A very artfully done portrait of a woman with elaborate hairstyle, Eastern Javanese, Indonesia, Majapahit Empire, c. 12th.-15th. century.

A lovely head combining traditions of Hindu-Buddhist art with the fine regional Eastern javanese style.

Size: 9-10 cm. tall and c. 8 cm. wide. A substantial head.

Reff. See a very similar head of the finest Eastern Javanese style in the Art Institute Chicago, Reference Number 2001.302.

Ex...

An fine style terracotta head of bodhisattva, as a prins, Gandhara, c. 2nd.-4th. cent AD

Size: 85 mm. tall - a nice large size ancient head.

Condition: Very fine, repaired to face.

Ex. Danish Private Collection

A small Japanese Arita kilns blue and white porcelain sauce dish, or mamezara, of mokko-gata form. Namban (or Nanban, Southern barbarian) decoration of a foreign figure, with dog, falconing in picturesque landscape. Painterly shironuki decoration in the cavetto of cranes flying among clouds. Edo period, Circa 1800. Good condition for its age, with two small chips inside the foot rim and a small glaze abrasion just above the foot rim. About 3 15/16 inches (10 cm) square.

A small pair of Japanese Imari porcelain bowls (or small, deep dishes) with Namban (or Nanban, Southern barbarian) subject bowls. Imari palette decoration in three reserves, each of a figure among blossoming karakusa, in the cavetto. The center with blue underglaze decoration of Shishi with auspicious objects. The verso also with decoration in blue underglaze of precious objects around the raised, glazed ring feet surrounding a recessed, unglazed band around glazed, further recessed center...

A very rare early work by Shirakura Niho dating from the mid Taisho period clearly showing his early watercolor training under Ishii Hakutei signed with his first art name, Kinro. Light color on silk framed in patterned silk extended with classic beige and terminating in red lacquered wooden rollers. It is 45.5 x 107.5 cm (18 x 42-1/2 inches) and is in overall excellent original condition, enclosed in a modern wooden storage box...

A Kenzan style Chawan Tea Bowl decorated with blossoming plum bending over a golden rim by Miyagawa (Makuzu) Kozan enclosed in the original wooden box signed inside on the box floor by the aritst with an annotation inside the lid by Omotosenkei Iemoto Tea Master Seisai (1863-1937) reading Makuzu Yaki Chawan Ume-no-ga Ari (Makuzu Pottery Tea Bowl Decorated with Plum). It is 12.5 cm (5 inches) diameter, 7cm (3 inches) tall and in excellent condition...

A fabulous example exploring the various traits of traditional Shigaraki pottery with a thick swath of glaze covering one side, telltale feldspathic inclusions bursting from the raw clay opposite. This is a classic example of 16th century Shigaraki pottery. It is 29 x 31 x 35 cm (11-1/2 x 12 x 14 inches) and in overall excellent condition...

Chinese Qing dynasty wucai baluster form porcelain jar painted with two large phoenix birds in flight among peony flowers and leafy scrolling foliage. A narrow border holding two qilong among flowers and leafy vines is at the high shoulder below a band of scrolling foliage at the neck. Brown dressed rim. Glazed interior and flat unglazed base. 17th century. 11 1/4" high. Weighs 5 1/2 lb. (2.5 kg). There is wear to the overglaze pigments. A brown kiln kiss is on one side...

Cotton han-juban (short under kimono) with katazome (stencil resist dye), whose motif is a kind of "Seigaiha", the traditional wave pattern. It is hand spun cotton and vegetable indigo dye. The collar cloth is also hand-spun cotton dyed with sumi (ink). n good condition but has some parts fade in color. The second half of the 19th century. W:114cm, L:62cm

Cotton cloth with beautiful katazome (stencil-resist dye) with mum motif, which is made of hand spun cotton and vegetable indigo and natural brown dye. In good condition, however colors fades a bit from washing. 19th century. W:35cm, L:168cm

1930's Japanese Silver Rim Wireless Cloisonne Box with River & Mountain Scene & Sailboat by Ando Jubei

It is 2.16 inches (5.5 cm) tall by 5.43 inches (13.8 cm) wide and 4.2 inches (10.7 cm) long. It is 1.3 Lb.

It has surface wears and scratches (as seen in the photos).

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An exceptional style more than lifesize stone head of a Buddhist Monk, Indonesia, java, c. 8th.-9th. century AD.

The head carved in Andesite in the wonderful style of early Borobadur with serene features. Downcast eyes and full lips with the prominent nose typical for early Buddhist art of Indonesia.

Size: c...

An beautifully detailed pottery figure of a MNother with her child, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1600 AD.

