This is the one in the of Edo period. (1800-1867) wonderful textile of very valuable museum class. The lotus flower represents the Pure Land. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Tsutsugaki to make good use of this advanced exact technology is very rare. Please look at the cloud...

Diameter approximately 39 cm. There are some hairlines. There are some improvements at the rim. More pictures are available.

This handle is in cast bronze with 2 welded sides and gilded. The carving is of the best quality and the sculptur is powerful, announcing an excellent artist. It must have been part of a very large censer or vase in certainly imperial cloisonné enamel that is somewhere.Certainly Kienlong period or earlier. Hight about 22cm.

Polylobed lacquer box (kobako) with chrysanthemum decoration. On the lid, maki-e lacquer decoration, a slight relief in the center of the two flowers. Sides in fundame and base in nashi-ji.

Inside, two decorations of vegetal landscapes with flowers (campanulas, pampas, pampers) and butterflies in maki-e on a nashi-ji background...

A lovely large bronze weight of an Elephant, nice early piece, Lanna, deep in the 18th. cent.

A very nicely shaped Elephant, standing on a 5-stepped octagonal base, with value mark in the front and adjustment marks under the base.

Weight: 65,15 grams = 5 Baht.

Condition: Superb, with smooth wear and attractive light brown patina.

Ex. Old Dutch Collection of Opium weights.

A lovely large bronze weight of an Elephant with some nice archaic features, Lanna, deep in the 18th. cent.

Unusual features of the Elephant, nice clear value mark on the base.

Weight: 65,45 grams = 5 Baht.

Condition: Superb, with choice dark brown patina and remnants of cinnamon colour.

Ex. Old Dutch Collection of Opium weights.

This pieces was made at Jingdezhen kiln famous for blue & white ware and exported to Japan where people loved blue & white ware called "Kosome" in Japan. It has auspicious patterns, beautiful blue color. And it has tiny roughness on the edge of mouth, however it is a character of works made at Jingdezhen kiln, Japanese people loved them because they didn't like perfectness. Size:14.7cm(D) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

The ceramics manufacturing industry in China was collapsed at the confusion period in last MIng dynasty, however after about 50 years It was rebuilt on the Kangxi(康煕) era and they had producing more excellent pieces, and so the products with Kangxi mark has been prized for long time after then over the world. This piece has Kangxi mark, very precise and excellent painting with flowers...

The ceramics manufacturing industry in China was collapsed at the confusion period in last MIng dynasty, however after about 50 years It was rebuilt on the Kangxi(康煕) era and they had producing more excellent pieces, and so the products with Kangxi mark has been prized for long time after then over the world. This pieces has an auspicious grouping pattern, pine, bamboo and plum at the bottom, and Chinese characters on the outside. Accessary: box Size:11.0cm(D) 5.8cm(H) Certification: wri...

This piece was made at the Longquan kiln famous for excellent celadon pieces, and had been stored at famous Japanese collector, It has beautiful olive green color and carved peony at the center of plate. Size:14.0cm(D) 3.8cm(H) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

This piece was made at the Zhangzhou kilns(漳州窯), and had been stored by Japanese famous collector. This type of multiple colored ceramics is called "Gosu Aka-e 呉須赤絵" and has been valued by Japanese people since Edo period until nowadays. Size: 34.3cm(D) 8.0cm(H) Certification: Written by Noriki Shimazu the Japanese famous researcher of Asian antiques in Japan.

An antique Japanese Choba Display Tansu made of Kiri (Paulownia) wood. Two sliding glass doors were used to showcase the store owner's wares with two drawers below for safe keeping the inventory. All original hand forged iron hardware including the Gunbai style handles. Drawer corners feature the raised tealeaf design suggesting this chest originated in the Yonezawa region of Japan...

An antique Japanese Isho Tansu (kimono storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware and Oxblood red Urushi lacquer finish. Drawer lock plates have an unusual stylized insect-like incised design with fine stimple work accents and handles in the Warabite style. True dovetail joinery and hardened wooden nails were used in the making of this chest.

