Design of a kite with a takara bune (treasureship) design with a poem, probably designed as a New Year’s greeting, issued ca. early 1900s
Printer’s information on lower left (no. 41), good condition
Shikishiban: 9 ¼ x 9 ¼ in.
Portrait of Kawarazaki Gonjuro as a wandering monk (Komuso) issued ca. 1860
Signed Kunisada Ga, good impression, color skip on grey robe, thumbnail size paper loss mended on upper right corner.
Oban tate-e: 10 x 14 ½ in.
Portrait of a courtesan with her young attendant, issued 1830s
Signed Gofukutei Sadatora on lower left, fair impression and color, some thinning and wear, small nicks to edges reinforced, not backed.
Oban tate-e: 8 7/8 x 13 in.
Three figures with bonsai and other vendors, issued 1855
Signed Toyokuni (III) on lower left, good impression and color, lower margin trimmed into publisher’s seal, some wear and light soiling, not backed.
Oban tate-e: 9 ¾ x 14 ¼ in.
Portrait of a Kabuki actor, no. 7 from the series “Juni ka getsu hana awase” issued 1880
Signed Toyohara Kunichika in upper right and titled in cartouche in upper left, dated Meiji (1880), good impression and very strong color, very light soiling on upper margin, slight creasing to upper right corner, very light soiling on upper corners on verso, not backed.
Oban tate-e: 10 x 14 5/8 in.
Portrait of a Kabuki actor, no. 6 from the series “Juni ka getsu hana awase” issued 1880
Signed Toyohara Kunichika and titled in cartouche in upper left, dated Meiji (1880), very good impression and color, very light soiling near bottom, upper corners lightly creased, very minor wear, not backed.
Oban tate-e: 10 x 14 ½ in.
Scene from a Noh play, issued ca. 1920
Signed Kogyo with red artist’s seal, fan shaped publisher’s seal, very good impression and color, small areas of faint soiling.
Oban yoko-e: 10 x 14 ¾ in.
Scene from a Noh play, issued ca. 1920
Signed Kogyo with artist’s seal, fan-shaped publisher’s seal, very good impression, color and condition, remnants of attachment paper on back of four corners.
Oban yoko-e: 10 x 14 ½ in.
Diptych—two chuban prints originally joined in an album depicting a scene from the Osaka Kabuki stage, issued ca. 1865
Yoshitaki was one of the best known designers of Osaka actor prints from the 1860s to 1880s.
Both signed Yoshitaki Ga in red cartouches, very good impression, color and overall condition, old album backing paper intact.
Each print size: 9 ¾ x 7 in.
Album leaf illustrating “antique” textile designs for Tang Dynasty China and later, printed ca. 1900
The characters beside each design describe the motif and type of fabric.
Very good impression and color, vertical center crease, minor wear, remnants of old backing.
Overall Size: 9 ¾ x 14 in.
Scene for “Tokyo Daily Newspaper” with “Tokyo Nichi-Nichi Shinbun” inscribed in the banner at top, issued ca. 1890
Yoshiiku was noted for his prints included in the popular illustrated newspapers at the time.
Signed Ikkeisai Yoshiiku on lower left with artist’s seal ca. 1890, very good impression and strong color, vertical center crease, various areas of moderate soiling, slight backing tape residue on upper left corner, not backed.
Oban tate-e: 9 ¼ x 14 in.
Kunisada (1786-1864) collaborating with Hiroshige (1797-1858)
From the series: “Kannon Reigen Ki” (Account of the miracles of Kannon) issued 1859.The larger image by Kunisada depicts a miracle performed by Kannon...
Shini-e (memorial portrait) of three individuals, including their names and dates of death, issued ca. 1860.
Very good impression and color, light soiling and wear, small loss to upper-right corner, upper corners reinforced, two very small holes in right side, not backed.
Oban tate-e: 9 ½ x 13 ½ in.
Two young women caring for silkworm cocoons
Signed Kunitoshi Ga in a red cartouche with date: 1881 and publisher’s information in yellow cartouche, good impression, excellent color, very light soiling, upper corners thin with remnants of paper attachments, not backed, margins trimmed right and bottom.
Oban tate-e: 9 ½ x 14 in.
From the Birds and Flowers series: “Sho-utsushi shiju-hattaka” issued 1858.
Signed Sugakudo, with two seals beneath the signature, censor’s seal and publisher’s seal, left margin; good impression, evenly toned, thin corners, light staining, two upper corners with glue remains from attachment, not backed.
