A lovely Qing Dynasty porcelain jar with cover, Qian Long period, c. 1720.

A seafind in an extremely fine condition!

Size: 6,8 cm. tall and 7,8 cm. wide.

Condition: Extremely fine, a seafind with encrusted patina in the interiour.

Ex. Danish private Collection.

A lovely Qing Dynasty porcelain jar with cover, Qian Long period, c. 1720.

A seafind in an extremely fine condition!

Size: 9,8 cm. tall and 9,5 cm. wide.

Condition: Extremely fine, a seafind with encrusted patina in the interiour.

Ex. Danish private Collection.

A lovely Qing Dynasty porcelain jar with cover, Qian Long period, c. 1720.

A seafind in an extremely fine condition!

Size: 9,5 cm. tall and 10 cm. wide.

Condition: Extremely fine, a seafind with encrusted patina in the interiour.

Ex. Danish private Collection.

CUIRASS

Aged Japanese samurai iron armor covered with black lacquer and gold foil of practical light weight make for infantryman, dated back to the Edo period (or could be a little earlier). W 32 x H 40 x D 13 cm (12.59 x 15.74 x 5.11in). In such actually used condition as is, with lacquer-peelings, partial cut of string, etc...

Tang terra cotta image of a Fat Lady. Traces of original pigments. Miniatures are extremely rare. H: 9.3cm. Good condition- no damage or repair.

A Very Rare/Fine Korean 2 Seven Star Daggers? - late 19th C.: Korean late Joseon, late 19th century. Two daggers incised with dragon, phoenix each dagger and seven stars incised on both daggers, and 4 characters and 2 characters on each dagger. Both daggers housed in a wood and metal single sheath. It is in very good condition with metals patinated. It measures 36cm with in a sheath, or 34cm only dagger.

Tang terra cotta image of a lady in waiting or courtesan, with elegant chignon. Traces of original pigment. Miniatures are extremely rare. H: 10.2cm. Good condition- no damage or repair.

A hand formed silver vase with lacquered insert attached to a wooden base dating from the Art-deco era. It is 23 cm (9 inches) diameter, 21.5 cm (8-1/2 inches) tall and in overall excellent condition. There is a small impression in the wood base, roughly 1 cm long, on one side...

Very Rare antique museum quality Ceylonese, Sinhalese aristocrat knife—dagger Piha Kaetta, Sri Lanka-Ceylon, Kandyan period, 18th century A.D.

The hilt is of a very rare form, finely carved of bone in the shape of a mythical bird, the Sérapéṅdiya. It is mounted at the base with a shaped and engraved silver ferrule...

Tang terra cotta image of a Fat Lady. Traces of original pigment (please note the belt in enlargements). Miniatures are extremely rare. H: 8.4cm. Good condition- no damage or repair.

An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals...

Small cabinet with drawers in precious wood. It opens with a sliding door revealing 3 drawers. The door is inlaid with silver threads depicting the Chinese character "Shou" meaning longevity, the other panels are inlaid with a simple silver thread. This small cabinet with a simple shape is made of very hard wood with a dense grain, almost black in color with red reflections. It is probably some kind of rosewood, perhaps red sandalwood, called zitan in China...

19th Century Korean Silver Enamel Samjak Norigae with Tassel & Coral Beads for Hanbok Dress Accessory

The overall length is 14.96 inches (38 cm). The vase charm is 2.36 inches (6 cm) long by 1.77 inches (4.5 cm) wide. The total weight is 180.7 gram.

They are tarnished and are missing enamels, beads, and tassel and knot strings, and have oxidation, a small dent at one vase charm, stains, discoloration at the string, and surface wears and scratches (as seen in the photos)...

Bronze sculpture with dark brown patina of a cicada.

The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represent the three virtues of a general: humanity, courage and skill.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.5 cm – width: 0.79 in / 7.5 cm – depth : 1.96 in / 5 cm

Cedar wooden ryoshibako (or bunko) document box, decorated with deer and crane on the outer lid and bat on the inner lid in takamaki-e lacquer...

