Indian miniature painting. Hyderabad 19th century. Gouache on card. 22x15cm. Text on reverse.

This is woodblock is carved on both sides so that it was used to print 2 different pages of a Tibetan Sutra book. ...Age and use are obvious and there are a few nicks and bruises but no serious loss... A true ethnographic relic measures 14 inches x 3 inches x 7/8th inch...

A rare pair of carved wooden figures made in China during the Ming dynasty (1368-1644). For comparison of costume and facial features we have photographed them alongside a Ming Dynasty Fahua glazed soldier. Condition: there are extensive losses and most of their original gilding has worn away. 16cm / 6.25 inches high. For many additional pictures please view item #1728 on our liverpool shop website at www.69aliverpool.co.uk

A Rare Korean an Old Pyung-Yang 평양(平壤) Villages ”牧丹臺:모란대” Scroll Painting by Yang Sim Ho (楊心鎬): Korea, late 19th century. Details of an one of old historical Pyung-Yang (平壤) villages Painted in color and ink on silk, inscribed Pyung Yang ( 平壤) villages, 牧丹臺(모란대) inscribed on the upper right, two sealed pen name: 月湖, and signed artist name: 楊心鎬?” It’s in very good condition, it measures 13.5cm x 116.5cm...

Chinese circular porcelain plaque with enamel scene of Qingao in a green robe mounted on a carp. With calligraphy and red chop. Titled "Qingao kea li". The face of the plaque is on a step pedestal with a bare, textured backside.

Dimensions: 11 1/4" x 1/2" H

Antique Japanese scroll painting of a flying goose, sumi ink on paper. With calligraphy signature and red chop. This scroll has the original two tomobako (storage boxes).

Early Edo Period Circa 1600's

Dimensions: 22" x 48 1/2" H (entire scroll) 15 1/4" x 11 1/2" H (artwork only)

24" x 3 1/2" x 3 1/4" (red lacquer tomobako)

A Japanese Butsudan, or Buddhist shrine for in-home use. The exterior of the shrine is lacquered in red with black lacquer and gold gilt pigments. The gilt hardware of the butsudan are highly ornate with motifs of chrysanthemums, lotuses, vines, and dharmachakra wheels. The lower area of the shrine features two pull-out platforms and hidden drawers...

A set of three Bencharong serving dishes 19thC. Largest diameter 12.7 cm. Condition: two larger dishes perfect, the smaller has a 0.4 cm chip to the rim. Wear to gilding.

A Benjarong Thai Market Chinese Porcelain Serving Dish. 19thC. Diameter: 13.8 cm. Condition: excellent, some wear to gilding.

A Sino-Tibetan gilt bronze statue of Maitreya, regarded by this world as a future Buddha in succession after the current Sakyamuni Buddha. Tradition teaches that Maitreya is a Bodhisattva who will one day appear on earth to achieve enlightenment and teach the pure dharma. The Bodhisattva is seated on a double-lotus pedestal to represent purity untouched by Samsara, the copper base impressed with a four point vajra to represent the four poisons of the earthly realm...

Fine Qing dynasty blue and white snuff bottle with a nice over-glaze. A scene depicting a man, likely a gardener on one side and scholar on the other side receiving flowers. No apparent damage. Sold without a topper lid. Height 2.25 inches; widest width: 2.50 inches. High resolution images may be emailed to you upon request.

A framed Christian religious painting of Mary with a winged angel bearing the signature and seal mark of Li Tian Duo. This item was painted in China during the either the late Qing or early Republic period. The early 20th Century frame is age worn but the painting is in excellent condition with no stains or damages. Frame; 50 cm x 32cm

One of a kind, a treasure with a special cultural and historical significance.: Kuro Raku Chawan, named 'Departing Geese', by legendary Tamamizu Ichigen (Ichigen I) with perfect kintsugi.

Ichigen was an illegitimate son of Kichizaemon Ichinyu (Ichinyu IV). He was raised in the Raku family until he was in late teens...

Height approximately 44.5 cm. In good condition.

Height approximately 22.5 cm. There are several parts not completed. Repaired.

A circular qingbai porcelain box of compressed drum shape with neatly lobed sides and a slightly concave base. The domed cover has a concave top, which is mould-­impressed with small chrysanthemum flowers. Both the exterior and interior of the box and cover are coated in a thin, translucent bluish­-white glaze, leaving the rims and base unglazed, exposing the sugary white body, which has some brown and black firing marks...

Chinese Zitan hardwood brush pot hand carved from solid heavy Zitan wood. Dramatic foliate edges and interior are nicely detailed. The zitan shows "gold threading" with the grain of the dark hardwood.

Dimensions: 5 1/2" x 5 1/2" x 6 1/4" H

A large Chinese brush pot hand carved from solid Zitan hardwood. The brush pot has a cylindrical natural form with interesting root texturized edges. An unusual scholars brush pot holder. The zitan shows "gold threading" running with that of the dark grain.