Oban tate-e: 10 x 14 ¼ in.
Face mask of almost flat shape, with rectangular protruding forehead, long triangular nose, pierced-through rectangular eyes and mouth. Wood, with fine dark-brown patina. Animal hair has been affixed with black resin, to represent eyebrows, moustache and beard. Old rope still attached to the mask. Himalayas, 19th century, probably even earlier. Height: 10 1/4" (25,5 cm). The mask is nicely mounted on a custom metal stand that enhances its strange beauty...
A Fine Mother of Peal/Tortoise Shell Inlaid Lacquer Low Table:
Korean, Choson Dynasty, late 19th Century,
This rectangular low table is lacquered with dark brown over all, and top decorated with
a confronted large four-clawed dragon and a long-tailed phoenix inlaid in tortoise shell,
twisted wire and mother of pearl, and amid clouds enclosed in a diamond-form border
It is in fine condition without any typical damages. Measures 39 1/4” x 27” w...
This elaborate woman's dress bodice is from Afghanistan, formerly Baluchistan. The fabric was first elaborately embroidered with an applique of thin strands of braids. Then it was heavily decorated with coins and beads.
A etremely rare Kanton enamelled gilt-copper European-subject snuff bottle.
Qianlong mark and period ( 1736 - 1795 ).
Provenance : From an old Austian Family collection, in the past sold at the famous Austrian Auction house Dorotheum and according to Dorotheum`s expert Mrs. Dr. Jorinde Ebert this rare piece at least was for the past 150 years in this family collection.
The spoon is lost.
H : 2,6 inc ( 6,8 cm )
A Rare and Fine Bronze Mirror:
Korean, Koryo Dynasty, 12th-13th Century
This is an unusual small round bronze mirror, cast in the center with a pierced knob
encircled by wide flat ring, well molded with a pair of swimming fishes in waves,
each pursuing a catching fish through water waves around the central knob.
It is in good condition with a natural dark green patina over all surface.
It measures 4 1/8” (10.5 cm) in diameter
This early 20th century ivory carved beauty is 10 3/4 inches tall, 2 ½ inches wide and 2 inches thick. She wears a simple and elegant robe and holds a bouquet of flowers. The black metal stand is a later custom made piece. The statue is in excellent condition.
Late 19th century Chinese fan shaped ivory carving with stand. One side depicts a well known battle scene from “ A Tale of the Three Kingdoms”; the other side presents an etched picture of two dragons. It is in excellent condition. It is 4 5/8 inches high (7 ¼ inches with stand), 10 ¾ inches wide and half of an inch thick.
A Very Rare and Fine Jingle-Bell Libation Cup:
Korea, Three King Domes Periods (Silla period), 5th-6thcentury
This is a so called “a jingle-bell libation cup-vessel. It probably could have been
used for a ritual ceremony in Silla or Kaya periods.
This is an extremely rare Jingle cup with an inside pierced high ring foot,
cut and opened high footed stem like a pedestal bowl with natural ash and lead
glaze on the body...
This doll is modeled after Kanpei, a samurai from the “Chushingura (Kanadehon).”, the story of 47 samurai who took revenge for their lord was shamed in public and forced to commit seppuku (suicide). It is based on the true story that occurred in 1701. Kanpei is portrayed as a handsome playboy who was deeply occupied with his girlfriend, Okaru, at the time of emergency for his lord...
Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H...
An Unusual large and Fine Inlaid Celadon Oil Bottle:
Koryo Dyansty,12th century
A rare and large Koryo Celadon Inlay Oil Bottle,
this is unusual large oil bottle inlaid in white slip with
3 cranes flying amid stylized cloud wisps between 2 double
wide bands on the shoulder and medium body, it is covered overall
with transparent sea-green grey glazed color.
It is in very good condition without any damage except a small
part of the bottom near the foot ox...
Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see...
Joseon Dynasty Ton-kwe (Korean Coin Chest). Coin chests are highly prized by collectors, as their purpose required that they be the largest, heaviest, and most well constructed piece of furniture in the home of an aristocrat. Paper money did not exist in Yi Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large quantities to have any worth, so a strong money box was obviously a necessity...
This striking black and gold Japanese antique shop sign is from a Meiji Era (1868 - 1912) headquarters for a drug store chain. It dramatically declares that this shop carries the best elixirs for vitality, the best remedies for high blood pressure, and the most expedient cures for fever. 17.5 x 41 inches (44.5 x 104 cm). Excellent Condition.