Age: Late Meiji (1900-1910)

Dimensions: 35 1/4" Wide by 40 1/2" High by 16 5/8" Deep

This is a Japanese antique indigo dye Thick hemp katazome Stripes long Roll fabric handspun & natural indigo dye katazome.There is no stain.There is no damage and it is in very good condition. Size:Length:7m15cm(23.45ft) / Width: 34cm(13.3inch)

An antique Japanese Tansu chest made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite style handles with natural age acquired patina. The handles have unusual embossed designs of a crescent moon, a plum blossom and a Bugaku pattern. Drawer lock plates feature the full moon pattern and each section has side carrying handles...

A Chinese export lacquer dish dating from the early 19th century, circa 1820.

Approximately 16 cm diameter...

The bowl and cover with moulded panels of shi-shi and botan, peony flowers. All against an underglaze blue karakusa ground. The cover is surmounted by a seated shi-shi.

Unusually, the coloured decoration appears to have been applied in Europe, not as ‘clobbering’ but in reserves left blank for just such painting...

A Chinese bronze hu-form vase with tubular handles and a cast band around the shoulder. Late Ming, 17th century. 24 cms. (shallow dent to lower part of one side)

Japanese antique natural indigo dyed hand-spun Jōfu Hemp or Ramie long roll fabric. It is a precious piece of cloth. It is a traditional Japanese Basho leaf design. There is no dirt. There are many small repair marks. There are several small holes. But the fabric is good. Two pieces are sewn together. Size: Length: 4m 54cm (178.7) Width: 34cm (13.38 inches)

Oliver Impey illustrates a coffee pot of the same form and design in ‘Japanese Export Porcelain, the catalogue of the Collection of the Ashmolean Museum, Oxford.’

Made for the European market during the last quarter of the 17th century and probably copied from a Dutch metal version. These coffee pots have a purpose-made opening in the lower body but taps seem to have been fitted upon arrival in Europe...

The decoration of flowers on this khendi has been reduced to the absolute minimum possibly denoting its destination as South East Asia where early exports from Arita were made.

Approximately 20cm high. Weight: 1.30 kg...

An antique Japanese Isho Tansu (kimono storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware and Oxblood red Urushi lacquer finish. Drawer lock plates have an unusual stylized insect-like incised design with fine stimple work accents and handles in the Warabite style. True dovetail joinery and hardened wooden nails were used in the making of this chest.

Age: Late Meiji (1900-1910)

Dimensions: 35 1/4" Wide by 40 1/2" High by 16 5/8" Deep

Very rare Isomaru Kasuya (1764 - 1848) Red Raku Tea Bowl (Chawan) nail-carved with his poetry.

Isomaru Kasuya is a Japanese poet of late Edo period.
Born as the eldest son in the poor fisherman's family in Irago Village, Atsumi District , Mikawa Province (currently Irago Town , Tahara City , Aichi Prefecture ). He lost his father at the age of 31, and his mother was ill for a long time who could not read or write after the age of 30...

The dish is shaped in the form of a folded paper letter. Unusually it is decorated with a stenciled design of what appears to be a formal pattern of lightning behind an arrangement of stylised flowers. The back is simply decorated with pine needles.

Two dishes of very similar shape are illustrated in the Catalogue of the Shibata Collection, items 2604 and 2635, dated to 1690 ~ 1730.

Approximately 13.8cm wide. In fine condition...

Decorated with a carp diving in waterweed executed in typically thick and strongly hued enamels. The back similarly decorated with oysters and weed, the centre with a large Kutani mark.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the ...

An antique Japanese 2 part Usubata in bronze featuring a Minogame (age old turtle) base. Mounted to the shell is a flanged cloud rendering with four terminating columns that undulates to a removable wide rim water receptacle. Artist signed at the base of the receptacle. Beautiful craftsmanship including the fine stimple work to the underside of the turtle.

In Japan, the turtle is a good luck animal symbolizing 10,000 years of long life. It is considered the chief amongst all shelled c...

