A large vase, spectacularly decorated with falangcai (famille rose) enamels against a pale green background depicting a pantheon of gods, immortals, legendary figures and mythical beasts in a heavenly landscape amongst mountains and clouds. This item was made in the first half of the 19th Century during the reign of the Daoguang Emperor (1821-1850). Condition - the neck has been cut down, and ground, there are glaze hairlines to the base and there are minor losses to the enamels...

A miniature vase, decorated in underglaze blue with garlands of grapevines. China, Yongzheng to early Qianlong, 18th century. Interestingly, the same decoration has been found on many of the blue and white plates in the cargo of Swedish East Indiaman Götheborg which went down just outside the town with that name in 1745. Height "3 ¼ / 8.3 cm. Condition: an old restoration overpaint to the mouth rim has been removed to leave just the filling (cf. pics).

Blue galzed swatow large bowl decorated with white slip flowers. Bowl has two hairline (please see onthe picture) no chipped and free from any restorations. 39cm diameter.

We like to offer a rare antique Tako-Tsubo Akashi Vase, made 120 years ago during the Japanese Meiji Period (1868-1912). This vase is designed to imitate a 'TAKO-TSUBO', an traditional octopus trap. Sculptures of two octopuses are incorporated into the vase.

Akashi ware (明石焼) is pottery and porcelain mainly made in Akashi City, Hyogo Prefecture. Somewhere between 1615–24, the official kiln of Ogasawara Tadamasa, the lord of the Akashi Castle, was established...

An interesting Chinese Ming Dynasty Blue and white Bowl. Note there is some fritting, chipping and wear to the rim, but otherwise in good condition. High resolution images may be emailed on request.

Qing Dynasty glass brushrest in the form of a mountain. Late 19th or early 20th century. Appears like an example of "realglar". Undamaged although casting lines related to its production are visible as demonstrated in the photos. 17 cm Long and 6 cm high.

Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.

Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate...

Made of grey pottery, covered with a white layer of paint, decorated with bright red and black pigments. Figures of this very large size are rare and were only made for royalty and high nobility. The figure was made in two parts, the head was connected with the body by a wooden pin, which is of course now gone and replaced by a carboard roll. Condition: wear to the painting, the figure is covered in soil, traces of plant roots...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile...

Chinese hard stone agate carving of a mother tiger with her young cub in recumbent pose. The stone has mottled areas of orange, white, spinach green, and grey, exciting a beautiful finish and feel.

Dimensions: 2 1/4" x 2 1/4" x 1 1/4"

Late Meiji (1890s - 1910s) marine netsuke of a standing tanuki (badger) holding some huge unspecified part of its private parts in its paws. In Japanese folklore tanuki is a notorious trickster: he drums with his paws on his large belly (tanuki no hara tsuzumi), imitating the sounding of gongs in temples and inns, and leading tired travelers astray in the darkness...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds...

DESCRIPTION: A Chinese scholar’s calligraphy brush, the brush crafted with natural bristles encased in a horn ferrule. These are secured with a silver band to a pitted green jade handle inscribed with archaic characters and terminating in a round knob. A quality, well made brush in excellent condition, most likely dating to the latter Qing Dynasty to early republic Period. DIMENSIONS: 9 ¼” long (23.5 cm).

Large porcelain bowl, decoration painted in red iron oxide on cracked glaze, gold details. On the outside, Buddhist lions (Shishi) are represented moving among peonies. Inside are finely drawn landscapes in reserves and elegant cranes in flight. Each landscape is annotated with Chinese characters which probably indicate what place it is. Under the Kutani kilns mark. Very nice example of this production and beautiful size...

A JAPANESE ARITA PORCELAIN SQUARE DISH, EDO PERIOD.

An attractive Japanese Arita porcelain square dish with canted corners, decorated with an oversized sage lost in reverie by a lake. The unusual borders completely painted with figures in a landscape. Late 18th ~ early 19th century.

By repute once part of the Bigelow Collection and disposed by auction in New England a few years ago.

Approximately 15.5cm square...

A very beautiful and rare SUKKOTHAI BRONZE BUDDHA, SUBDUING MARA. VERY SERENE BUDDHA WITH A SLIGHT SMILE. THIS TYPE OF BUDDHA IS VERY DIFFICULT TO FIND NOWADAYS. Origin: from an important, vast and ancient Thai Private Collection of Period/Original Buddhist Sculptures. Size: height 42 cm x 26 cm (16.5" x 10") (Thai measurement from knee to knee 22 cm.)

A rare Siam 18th. century Ayutthaya gilt bronze Buddha sits with legs crossed, right hand in the bhumispara mudra, the "calling the earth to witness" gesture, left hand in the mudra of meditation.

This posture symbolizes the union of method and wisdom, samasara and nirvana, and the realization of the conventional and ultimate truths. It was in this posture that Shakyamuni overcame obstructions while meditating on Truth, transforming delusions into mirror-like wisdom...

Antique Japanese pair of bronze warrior attendant figures. Dressed in Chinese armor and holding tall poles. Their tight curls suggest the mains of fu-dogs. Made of bronze with mixed metal details. The figures stand on square, footed platforms. Intricately sculpted with great movement and expression.

Age: Meiji Period (1868-1912)

Dimensions: 15" high (including pole) x 6 1/4" wide x 4 1/2" deep