A warm grained Meiji Period (1868 - 1912) two piece Yonezawa Isho Tansu (clothing chest from Yonezawa) finely constructed of pine (matsu) and highly desirable paulownia (kiri). 42 x 34 x 16 inches (107 x 86 x 41 cm). Very Good Condition. This chest is from Shonai, a region of Yonezawa that makes chests that are highly prized for their combination of understated Japanese design with a sense of tradition.
In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.
An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm)...
A Large and Fine Kesi of “Boys Play”:
Chinese, 19th Century,
This is framed professionally and well preserved, the silk tapestry finely woven with boys at play in a landscape ground including a group of imitating the emperor, kite flying, studying in the pavilion, playing catch, playing music, teasing, playing with crickets, playing blind boy’s bluff
and etc, all below swirling clouds and under blue sky woven, executed predominantly
in shades of red, grey, pink, black and white, aube...
This is a classical form Song dynasty small longquan or celadon dish with moulded appliqué twin fish in the centre and an everted flatten rim. The dish is glazed with an uneven sea green or aquamarine glaze with crazing instead of the standard green colour.
There is no repair or restoration...
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the
very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law
of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature
paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the
very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law
of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature
paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the
very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law
of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature
paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the
very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law
of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature
paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...
Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted
A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Met...
Unique antique Japanese doll set of warrior dolls (musha ningyo) for the Japanese Boy's Day. 17 3/4 inches tall empress Jingo with her faithful minister, Takenouchi no Sukune, 12 inches tall holding prince Ojin (Oh-jin), the future 15th Japanese emperor who later became known as "The God of War".
Boy's Day in Japan was traditionally held among Samurai and aristocrat families in the Edo period. Samurai's armor along with their helmets were displayed and the nobori banners and spears ...
Japanese 2-panel Taisho Period screen painting of woman in flower garden, she is almost obscured by bright blossoms but can be seen bending over, a pair of scissors in her hand, her flower basket sits on the ground beside her, painted in bright colors with much use of raised gofun on gold silk, signed and seal "Gaun" which is the artist name for "Yamanouchi Shinichi".
Size:67" high x 74" wide
Yamanouchi Shinichi. Biog.: Western-style painter. Born in Kyoto in Meiji 23rd (1890), Studi...
A Rare Group of Ten Old Korean Shoes:
Choson Dynasty, 19th to early 20th Century
This collection of 10 old Koran shoes is a very rare opportunity to find them in sale.
There are each different shoes of use and materials. For examples, in materials,
black, white leather, oiled paper, silk, velvet and wood shoes, and in use of purpose,
for rainy and dry weather days, for bride glooms in wedding ceremony.
These shoes are for children, noble men and women.
Their sizes are various, and they...
Unique Japanese antique clay doll, Mingei folk art of Japan, Emperor and
Empress hina dolls (Dairi bina). Clay dolls were made all over Japan by the
late Edo period (1603-1868) by off-season farmers which would often involve
the entire family for extra income. These dolls were for the regular
people
(over 90 percent of the population were farmers then) who could not afford
pretty hina dolls made out of cloth. While the early clay dolls in the
Edo period
still carried religious mean...
This is a large collection of ancient Chinese iron arrowheads dating as early as the Liao dynasty (916-1125 AD) to as late as the Qing. There were too many of these to list individually so I have listed them all together. They can be sold one at a time or in lots at the buyer's request. Email for individual or group prices.
A rare persimmon glazed Dingyao type covered bowl. It stands on a short unglazed footring, showing the white fine-grained body and everted to a straight persimmon glazed body. The inside of the bowl is glazed white with a burnt black spot in it. The inner mouth rim is unglazed. The cover of the bowl is of mild dome shaped with a small finial, which is likely to be of lotus bud. Pieces in such good condition are hard to come by.
There is no repair or restoration, crack, chip or glaze f...
Beautiful Meiji(1868-1912) Japanese hina ningyo (dolls), 20 inch empress doll and 17 inch emperor doll. The Hina Festival in Japan takes place every March 3rd. It is a day of celebration for the
well being of every girl in the family. In earlier days, people were more susceptible to natural disasters or diseases, and in order to keep evil spirits away, this day was spent giving offerings to God. This custom was originally adopted from the 7th century, Chinese ceremony that took place on the...
