Design of a kite with a takara bune (treasureship) design with a poem, probably designed as a New Year’s greeting, issued ca. early 1900s

Printer’s information on lower left (no. 41), good condition

Shikishiban: 9 ¼ x 9 ¼ in.

Portrait of Kawarazaki Gonjuro as a wandering monk (Komuso) issued ca. 1860

Signed Kunisada Ga, good impression, color skip on grey robe, thumbnail size paper loss mended on upper right corner.

Oban tate-e: 10 x 14 ½ in.

Portrait of a courtesan with her young attendant, issued 1830s

Signed Gofukutei Sadatora on lower left, fair impression and color, some thinning and wear, small nicks to edges reinforced, not backed.

Oban tate-e: 8 7/8 x 13 in.

Three figures with bonsai and other vendors, issued 1855

Signed Toyokuni (III) on lower left, good impression and color, lower margin trimmed into publisher’s seal, some wear and light soiling, not backed.

Oban tate-e: 9 ¾ x 14 ¼ in.

Portrait of a Kabuki actor, no. 7 from the series “Juni ka getsu hana awase” issued 1880

Signed Toyohara Kunichika in upper right and titled in cartouche in upper left, dated Meiji (1880), good impression and very strong color, very light soiling on upper margin, slight creasing to upper right corner, very light soiling on upper corners on verso, not backed.

Oban tate-e: 10 x 14 5/8 in.

Portrait of a Kabuki actor, no. 6 from the series “Juni ka getsu hana awase” issued 1880

Signed Toyohara Kunichika and titled in cartouche in upper left, dated Meiji (1880), very good impression and color, very light soiling near bottom, upper corners lightly creased, very minor wear, not backed.

Oban tate-e: 10 x 14 ½ in.

Scene from a Noh play, issued ca. 1920

Signed Kogyo with red artist’s seal, fan shaped publisher’s seal, very good impression and color, small areas of faint soiling.

Oban yoko-e: 10 x 14 ¾ in.

Scene from a Noh play, issued ca. 1920

Signed Kogyo with artist’s seal, fan-shaped publisher’s seal, very good impression, color and condition, remnants of attachment paper on back of four corners.

Oban yoko-e: 10 x 14 ½ in.

Diptych—two chuban prints originally joined in an album depicting a scene from the Osaka Kabuki stage, issued ca. 1865

Yoshitaki was one of the best known designers of Osaka actor prints from the 1860s to 1880s.

Both signed Yoshitaki Ga in red cartouches, very good impression, color and overall condition, old album backing paper intact.

Each print size: 9 ¾ x 7 in.

Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900

The characters beside each design describe the motif and type of fabric.

Very good impression and color, vertical center crease, minor wear, remnants of old backing.

Overall Size: 9 ¾ x 14 in.

Scene for “Tokyo Daily Newspaper” with “Tokyo Nichi-Nichi Shinbun” inscribed in the banner at top, issued ca. 1890

Yoshiiku was noted for his prints included in the popular illustrated newspapers at the time.

Signed Ikkeisai Yoshiiku on lower left with artist’s seal ca. 1890, very good impression and strong color, vertical center crease, various areas of moderate soiling, slight backing tape residue on upper left corner, not backed.

Oban tate-e: 9 ¼ x 14 in.

Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)

From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...

Shini-e (memorial portrait) of three individuals, including their names and dates of death, issued ca. 1860.

Very good impression and color, light soiling and wear, small loss to upper-right corner, upper corners reinforced, two very small holes in right side, not backed.

Oban tate-e: 9 ½ x 13 ½ in.

Two young women caring for silkworm cocoons

Signed Kunitoshi Ga in a red cartouche with date: 1881 and publisher’s information in yellow cartouche, good impression, excellent color, very light soiling, upper corners thin with remnants of paper attachments, not backed, margins trimmed right and bottom.

Oban tate-e: 9 ½ x 14 in.

From the Birds and Flowers series: “Sho-utsushi shiju-hattaka” issued 1858.

Signed Sugakudo, with two seals beneath the signature, censor’s seal and publisher’s seal, left margin; good impression, evenly toned, thin corners, light staining, two upper corners with glue remains from attachment, not backed.

Oban tate-e: 10 x 14 ¼ in.

Face mask of almost flat shape, with rectangular protruding forehead, long triangular nose, pierced-through rectangular eyes and mouth. Wood, with fine dark-brown patina. Animal hair has been affixed with black resin, to represent eyebrows, moustache and beard. Old rope still attached to the mask. Himalayas, 19th century, probably even earlier. Height: 10 1/4" (25,5 cm). The mask is nicely mounted on a custom metal stand that enhances its strange beauty...