This large plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted 2 Chinese men of literary taste and children playing at the garden, and the last painted with gold. The seal mark ”大明成化年製”was used at the middle Edo period, Very gorgeous piece. One more piece with the same pattern we have. Size: 41.0cm(D) 4.8cm(H)

Antique Japanese small zushi (traveling shrine). Red lacquer case opens to reveal the Buddha in the moment in which he attains parinirvana, dies and is released from the cycle of rebirth. Here he is recumbent on his side on an elongated lotus bed on a two tiered stand carved with blossoming branches and waves. The whole interior of the zushi is lacquered gold as is the Buddha while the lotus petals are delicately painted in colors with gold details.

Edo Period (1603-1867)

...

Aka Raku Chawan named "Hanshan" made by Matsuo Fushunsai (1792-1830) who was the 5th generation head of Matsuo-Ryu Tea Ceremony School in Higashi-ku , Nagoya.
The box is signed by Matsuo 6th generation Iemoto Gyosai (1820-1856).

The rim is gently undulated moving to the plump body. The hills are lightly squeezed, and the whole shape is rounded as if it is a sphere. The surface has irregularities that allows to follow the trajectories of hand-modeling, and the dynamic scenery giv...

An incredible and massive Japanese Buddhist Temple Ranma (transom) carving of a crouching Shishi (Fu Dog) under an overhanging pine tree flanked on both sides by exaggerated Peonies. Beautifully hand carved with great detail. The pine tree represents longevity while the large Peonies symbolize an abundance of wealth. The frame and carving both are made of Hinoki (Cypress) wood. Very good original condition.

Edo Period (1603-1868)

Dimensions: 94" Wide by 27 1/2" High by 4" Deep ...

An antique Japanese Buddhist temple freize wooden carving of waves centered by a Hoju sacred jewel. Carved from one solid block of Keyaki (Zelkova) wood. Professionally mounted on an iron stand.

Age: Edo Period (1750-1800)

Dimensions: 32 1/2" Wide by 17 1/4" High by 5" Deep

This is a large and beautiful nephrite jade bi, with a centrally placed coiled dragon and a pair of phoenix on either edge. The piece is entirely hand-carved, and the carving technique is consistent with archaic practice, utilizing a diagonal grid to space the coils which cover the body of the disc. The coils themselves are carved in opposing directions from one another, consistent again with ancient technique. This manner of carving is illustrated and discussed at length by Jenny So in "Early C...

Antique Rare Ainu woven pouch, created by the indigenous people of northern Japan. The Ainu are well known for their especially beautiful attusi garments made of woven elm bark. This rare pouch is made of a variety of natural fibers, with reinforced corners and edges. The detailed patterns of the Ainu were past down through generations of women and were believed to protect the wearer from evil spirits. This pouch is beautifully constructed with another smaller woven pocket on the inside. ...

Antique bronze sculpture of a male lion. Standing with head raised, he lets out a roar. Beautifully rendered with naturalistic details especially in mane and face. Signed with a raised cartouche on the underside of his belly: 誠谷作 Seiya saku "Work of Seiya". His full name is Genryūsai Seiya (源龍斎誠谷) and he was the master craftsman of a studio specializing in high quality wares for export. It is suggested that his sculptures of animals were probably influenced by the opening...

Large suzuribako showing on its cover a mountainous landscape, crossed by a river, bordered by two houses and trees such as pine trees and cherry trees in bloom. It could be Okabe, the twenty-first of the fifty-three stations of the Tôkaidô. The bottom is gilded in the fundame technique, decorated with takamaki-e, hiramaki-e, hirameji and kirigane. The inside of the lid shows a lake landscape with very sinuous pines in takamaki-e and kirigane on a hirameji background.
Removable part, to...

A beautiful original large Buddhist temple sitting lantern called Koshi Tsuridoro. These lanterns are placed in front of the entrance to the temple itself. The verdigris copper and wood construction is decorated with 8 panels of scrolling arabesque designs of lotuses. The front pair panels are hinged and they are secured with a lock and sliding flat pin.The diminutive transom panels of swirling cloud cut-outs sets the square domed roof on 4 piers. The panels are perforated with swirl...