There have been decorative textiles sewn into squares or rectangular shapes since the Edo period in Japan. The small squares are made for tea ceremonies; the medium to larger sized ones (called fukusa) are used to cover seasonal and ceremonial gifts. This old Chinese panel was acquired in Japan mixing into our fukusa collection.
A dragon and phoenix together symbolize the emperor and empress in China. The phoenix that is graciously presenting a peony, the sovereign of the flowers is embroi...
Old Japanese gift cover, fukusa with a black mask and a mask box, bells, hat and fan used in the Noh(No) play, Okina (the sacred old man). The Dance of Okina start with a comtemporary prayer for 'a peaceful reign over the land' Okina wearing a white mask. The black mask is worn by the Kyogen actor in the third dance, "Sanbaso".
Embroidered on satin, lined with red crepe silk. Dimensions: 28" X 29"
A Large and Fine Blue and White Porcelain Dish:
Korean, Choson dynasty, late18th-early 19th Century
This is well potted and high quality of warm and semi transparent white glaze applied overall,
it bears a character "longevity" underglaze blue on the dish. It is a quite large, and
there are some beautiful spots of pink peach blossom colors under white glaze.
It is in perfect condition. Measurements: 9 1/4" x 2".
An Extremely Rare Erotic Painting:
Korean, Choson Dynasty, 19th Century or earlier
As a Korean erotic painting from 19th century or earlier, like this painting is a very rare and a few existed in markets.
It is painted in ink and a very colorful color on paper, and a man and women are in Korean traditional costumes. It is not necessary to describe its details on this painting.
It is a hand scroll painting with a very good condition with just minor creases. Measurements: 78” x 8”
Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.
A tree from under water in a dam of Thailand. The skin of this tree was eaten by freshwater shell which makes it look naturally beautiful.
Age: Thailand, circa 19th century
Measurement: Height 58-90 C.M. (excluding stand)
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
This is a large bowl with deep sides rising from a short flared foot gradually for the first two-thirds, then steeply to a lightly indented vertical lip. The interior of the bowl is covered with glossy iron-rich black glaze with five lustrous russet-silvery glaze streaks, like a star, radiating from the base with the black glazed background. The exterior mostly black glaze underneath, the unglazed foot showing the buff body with the foot rim burnt to a very light mushroom colour.
In g...
A Pair of Fine and Rare White Glazed Porcelain Dishes:
Choson Dynasty, 19th Century
It is a very rare and with a high quality of white glaze applied porcelain dishes that are for the palace use. This pair of dishes are applied with an even pure white glaze, and set on a high foot the shallow bowl with a
Japanese woodblock print by Yoshitoshi, from "36 Ghosts" series.
A Very Rare Hand Carrying Paper Lantern(Jo-Jok Dyung);
Korean, Choson Dynasty, 19th Century
It is a very rare and an unusual hand carrying lantern for using women
in Choson dynasty, it is made with a bamboo frame work covered with
black colored and thick oiled paper decorated with eight trigrams and eight
floral head, geometric medallion designs(Auspicious Ideograph) in high relief technique on the body,
Inside, the candle is supported by a revolving clamp that allows the candle to
rema...
This is a superior Takeda ningyo (doll), an old Japanese theater doll which was most likely modeled after the character, Teiseiko from “Kokusenya-ya-Gassen.” It was a popular theater play in 18th to 19th century Japan.
The setting of the play is during mid 17th century China towards the end of the Ming Dynasty. Teiseiko (also known as Watonai) was fighting the battle for the old dynasty. The play is based on a true story of "Teiseiko" who was born from a Chinese sea merchant and a Japanese...
A fine White Brass Candleholder;
Choson Dynasty, 19th Century
This white brass candle stick is of a slender elegant and simple design
which is one of characteristic beauties of Korean art.
It is an assemblage of simple geometric forms ---circles, squares and lines---
which are exquisitely balanced one to another. The drip basin with its supporting post
is connected to an upper post by a panel with a reversed swastika cut into its open work.
In the Choson dynasty, the reversed swastika ...
A very Rare Shape of Total Blue Water Dropper:
Choson Dynasty, 19th century
This rare and unusual shape of water dropper formed as a stylized star-shape,
and is decorated in a thick blue underglaze and a sunken well on the top.
It is in good condition except one tiny chip repaired on rim.
It bears a label on the bottom. Measures 3 ½” x 1 ¼”,
***provenance; Spink & Son Ltd., London