A Fine Mother of Peal/Tortoise Shell Inlaid Lacquer Low Table: Korean, Choson Dynasty, late 19th Century, This rectangular low table is lacquered with dark brown over all, and top decorated with a confronted large four-clawed dragon and a long-tailed phoenix inlaid in tortoise shell, twisted wire and mother of pearl, and amid clouds enclosed in a diamond-form border It is in fine condition without any typical damages. Measures 39 1/4” x 27” w...

This elaborate woman's dress bodice is from Afghanistan, formerly Baluchistan. The fabric was first elaborately embroidered with an applique of thin strands of braids. Then it was heavily decorated with coins and beads.

A etremely rare Kanton enamelled gilt-copper European-subject snuff bottle. Qianlong mark and period ( 1736 - 1795 ). Provenance : From an old Austian Family collection, in the past sold at the famous Austrian Auction house Dorotheum and according to Dorotheum`s expert Mrs. Dr. Jorinde Ebert this rare piece at least was for the past 150 years in this family collection. The spoon is lost. H : 2,6 inc ( 6,8 cm )

A Rare and Fine Bronze Mirror: Korean, Koryo Dynasty, 12th-13th Century This is an unusual small round bronze mirror, cast in the center with a pierced knob encircled by wide flat ring, well molded with a pair of swimming fishes in waves, each pursuing a catching fish through water waves around the central knob. It is in good condition with a natural dark green patina over all surface. It measures 4 1/8” (10.5 cm) in diameter

This early 20th century ivory carved beauty is 10 3/4 inches tall, 2 ½ inches wide and 2 inches thick. She wears a simple and elegant robe and holds a bouquet of flowers. The black metal stand is a later custom made piece. The statue is in excellent condition.

Late 19th century Chinese fan shaped ivory carving with stand. One side depicts a well known battle scene from “ A Tale of the Three Kingdoms”; the other side presents an etched picture of two dragons. It is in excellent condition. It is 4 5/8 inches high (7 ¼ inches with stand), 10 ¾ inches wide and half of an inch thick.

A Very Rare and Fine Jingle-Bell Libation Cup: Korea, Three King Domes Periods (Silla period), 5th-6thcentury This is a so called “a jingle-bell libation cup-vessel. It probably could have been used for a ritual ceremony in Silla or Kaya periods. This is an extremely rare Jingle cup with an inside pierced high ring foot, cut and opened high footed stem like a pedestal bowl with natural ash and lead glaze on the body...

This doll is modeled after Kanpei, a samurai from the “Chushingura (Kanadehon).”, the story of 47 samurai who took revenge for their lord was shamed in public and forced to commit seppuku (suicide). It is based on the true story that occurred in 1701. Kanpei is portrayed as a handsome playboy who was deeply occupied with his girlfriend, Okaru, at the time of emergency for his lord...

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H...

An Unusual large and Fine Inlaid Celadon Oil Bottle: Koryo Dyansty,12th century A rare and large Koryo Celadon Inlay Oil Bottle, this is unusual large oil bottle inlaid in white slip with 3 cranes flying amid stylized cloud wisps between 2 double wide bands on the shoulder and medium body, it is covered overall with transparent sea-green grey glazed color. It is in very good condition without any damage except a small part of the bottom near the foot ox...

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see...

Joseon Dynasty Ton-kwe (Korean Coin Chest). Coin chests are highly prized by collectors, as their purpose required that they be the largest, heaviest, and most well constructed piece of furniture in the home of an aristocrat. Paper money did not exist in Yi Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large quantities to have any worth, so a strong money box was obviously a necessity...

This striking black and gold Japanese antique shop sign is from a Meiji Era (1868 - 1912) headquarters for a drug store chain. It dramatically declares that this shop carries the best elixirs for vitality, the best remedies for high blood pressure, and the most expedient cures for fever. 17.5 x 41 inches (44.5 x 104 cm). Excellent Condition.

A warm grained Meiji Period (1868 - 1912) two piece Yonezawa Isho Tansu (clothing chest from Yonezawa) finely constructed of pine (matsu) and highly desirable paulownia (kiri). 42 x 34 x 16 inches (107 x 86 x 41 cm). Very Good Condition. This chest is from Shonai, a region of Yonezawa that makes chests that are highly prized for their combination of understated Japanese design with a sense of tradition.

In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.

An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm)...

A Large and Fine Kesi of “Boys Play”: Chinese, 19th Century, This is framed professionally and well preserved, the silk tapestry finely woven with boys at play in a landscape ground including a group of imitating the emperor, kite flying, studying in the pavilion, playing catch, playing music, teasing, playing with crickets, playing blind boy’s bluff and etc, all below swirling clouds and under blue sky woven, executed predominantly in shades of red, grey, pink, black and white, aube...

This is a classical form Song dynasty small longquan or celadon dish with moulded appliqué twin fish in the centre and an everted flatten rim. The dish is glazed with an uneven sea green or aquamarine glaze with crazing instead of the standard green colour.

There is no repair or restoration...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...