. 1750-1776 AD.

Lovely early version of the Toe type with the elavated tail and with four instead of the usual three spikes, with a octagonal base engraved with concenthric lines and fine details to the cast.

Possible released by King Hsinbyushin in connection with his war campaigns into Manipur, Lanna and Siam in 1763-1767. Reff: Leif B. Mikkelsen 'Opium Weights', p.133, fig. 71.

Weight: c...

An intriguing and extremely rare Late Shan bronze opium weight of a U tail Hamsa bird c. 1800, but without any kind of ridges or spikes to ether neck or head!

The weight can be classified along with the later Shan bronze weights with hexagonal bases (See Gear group 1+2), but not published in this beautiful bird form...

19th century Chinese small carved boxwood architectural panel depicting a Chinese scholar with 3 attendants among pavilions and trees. Must have been part of an altar piece. Wonderful quality carving with piercing and deep undercutting, rich detailing (see several Fungus of Immortality), very pleasant wear and patina. Size 2 3/8 x 4 7/8 x 9/16 inches. See the companion piece in my catalog.