Japanese Kanzashi hairpin, maki-e on hand carved wood. A dadaiko (large drum used for court music) and maku (outdoor fence made out of cloth) under the maple trees. They are pictorial subjects from chapter 7 of The Tale Of Genji, Momiji no Ga (An Autumn Excursion)...

This antique Chinese circular lidded container was made from a single valuable horn. It is a tribute to both the horn and the skill of the craftsman. Horn can be cut, and carved, but it is not a flexible material. According to my Chinese friends, the thinner and more translucent the horn, the more it is valued. The cross-section of an ox (buffalo)horn is oval, but a Yak horn is circular. This is a prized horn. Approx 4" high and 2.5" diameter.

Antique Japanese inro, makie designs of phoenix (ho-o bird) on black lacquer. These large inro are sometimes referred to as sumo wrestler's inro, written "Kahei nuri". The last letter (kao like) is probably "nuri" which means painted or coated with. To roughly quote the Wrangham Index of Inro Artists – according to Soken Kisho, Kahei was a mysterious makie artist that lived in Kyoto during the 18th century. He was prominent enough to have his work called Kahei–nuri, after his name...

A nice Chinese wine jug measuring 12" (30.5 cm) high, 11" (27.9 cm) diameter. This attractive example dates late 19th century. Beautiful dark brown glaze.

A large dish used for raw fish or shellfish (mukozuke) for the tea ceremony in which guests are served. It measures at 11.75” square x 2” high. This dish is designed in the traditional Japanese ascetic of simple brush strokes and relaxed design; such a dish was not intended for export and does not conform to the Western ascetic of gaudy and over crowded design. A true testament of genuine Japanese tradition. The plate dates to the late Meiji to early Tashio period (1900-20).

A beautiful example of a sweet meat or pastry dish used in the Japanese tea ceremony; the rich and heavy handed design adds color and depth, yet it is restrained for a pleasant afternoon cup of tea with a light snack. You can almost envision the ceremony with the open sliding doors overlooking the garden as you are being served. This dish measures 10.25” square x 1.75” deep.

A one of a kind, very large early example of this Musha-Ningyo (Boys' Day Figure). This legendary figure first appeared for Boys Day in the late 19th Century. He is the Japanese equivalent to Hercules. He is always shown with a ruddy complexion, as seen in Japanese woodblock prints, scrolls and screens. He is a magnificent sculpture, Iki and Gosho in style. He holds an Axe and wears a sumptuous embroidery brocade featuring a mythical Turtle. 19th Century (circa 1880)...

Late 18th Century Gonin-Bayashi, Five Japanese Musicians displayed on a Hina stand. This set was made as an addition to those Ningyo already displayed on a tiered stand. They imitate a Noh orchestra. This set has very finely carved faces, covered with burnished Gofun. Because of their size and age, these are highly desired by collectors. Average height of figures is 4 inches (10 cm).

This is a medium height carved cizhou wine jar with thick dark brown glazed from the Yuan dynasty (1277-1367). The vase stand on a recessed foot. The body is curved with two vertical sets of scroll within a double band..

Only minor abrasion especially on the mouth rim, pin holes and manufacturing faults as shown in the photograph, otherwise no chip, rim fritting, crack, repair or restoration...

Highly unusual mask, which has kept the original shape of the tree trunk from which it was carved. The mask itself is carved in a kind of "reverse relief", its features hollowed out, except for its nose. One round hole at ear level on each side. Wood, with brown semi-glossy patina. Himalayan Region, early 20th century. Height: 12" (30 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty...

These very well carved and polished crabs are a late Meiji period product. They are about 4” wide, 2 ½” high and 1 ½” thick. Aside from some small old repair and hair line cracks due to their age, they are in great condition.

This is a cizhou style wine jar in a baluster shape from the Yuan dynasty (1277-1367 A.D). It stands on a shallow short recessed foot-rim like a stand and then everted outward like a short “C” shaped pedestal and the everted outward and upwards to a baluster shaped body with a flat shoulder and then straight upwards towards a very short neck mouth rim. The jar is divided into four horizontal bands with design in between them...

A simple black glazed ribbed vase with foliated rim. It stand on a two tier splay high foot, then everted towards a bulb like body towards a straight neck and then slightly everted towards a foliated mouth rim.

No damage, repair or restoration. There are abrasion, minor chips, pin holes, bubble burst and minute shrinkage of the glaze. All this are shown in the picture 3...

This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.

This charming old Chinese headband was handmade for a small child sometime in the late Qing dynasty. It is one of the nicest animal headbands that I have seen, and it is in good condition. The cat's face would have been worn at the child's forehead and is 3 dimensional. Made with silk fabric, with silk thread for the elaborately embroidery, the face is complete with ears that flap, and side paws. Opened at the back seam for easy framing, it can easily be re-sewn to fit display stand.

This is a late Qing dynasty bamboo design yixing teapot of rectangular shape. It is dated to the Tongzhi period (1862-1874), late Qing dynasty. All the sides are shaped with the bamboo design, including the spout as well as the handle. The cover has two bamboo leave of dark green colour. On the base of the teapot, it shows the Tongzhi reign mark of the Qing dynasty. Also on the cover, it bears the seal mark of either the potter or the seal carver.

The teapot is in good condition...

Description:
In abstract form, a pair of stone tiger weights of Han dynasty was preserved in original excavation condition...

Description: A lovely dog was carved vividly in a crouching way. Lying as is in sleeping, the dog's ribs were obvious by the carver's observation.The sandstone's quality was strong and the color was in grayish white and amid with black dots. Date was judged by the overall erosions and the characteristic style of the subject. Date: Song period(12th century), Width: 12cm , Height: 9.5cm.