DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...
A Qing dynasty 18th century blue glaze square vase, tall body with short neck and glazed base, vase is in good condition no damage no restoration, size: 27 cm including wooden stand.
Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care...
Original antique map of Asia dating 1762, with inscription "An Improv'd Map of Asia with all the Discoveries that have been made to The Prefent Time, Univerfal Mag. J. Hinton, Newgate Street".
Provanence of a Seattle Collection
Dates 1762
Size H11" x W 13 1/2"
A large and heavy European shape serving dish decorated in underglaze blue with deer, bamboo and pine trees in a river landscape. This item was made in China for export, circa 1750, during the reign of the Qianlong emperor (1736-1795). Condition - there is a well restored rim chip with associated 5.5cm (2.2inch) hairline (please view enlargements 5 & 6) and there are minor glaze imperfections...
A very rare sample of Yuan dynasty over glaze enamel bowl, rounded side with out turned rim and unglazed base, bowl decorated with red and green over glaze enamel, flower motif at the exterior, inner rim with classic scroll and center with flower spray motif, bowl excavated from Trowulan east java.
Bowl has been broken into several pieces and re-attach as seen at picture, a very rare sample of early over glaze enamel motif.
Size: 12 cm diameter, 6.5 cm diameter.
A Very Rare/Fine Carved/Pigments Painted Wood Carved Tiger:
Korea, Joseon dynasty, 19th century
A solid wood deep carved a man riding a tiger painted in red, yellow, blue, white and black pigments on the surfaces,
a man wearing a traditional hat, black horse tailed “Gat”, and a tiger with a long tail.
It’s in very fine condition without any noticeable damages, or missing apart.
Measurements; 10” H x 8” L x 3 1/4” W (25.4cm x 20.3cm x 8.3cm)
***Provenance; Collection of Mrs L...
Height: 10.5 cm (4.2 in)
Width: 8.5 cm (3.5 in)
Good Japanese Satsuma lidded koro; shows gilt bordered panels of Lohan in various domestic settings; fine diaper work throughout; signed; wear to finial; good condition
A nice little bronze figurine of the 4-armed Vishnu-Vasudeva-Nārāyaṇa, Cambodian, Angkor period, late 11th.-12th. Cent. AD
Great patina and details.
Size: 78 mm.
Here mounted on a Ancient near eastern macehead for the pictures only.
Condition: Choice, loss to one lower arm, othervise superb. Fine metal!
Ex. Danish/Swedish private Collections, since the 1970s
This is a Japanese antique nature Safflower dyeing itajime shibori hanjyuban From the Edo period to the Meiji period.There is aged fading and very slight stains. There is no damage. The lining is cotton.
Recommended for antique textile collections.Size:Length:75cm( 29.5") / Cuff to cuff, across the back: 124cm (48.8")
12-13th century
Southern Song Dynasty
Porcelain with green-blueish Qingbai glaze
D: 17.1 cm / 6.7 in; H: 6.5 cm / 2.6 in (without stand), 9.4 cm / 3.7 in (with stand)
Basically perfect: slight original manufacturing flaw and some age wear to rim.
From a Seattle, Washington area estate
An elegant Song Qingbai bowl, decorated in the interior with carved / incised details and covered in a green-blueish translucent glaze...
A splendid Chinese celadon brush holder formed in the style of a scholar rock. The crackled glaze along with the celadon is a classical style that began during the Song dynasty and became popular among the ruling elite. A mark is found on the bottom of the pot reading, Jingxiu tang zhi which is the studio that made the piece. Age: 18th/19th century Size: Length 4" Width 3" Height 4.6"
Antique Chinese jadeite carving in a beautiful grey color, of a Buddha's hand citron, a peach, and a pomegranate amidst reticulated creeping vines and leaves.
Size: 2.5" length, .75" thickness
Fine Chinese Ming Dynasty Painted Pottery Mandarin Tile
This attractive and very detailed pottery tile depicting a mandarin (Chinese official) was made during the Ming Dynasty (1368 - 1644). It is made from a dense grey pottery. The mandarin wears a flowing robe, belted across his waist, with his badge of rank in the centre of his chest. In his right hand is what appears to be a hu (audience tablet) and in his left hand an object upon which is a small animal...
A pair of 19th C.to 20th C. Chinese enamel cloisonne pedestal dishes with flower motif, in excellent condition. H:8-2/5" D:6-1/2" Sold to IN.
Japanese pair of Fukugawa Imari ware porcelain bottle neck vases. With imagery of blue and gilt enamel phoenixes against a ground of red cherry blossoms, blue waves, floral medallions and gilt outlines. The long slightly fluted neck with medallions on a gilt design ground and gilt rim, tapered to a rounded body with short tapered foot, blue lotus petals and double ring above the foot, each vase signed with a Fukugawa mark signifying the pieces date from 1900 - 1920...
This traditional Chinese antique tea container was made from bamboo. The outside has a carved rib design and was lacquered black. This tea caddy would have been used regularly by family and friends during the Qing dynasty. The inside lid is stamped with the manufacturers information.
The tea caddy is 10 inches tall and shows patinated wear marks and chips in the lacquer surface which would be expected on a piece of this age.
Chinese Blackwood and Natural gray mottled Marble top round Stool/table, later part of 1800's, 17 1/2" high, 13 1/2" diameter on top, with carved low relief floral branches on the apron, with cross stretcher under the marble to strengthen the legs, also stretchers are connected to the curved legs, some joint separations in the wood, no nails were used, it is a very heavy solid piece of furniture.