An antique Japanese Kotansu (personal storage chest) made of Kiri (Paulownia) wood. All original patina and bronze hardware including the Warabite style handles and the Chrysanthemum incised lock plates. A configuration of 3 large drawers and 2 smaller side by side drawers provides for organization and storage. Constructed using straight dovetail joinery and hardened wooden nails. It would work well as a side chest or a bedside nightstand.

Age: Late Meiji/Taisho (1910-1920)

Dime...

Japanese lacquer tray with raised gold cranes on top a hill under a large meandering pine tree along with smaller trees and grasses on a large expanse of nashiji lacquer with gold maki-e edges. The underside is performed in a darker sprinkled lacquer and has some chipping to the bottom outer edges, although the face of the tray is good with only some light surface wear. Measures 21.25" long, 15.25" wide, and 2.25" high. Dates circa 1900.

An antique Japanese bronze Buddhist temple bell called Bonsho with a carrying handle depicting diverging dragon heads called Ryuzu. The upper protrusions called Chi or Nyu improves the resonance of the sound when struck. Two opposing striking panels called Tsuki-za is the point on the bell where the best and longest sound is achieved. A bell of this size was hung in a small temple to summon the monks to prayer.

Age: Edo Period (1800-1850)

Dimensions: 17 1/2" High by 11" Diamete...

Japanese antique natural indigo dye hand-spun Stripes hemp long Roll fabric.There is discoloration over time, but it has changed to a charming color. There is a slight damage to the edges. It is in very good condition.Size: Length: 596cm / 234.6 inches Width: 32cm / 12.5 inches

Shima-cho, a sample book of cotton stripes with 182 fragments which are mostly hand-spun and vegetable dye. The book is "daifuku-cho", a record book of a merchant. It has the age Keio 2nd, 1866. 11 pages with fragments. The second half of the 19th century. 16cm x 22cm

A Very Fine/Rare Large Korean 5 Silver Charm Pendants/Tassels (오작노리개-Norigae) for women-19th C.: $4,000. Korea, Joseon dynasty, 19th century They’re different shape and size silver charms (you name on it) inscribed in Chinese characters, geometric and floral designs in engrave, and tassels with 5 different bright colors All suspended from a square element decorated with enamel and terminating in colorful threads fringe. It’s in very good condition but a green ornament upper th...

Lacquer kobako box with two compartments in the shape of a fan. Decorated with pine trees near a stream on all sides in takamaki-e, hiramaki-e techniques with a nashi-ji background. On the upper side, a couple of cranes are looking for food on the ground, while three baby cranes are waiting in the nest located in the pine tree. Interior in nashi-ji lacquer.

Japan - Edo period (1603-1868)

Height: 1.8 in. (4.5 cm) - Width: 4....

Dark brown patina bronze sculpture of a monkey with shakudo eyes. Sitting, he is contemplating or examining attentively a small turtle placed on his right hand, held with care. The latter is removable. The monkey's eyes seem to be illuminated by what he is observing through the shakudo (copper alloy typically containing 3-7% gold, mainly used for its black-purple lacquer-like patina).

In Japanese art, there are many representations of monkeys (paintings, sculpture, ceram...

Very Fine/Rare Korean Silver/Copper Inlaid with Symbols of Longevity Box/Cover-19th C.: Korean, Joseon period, late 19th century. The mixed silver and copper inlaid rectangular tobacco box is a very rare, its cover silver inlaid with an auspicious character “double happiness” with geometric designs in silver and copper, and symbols of longevity inlaid silver and copper in medallions on the 4 sides surround by bands of key-fret work, a dark blue velvet linen laid down in the interiors. I...

Rectangular kobako box in ivory with inlays of stones and mother-of-pearl according to the shibayama technique to represent insects. Combining this technique and the legs painted in the hollows of the ivory, the insects stand out and are highlighted by the play of volumes, materials and contrasts. Among them, there is a cricket, a firefly, a fly, a dragonfly, a ladybug and a butterfly.

