Intricately carved mask for the Nuo esoteric theater, representing the legendary character of Bao Gong, or Judge Bao, wearing a formal hat, his face in relief with a fierce expression, with bulging eyes, open mouth revealing fangs, and a stylised beard. Wood, with traces of the original polychrome colouring. China, 18th century. Height: 29.6 cm. Very good condition despite signs of old insect infestation (no danger).

Ca. 1800 – 1820, early 19th c
Jiaqing period, Qing dynasty
Porcelain with overglaze famille rose enamels
Diameter: 18.4 cm / 7.2 in
From a UK private collection

A lovely Jiaqing period floral dish, decorated with good-quality bright enamels. Possibly a birthday dish, as there is a bat (good fortune) and peach (longevity) in the dish center.

Condition: good antique condition, with two rim chips and some fleabites to the foot rim...

 

Impressing black Raku tea bowl, signed Kichizaemon, of the Raku family.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). It represents true Japanese Chado, made from of one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeeded as the 10th generation Kichizaemon in 1811...

19th century kagamibuta (“mirror lid”) netsuke, its top carved in low relief with a seated boy wearing rich robe decorated with coin pattern and holding a butterfly net in his hand. Wonderful depiction of robe lines, elegantly incised textile decoration. Beautiful patina, swinging metal loop at the back for the cord. Diameter 1 1/4 inches.

An intricately painted 19th Century or earlier Tibetan thangka featuring a wrathful black diety. It is loaded with imagery that depicts several intense scenes from floating skeletons to animals and humans being trampled. This antique thangka was used and has been consecrated or blessed. In good condition, it measures 24 inches high x 21".

A Gwangmok-Cheon Wang of 4 Havenly Kings (King of the West): Korea, Unified Silla Dynasty (668-935), This Gwangmok-Cheon Wang is one of Four Hevenly Kings (Four Kings; Jiguk Cheon, Jeungjang Cheon, Gwangmok Cheon and Damun Cheion) in Buddhism, and King of the West. He sees through evil. Discens/ punishes badness...

19th century Japanese small lacquered wood netsuke representing a theatrical mask of O-Beshimi. Uncommon image, excellent intense face, great patina. Crisp detailing, nicely lacquered, some wear to the surface. Signed RYUUN on the back bar - the artist is listed in NETSUKE MASKS by Raymond Bushell, p. 175, signatures 241-243. Height 1.07 inches.

A pair of Burmese wooden seated disciples, with lacquered and inlay of colorful glass pieces on the borders of the robes and the base.

Age: Burma, Early Mandalay Period, Early 19th Century
Size: Height 44.6 - 46.5 C.M. / Width 34 - 37 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

A very nice Chinese famille rose plate, Qianlong Mark and of the period. There is a small chip on the rim and a hairline crack - please see photos for detail. Diameter: 8".

An antique Japanese Kasane Tansu (stacking chest on chest) made from Kiri (Paulownia) wood. All original hand forged iron hardware with full moon lock plates and curved Kakute handles. Side carrying handles features the rare locking pins used to connect the two sections together. Beautiful Japanese straight dovetail joinery is a testament to the expert craftsmanship used in making this chest...

A Rare and Fine Small Peach Formed Water Dropper: Korea, Choson, period, 18th -19th Century, This is a molded as an unusual small peach with two upright leaves carved in relief to the body and incised with short lines to delineate veins, the stem of the peach also molded in relief to the body. It is painted in under glaze cobalt blue with two peach leaves and peach-pink brushed on the stems and body, applied overall with a blue tinged thick white glaze, flat circular base unglazed with d...

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord...

Budai is the Chinese "Père Noël" ,the Japanese calls him Hoteï. He carries toys in a big bag and distributes them to children who adore him and are sometimes represented at his side. The god is seated, his half-open robe reveals his large belly, a symbol of his generosity. He holds his rosary in his hand. Oddly enough his big bag is missing. It is sculpted from a beige steatite ( soap stone) stained with pink, on the skull appear red veins of the stone...

A beautiful Japanese hand-embroidered silk wall hanging with a scene of two elegantly fighting roosters. Each one surrounded by nicely detailed dandelions and chrysanthemums. Forbidden stitch work used in the center of each flower. Pine tree branches overhang the scene with interesting fine detail. The bottom left is embroidered with a red jar bearing artist's signature.

Early Meiji Period (1868 - 1912)

Size: 70" H x 45" W

Antique Japanese small sterling silver box with handle, hinged doors on front decorated with incised design of lady's cart, sides decorated with blossoming plum branches, interior has four small wooden drawers with velvet lining and silver moko shaped drawer pulls, sterling mark on back, Meiji Period. Size: 6 1/4" high x 5 1/2" wide x 4 1/2" deep.

Size: 8,5cm wide. 3,5cm high. Good conditions.

This is a Junyao ware used as brush licker, in very nice colour and with purple splash, some glaze corrosion and chips on the rim. Please enquire for more photos, thank you very much