The lady is clad in a large thick robe, covering the most of her head, and she is holding a newborn chikd to hear breast. She is standing on a round plint, and the glaze is torquise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 22,5 cm. tall.

Condition...

A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.

The figure with many fine details. A high helmet with decorations, the harness is covered with Green and Yellow Sancai colors. Note the lions on the shoulder and shield. He is wearing a sword in his hand. Pigmented colors in red, white, black of which much remains.

The head is attachable as on most larger ming figures. He is placed on a hexagonal podium - a very vivid...

A unusually elaborate pair of pottery figures of female Attendants, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1650 AD.



The ladies are dressed large thick robes, with imposing hairdresses. One is wearing af fan, the other is wearing purse in front of her chest. Both are standing on round plints. They are glazed in torqouise and dark blue colours.

Nicely painted facial details, careful thick glazing and a fine expression.

Size: c. 2...

A diminutive image of Hotei (Putai) the lucky god of fortune from the Edo period kilns of the Matsudaira clan of Matsue in their distinct golden color. It is 4.5 x 3.3 x 4 cm tall and is in excellent condition. Fushina-yaki was the Goyogama clan kiln of the Matsudaira of Matsue Han in modern day Izumo, established around 1764. It fell strongly under the aesthetic taste of Matsudaira Harusato (1751-1818) Daimyo of the province and one of the most influential Tea Masters of the later Edo peri...

A Bairin Yaki Suiteki water dropper in the shape of an eggplant and bowl covered in that quintessential Bairin purple and green glaze flowing into the water bowl. It is 10.5 x 6 x 4.5 cm (4 x 2-1/4 x 2 inches and is in overall nice condition, with miniscule chips repaired on the rim. Suiteki are used to provide water for grinding ink on an ink stone.
Bairin Yaki was a resurrection of the ancient Omi style of ceramic called Zeze favored by Kobori Enshu and Honami Koetsu. Zeze Yaki died o...

A Fushina (Fujina) yaki image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the Edo period. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What happens in the tea room, stays in the tea room! The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the Rakuzan seal. It comes in an antique woven thread pouch.
Rakuzan pottery falls under the umb...

A diminutive image of the three monkeys made to support the Kettle lid in the Japanese Tea Ceremony dating from the later 19th to early 20th centuries by Nagaoka Kuumi enclosed in the original signed wooden box. A warning to all, the little creatures hear nothing, see nothing and speak nothing. What passes in the tea room stays in the tea room. The figure is 4.5 cm (roughly 2 inches) diameter the same height and in excellent condition. Impressed into the base is the artists seal.
Nagaoka ...

A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.

The figure with many fine details. A high helmet with decorations, the harness is covered with dark blue and turquoise colored glaze with lions on the shoulders and chest. He is wearing a helberd in his hand. Pigmented colors in red, white, black of which much remains.

The head is attachable as on most larger ming figures. He is placed on a hexagonal podium - a very v...

A very large Ming Dynasty Tomb pottery horseman soldier, c. 1500 AD!

This figure is dating to the Ming dynasty around 1500 AD. and is very large!. It depicts a exceptionally scultured and detailed horseman - likely a soldier. He is seated on a horse. The soldier is fully glaced with a fantastic lively green jacket which looks like a sort of bodyarmor. The helmet, face and horse are decorated in different colours.

Size: The figure measure ca. 40 cm. in height and about 31-...

Very good, Pagan 12th century, impressed image of the Buddha inset a niche, flanked by stupas and two lines of Nagari script beneath. Overall the details are crisp and the interplay between light and shadow on this piece are quite dramatic. The best examples of this type reside in the Ashmolean and British Museums. This piece has some chipping on one outer side (please see enlargements), bear in mind most of the ones available these days are either fragments or heavily damaged, this one ...

1900's Chinese Silk Embroidered Gold Couching Egret Civil Rank Badge Official Robe

It is 72.8 inches (185 cm) from sleeve to sleeve, 28.1 inches (71.5 cm) armpit to armpit, and 45.28 inches (115 cm) collar to hem.

It has frayed silk, loose, pulling, and missing threads, fading, stains, separated seams, and wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy wi...

Rare porcelain or (porcelain stoneware?) dish from China, from the 17th century or before. The ceramic is thick and solid, the decoration of peonies is incised then painted in turquoise and aubergine enamels. The incised lines of the design demarcated surfaces comprising the enamels mixing during firing. The peonies are treated simply and energetically, the artist has gone to the essential, his drawing is powerful. This kind of decoration is unusual for this type of Chinese ceramics called "Fahu...