The shibayama technique consists of inlaying ivory with lacquer, wood or precious materials or st...

Wooden netsuke representing two frogs with horn eyes. They are hanging on a round water lily, on and under it.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unidentified. ...

Wooden netsuke representing a frog whose eyes are inlaid with horn. It is lying on a water lily folded on itself.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unid...

Late 19th Century Japanese cloisonne bronze charger with a flock of flying cranes. Beautifully designed, it measures 12 inches in diameter. There are a few stress marks in the upper left side, please study last photograph where I have enlarged and highlighted the area through photoshop. It is not as evident in person. Pricing has taken this into account.

Chinese 19th century bronze censer with dragon ears, Xuande mark. 14 cm wide, 9,3 cm mouth rim diameter. 8 cm high. 461 gram weight.Censer has flake colour at the patina and smooth dent at the body. (please see at the pictures).

Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years. Here we see an historically important work by the second generation potter dated to the Japanese Era “Kanbun” (1661-1671)—placing it as a very mature work, completed near or at the very end of the life of this craftsman.

In fine antique condition, this piece is 12.1cm at its widest point and stands 8.2cm ta...

Wonderful Early to Mid Edo (17-18cc) Kuro Oribe Kutsugata Chawan (distorted tea bowl) for Tea Ceremony.

Clay covered with black dull glaze, of irregular form with unglazed foot ring and surrounding area. The old label on the box has the name Rinzo (林蔵) who was probably a potter or a tea master.

From Japanese private collection

Oribe ware known since 16th century and it is coming from Mino of Gifu prefecture of Japan.
It has distinctive green or black colo...

19-20cc Karatsu Guinomi (sake cup) With Gold Decoration Antique Sake Ware
Skillfully decorated with gold however it is not a repair but a decoration of unglazed areas.

Karatsu ware is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.

Size
Width 7cm
Height 4.6cm

Condition
No cracks, no chips

An antique Japanese Tansu chest called Oki Getabako (Large shoe chest) made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Large two sliding doors hides 2 full width shelves. Originally used in a large Ryokan (country inn) in the Kansai region of Japan to store wooden clogs and shoes for guests staying there. Traditionally kept at the entrance of the inn, guests would remove their footwear and change into slippers that were provided. Constructed using through mortise and tenon joinery acq...

A bag made of asa (hemp) and dyed with kakishibu (persimmon tannin). Warp and weft are hand-plied. It has and cotton lining. Late 19th to early 20th century. 27cm x 60cm

An antique Japanese Cha Tansu (tea chest) made entirely of Rosewood (Shitan). Beautiful configuration of sliding doors, shelves and drawers. Each display shelf has an arabesque border and the center and top shelf have a horizontal scrolling design. The top, back and sides all have floating panels and the chest has an open air design with areas for storage.

Age: Late Meiji-Taisho (1900-1920)

Dimensions: 42" Wide by 42 1/2" High by 13" Deep

An antique pair of Japanese Fusuma doors made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Natural Urushi lacquer frame and hand painted design of Bamboo trees on one side and Pine trees with Bamboo on the opposite side. Bamboo symbolized tenacity and perseverance while the Pine tree represented a long life making these doors auspicious and full of good luck.

Age: Meiji Period (1880-1890)

Dimensions: Each 35 1/2" Wide by 71 1/2" High.

Rhyton, of conical shape, decorated at its base with the bust of a tiger. Geometric design incised all over the body of the object. Bronze, with fine age patina and traces of soil encrustations. Bactrian Civilisation, ca. 4th century B.C. Height: 14 cm. Weight: 1.15 kg. The piece is nicely mounted on a custom stand. Very good condition.

A Fine / a quite Large Korean Circular Silver Inlaid Iron Box and Cover-19th C.: Korea, Joseon period, 19th century. This is a large silver inlaid tobacco box with lid, and is round set on three stump feet inlaid on the upright sides with 2 “Double happiness” characters on each opposite side separated by square panels of confronted butterflies and two crossed flags, the slightly domed cover also inlaid in silver with a character “long life” and around with bats. It’s in very good ...

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

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