Dimensions: 8" x 8" x 8 1/2" H

Chinese brush pot made of huanghuali hardwood with the classic "ghost eye" grain seen throughout. Carved of a squared form with four very short feet.

Dimensions: 3" x 3" x 5" H

Japanese zenibako (money safe box) made with Keyaki (zelkova) burl wood in original red lacquer finish. The zenibako is fitted with brass hardware including side handles in a mokko (melon) motif. The hinged lid has a large front lock plate with matching key, and a calligraphy inscription on the underside. The interior of the zenibako holds two open compartments.

Meiji Period (1868-1912)

Dimensions: 20 1/2" x 12" x 7 3/4" H

A Very Rare/Fine Korean Silver Inlaid Square (正四角形 ) Box and Cover: 19th C...

Japanese two section tansu made with Kiri (paulownia) wood. The chest's four front drawers feature large, round Kiri wood mon (family crest) motif lock plates , while the Warabite style drawer pulls have small pierced plates below them in the style of a crane mon. The bottom section holds a small corner safe door with two small drawers inside.

Meiji Period (1868-1912)

Dimensions: 40 1/2" x 17 1/4" x 42" H

Japanese two section clothing tansu, made with Kiri (paulownia) wood. Decorated with classic round iron locks and handles. The lower section holds a corner safe box.

Meiji Period (1868-1912)

Dimensions: 37" x 16 1/2" x 43 1/4" H

Small statue of Kuan Yin, the Buddhist Goddess of Mercy, wearing a diadem and formal robes, sitting on a double lotus throne, her right hand in abhaya mudra. Gilt bronze, with fine dark green patina. China, 19th century. Height: 8.8 cm. Gliding partly missing, otherwise every good condition.

An unusual Japanese choba tansu (merchant's chest) constructed of Kiri (paulownia) wood with natural finish. This unusual piece contains a top compartment behind sliding panels as well as another below it, the lower compartment containing two shelves and a set of 3 small drawers with decorative locking plates, opened by kan (ring) pulls. The middle inner drawer contains a secret hidden compartment. All in original condition...

Japanese pair of 2 panel byobu screens, with hand-painted scenes of small flying birds, a pond with foliage, a blossoming plum tree branch with gold flecks.Applied gold clouds and pigment on silk. enclosed in a black lacquered frame dating circa 1930.
Yamashita Chikusai (1885-1973) was born in Kyoto and studied under the important turn of the century master Yamamoto Shunkyo (1871-1933) from the age of fifteen, becoming one of his highest ranking pupils...

Japanese small choba tansu, constructed of Kiri (paulownia) and Sugi (cypress) natural finish wood. With hand-forged iron hardware and plates. The choba has hirute handles, with foliate edge motif lock plates, small pair of sliding middle doors with slats, and a corner bottom safe box with two small drawers inside.

Late Edo / Early Meiji Period (circa 1850's)

Dimensions: 23 3/4" x 14" x 24" H

CONTINUATION OF PAGE 1. PRICE OF $3500 IS FOR COMPLETE MANUSCRIPT

Complete Nepalese manuscript. Estimated to be late 18th century or earlier. 78 sides. 10 full page illustrations, one double page illustration. Text in red and black ink, charts and diagrams, traces of ritual use. 26.5 cm x 9.5 cm. Can be viewed in central London and shipped worldwide. SEE PAGE 2/2 FOR REST OF IMAGES

Intricately decorated snuff bottle of baluster shape, with a detailed decoration in relief representing, from top to bottom, a geometric design around the neck, a monster on both sides holding a lozenge frame containing a lapis lazuli on one side and a coral on the other side, the foot representing a stylised lotus. The stopper is also made of silver with a lapis lazuli on its top, and a silver spoon. A small silver chain links the stopper to the body of the bottle...

Snuff bottle of flat circular form, the body itself made of ivory. The bottle has a silver neck with an intricate decoration affixing it to the body. It also has an opening at its center with round silver relief decor mount, the lid ending in a coral top. On one side, another relief decoration representing a four sided dorje with a loop for attachment to a belt. Tibet, 19th century. Diameter: 5 cm. Stopper and spoon missing, otherwise very good condition. Provenance: Old French collection...

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 30 1/2" H

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood. The piece holds a large upper and lower storage compartment with four sliding door panels.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 29" H

Well hollowed shadow agate snuff bottle, of classical shape, with a "tao tie" mask in relief on each shoulder. The stopper is made of coral, turquoise and silver with a felt base. The spoon is made of iron. The piece dates back to the Qing Dynasty, 19th century. Its height: 6.4 cm without stopper. Its total height: 8.2 cm. Excellent condition.

A Song - Yuan dynasty longquan celadon vase with two ears, flower motif at the center, vase is in good condition no damage please see picture for detail size: 15 cm height.

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. This mizusashi for tea ceremony is made of the finest “kinuta” celadon that Sozan was well known for—having recreated and perfected the technique used by the Chinese Song Dynasty potters...