Very Rare Korean Goryeo Iron Gold/Silver Inlaid壽 Sutra/Relics Bowl Lid-12th / 13th C.: Korea, Goryeo dynasty, 11th – 13th century. Its top surround circle inlaid with 壽 (longevity) in gold and gentle dome shape lid inlaid with 4壽 in gold and leaf scrolled in silver over the surface and on around the edges inlaid in silver with lotus leaves. It seems to be used for a sutra or relics bowl presumably, but not it exist only lid. It is in good condition but with old iron rust on in...

A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches

Chinese antique monochrome porcelain gourd shaped vase with "peach bloom" glaze. Light red mottled with light green glaze. White glaze inside and inset bottom with 6 character Kangxi mark. Very fine hairline crack on the neck near mouth of vase.

Dimensions: 5" high x 2 3/8" wide

Bonji Sanskrit characters pierce the lotus finialed lid of this large antique bronze incense burner. The vajra-like finial topped in the shape of a lotus flower is hollow, the lotus seed pod pierced with holes to allow the smoke to escape like a chimney. This is also removable, slotting in to the incense burner, and turned to lock it in place. Inside the lid is stained and shiny from years of incense soot built up. It is 35.5 cm (14 inches) tall, 18 cm (7 inches) diameter and in overall exce...

A lovely work reflecting the simplicity of Art Deco predominant from the 1920s and 30s by master of the genre Ito Suito enclosed in the original signed wooden box The vase is 29 cm (11-1/2 inches) tall and in excellent condition.
Ito Suito (Yoshiharu, 1894-1980) was born in Kyoto and apprenticed under Ito Tozan in 1911. In 1918 he married his daughter, and took the family name and at the same time assumed the name Suito. In 1929 he was first exhibited at the Teiten National Exhibition...

An elegant tall vase in signature soft blue by Shinjo Tozan III of Yamagata enclosed in the original singed wooden box dating from the early half of the 20th century titled Yohen Kabin. It is 15cm (6 inches) diametr, 41cm (16 inches) tall and in excellent condition.
Higashiyama (alternatively read Tozan) is the common name for the hilly area in the eastern part of Shinjo City, Yamagata prefecture, and the geology of the village is covered with a thick layer of clay. Yahei Wakui, (1801-187...

This is an original yosegire hanjyuban made with plenty of silk katazime and silk fabrics from the Edo period. During the Edo period, silk was very expensive, so kimonos were often made without throwing away even the smallest scraps. This item uses plenty of linen thread as the basting thread. The lining is red silk from the Edo period. There are slight stains. there is some damage to the silk stripes. See image. Size: Length 90cm / sleeve to sleeve 127cm

Very rare Tang Dynasty (618CE to 907CE) terra cotta wall tile depicting the face of a Zhemushou, a fierce guardian earth spirit meant to ward off evil. It is a trapezoidal shape with much of original red and black pigments intact. Some loss to the lower lip (please see enlargements). Lower W: 19cm/7.8in, upper W: 16cm/6.1in and H: 20cm/9in.

Very rare pair of Yuan Dynasty Qingbai completely glazed jars with phoenix lids. These are high fired porcelain quality white bodied Jingdezhen wares with “iron rust” splashes and quirky applique figures. One is slightly larger than the other but both are from the same kiln and period. H: 40cm/15.8in x D:18cm/7in and H: 37cm/14.6in and D: 17.5cm/6.9in. There are Chinese characters at top of each jar the most legible one is “moon” and the incised one is ….. There are some minor damages...

Fine Song dynasty longquan celadon large plate with good green glaze, good condition no damage no chip no crack no restoration, small original defect on the foot ring please see picture for detail, size: 22 cm diameter

An antique Khmer Vishnu in mid 11th century, pre-Angkor Baphuon style with a height of 50 cm.

Vishnu is the divine Hindu preserver and protector of human life, a role that provided natural analogies with earthly kingship for the Khmer. The Vishnu embodies authority with its iconic downcast gaze and large unexpressive faces.

The Baphuon period is generally considered to have occurred between the 11th and 12th centuries CE, during the reign of King Udayadityavarman II in t...

A fabulous bowl by the first-generation Kato Keizan enclosed in the original signed wooden box titled Tenranji Zuicho Moyo Hachi (Bowl with Blue Glaze Decorated with Auspicious Birds). Tenran is a blue glaze made by the official kiln of the Qing Dynasty in China. On this in raised white auspicious birds with long tails like dragons circle the rim over archaic symbols reflecting continental taste popular from the Meiji through Taisho to early Showa period. It is 24.5 cm (9-1/2 inches) diameter ...