Small deer in cast bronze. The animal is shown lying down. It's a roe,stag or maybe a deer. Very good quality of sculpture. The perfection of the volumes, the search for detail and the neat finish are similar to those that we admire on the Netsuké. This little deer must be a Japanese work rather than a Chinese one, it is impossible to date it with exactness. Probably Edo or earlier. The deer was the protector of Buddhism. 85mm x 54mm
The base pierced with a square hole...
An antique Japanese Zushi (portable altar) with standing Amida Buddha within. Urushi lacquer over wood. Original bronze ornamentation features a large clasp with stylized arabesque Lotus blossoms on either side and the Dharma wheel above and below. Makie lacquer crossed feathers Mon (family crest). Opening the doors of the altar reveals the Buddha in its original patina and a hand painted upper apron with lotus blossoms...
Considered with remained white slip and shape of bottom, it is seemed this piece would be made in early Ryao, has Tang -style. It has very clean green glaze.
Certification: by Noriki Shimazu the famous researcher with Asian antique in Japan.
Size: 11.5cm(D) 9.4cm(H)
An exquisite Chinese black lacquer and gold gilt sewing chest with multi colored lacquer panels and a rare built in mirror that swings out. The exterior feet are carved in the image of large winged gold gilt bats with red open mouths and the box still has its original key that locks and unlocks both the top and bottom drawers. This sewing box has all of its original ivory sewing tools that were hand carved in deep relief...
A wonderfully well-carved jade, dating to the 19th century and done by hand. Most likely an attachment to a sword scabbard. Please examine the photographs as they are part of the description. This is not a modern piece, so often described as "Qing." This is the genuine article and is guaranteed to be such to the original purchaser.
An ornate porcelain image of a horse draped in full regalia by Miyanaga Tozan I enclosed in the original signed wooden box. The detail about the head is fabulous, and the artist has done an excellent job capturing the musculature of the creature while allowing something ethereal. In Japan horses (and cows and foxes and deer and lots of other creatures) are often enshrined as messengers or embodiments of the gods in Shinto. This is 21 x 9 x 23.5 cm (9-1/4 inches) tall and in excellent condition...
Porcelain dish from japan, arita, kakiemon kilns. end of the 17th century. Decor in the center of phoenixes, rocks and peonies in overglaze enamels and underglaze cobalt blue (which is unusual for Kakiemon). On the edge, decoration of the three friends, bamboo, pine and prunus, by fantasy the artist added chrysanthemums. On the reverse the apocryphal mark of the Chinese emperor Tcheng-hoa. Traces of 4 pernettes of cooking. Diameter about 20cm...
Writing box in lacquer imitating an ink stone. Fun and very rare item. The box in the shape of a gourd with its stem, its leaves and its flower, it is in green, brown and golden brown lacquered wood. The interior has a small receptacle representing a red gourd. The details are of high quality as can be admired on the perfect execution of the leaves. It is a very rare object of which we do not know of any other specimen. Chinese work probably from the 18th century. No mark...
Vase in the shape of 2 intertwined fish forming only one individual. Chinese ceramic enameled in turquoise blue with black details. The mount is in cast bronze and gilded with mercury, it is in 2 parts, thus allowing it to be assembled around the tail of the fish. It is of high quality "Rocaille" style and certainly from the early 18th century...
An Attractive Archaic Bronze Tripod Censer and Cover.
The body cast with Taotie masks on a key fret ground.
The pierced cover with a well cast Dog of Fo.
His left paw resting on a ribboned brocade ball.
Chinese 19thC.
Height; 7 3/4" (19.6 cm).
Condition; both handles have been reattached with solder
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe pieces are the most common with their jet-black glazes and feldspar ornamentation tending towards the minimalistic, abstract; and, some would say, Zen-like aesthetic. While the piece shown here is not entirely typical of Oribe pieces, the black glaze, contrast window, and unmistakable kutsugata shape all point to this genre of Minō pottery. Unlike your typical Oribe tea bowl, th...
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. The piece shown here displays an austere black glaze providing the perfect backdrop for the extensive and expertly applied gold repairs— making this antique tea bowl quite attractive, a pleasure to use...
Diameter approximately 15 cm. There are 3 soft chips at the rim. No repair. Flat color. More pictures are available. Fair shape. In good condition.
Diameter approximately 30.5 cm. There are 2 hairlines at the bottom. No fix. There are firing cracks at the base. More pictures are available.
Antique Japanese single section Mizuya Tansu (kitchen chest). Made with Hinoki (Cypress) and Sugi (Cryptomeria) woods. Restored to reveal the beauty of the natural wood grain. Pair of matched sliding panels open to a spacious storage area. Addition of an optional simple, strong, Japanese inspired shelf if you so choose for us to construct it.
Age: Meiji Period (1868 - 1912)
Dimensions: 74" L x 28" H x 14" D
Small cast bronze incense burner. Ding (tripod) shape. Beautiful casting and neat finish. The sobriety of the decor and the perfection of the volumes giving this small creation a powerful yet elegant appearance suggest that it is a very old censer, probably from the Song period. An excellent very old patina stained with verdigris in places would be compatible with this earlier period. Height 82mm. Fine condition.
The androgynous Kannon sits in meditation under climbing rocks and tumbling waves deeply carved into the side of this bamboo incense container dating from the early 20th century (late Meiji to Taisho period). It is 34 cm long (13-1/2 inches) long and in excellent condition, a superb example of the genre. This would have been used to hold incense sticks.
Furoshiki (wrapping cloth) with tsutsugaki auspicious motifs of seven treasures (takara-zukushi), which is made of hand-woven cotton and vegetable indigo dye. Tsutsugaki is paste-resist-dye and colors are added with mostly pigments. Treasures are: sacred jems, cloves, a lucky mullet, a hiding hat, a coat, citruses and so on. It is made in Kyushu in Meiji period (1868~1912) In good condition except for three mending patches and some tiny holes. 94cm x 124cm