YAMABUSHI

Wood carving seated image of Shugendo mountain priest as 'Yamabushi' (https://en.wikipedia.org/wiki/Yamabushi), once enshrined at kamidana household altar of esoteric Buddhist believer's house in Shonai region, Japan. Keio era (1865-1868) in the late Edo period. H 26 x W 16 x D 11 cm (10.23 x 6.29 x 4.33in). In naturally sooted condition by the smoke from fireplace (sunken hearth) for many years. Also aged deterioration as is as seen...

Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century...

Very Rare Antique 18th Century Chinese Qing Dynasty imperial military archer's large composite war or strength bow made by 正元- Zhengyuan.

DETAILS: A composite bow made from several elements of horn, sinew, and wood. Outer side appliqued with high-quality horn bellies, the inner side is covered with painted in brown and beige Birch - bark, with the handle wrapped in cork on the middle bordered by shagreen and flanked by inlay in white bon traditional Chinese cay pattern...

Meiji (1868-1912) Japanese Patinated Bronze Bactrian Camel Okimono by Genryusai Seiya 源龍斎誠谷, Signed "Seiya Zo"

It is 10.15 inches (25.8 cm) tall by 10.3 inches (26.2 cm) wide. It is 8.1 Lb.

It has tarnished eyes and surface wears and scratches (as seen in the photos).

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A finely potted Chinese buff pottery conical bowl, with moulded floral interior, covered in a lustrous semi translucent amber glaze over a white slip, the interior with three small spur marks. Liao dynasty, 10th century. 12 cms diam. From a Buckinghamshire, UK, collection formed in the 1980's.

Two long bags made of hand spun cotton, probably bags for swords. The top one is katazome "tsuta", ivy motif. The purple belt is made of silk crepe. The bottom one is katazome and vegetable indigo dye. Both are in excellent condition. 19th century. Top:12cm x 75cm, Bottom:16cm x 78cm

A bag made of hand spun cotton and vegetable indigo dye. It has a family crest, "Maru-ni-Yotsumebishi". It has lining made of also hand spun cotton and vegetable indigo dye. The cord is hemp. In good condition but has some holes. The latter half of the 19th century. W:30.5cm, L:48cm

Antique Japanese large hanging suiban (container for water and flowers) made of bronze. Elongated oval form incised with dragons and swirling clouds. Outfitted with three hooks and chains for hanging. Inscribed signature: 藤原昌則 Fujiwara Masanori.

Age: Meiji Period (1868-1912)

Dimensions: 9" high (30" high with chains) x 24" long x 10 1/2" wide

A Very Rare Korean Goguryeo-高句麗-BC37-AD668) Roof End Tile-5th-6th C.: Korea, Goguryo (高句麗-BC37-AD668) dynasty (one of 3 King Domes), made in 5th -6th century. The circular tile is unusually thick and heavy, finely molded with a symbol of flower head surround by stylish sharp lotus, and traces white likely cement on surfaces. It is in very good condition with patina but some rim tiny chips due to use and age, It measures 15.3 cm s 5.2 cm. weight: 3.25 lbs.

This exceptional tanto is very original, unique in its kind, it represents a bundle of lotus flowers wrapped in a canvas. The mount is in silver, embossed for the leaves of the sheath and cast for the flower buds at both ends. The seppa are in shakudo and gold. Some elements in gilded bronze. The design of the sheath is unique, it is a perfect imitation of a fabric canvas. It is made of woven bamboo fibers covered with lacquer. The effect is striking, the impression of a real fabric is real, we ...

Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on double lotus base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 17.5 C.M. / Width 12.6 C.M. / Depth 9.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese pottery entertainer dancer panel.

Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Height 40.3 C.M. / Width 19.8 C.M.
Height including stand: 52.5 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cos...

Collection of three vintage/antique cloth printing blocks from Tamil Nadu, carved from hard wood (probably Jackwood) all in excellent condition, acquired in India 30 years ago. Very decorative- may be hung on as a wall art ensemble. Large one: H: 26.3/10.4in x W: 16.4 cm/6.4in, round one D: 20.6 cm/10.2in and, small one H: 17.5/6.9in x W 8.3cm/3.2in.

Song dynasty longquan large alms lotus bowl with cover, good condition with chip and crack at the rim no restoration please see picture for detail, size: 14 cm diameter, 12.5 cm height.

Qing dynasty Dehua white glaze blanc de chine deity Arhat seated on Qilin, good condition with touch up at the left arm and qilin tail, please see picture for detail size: 21 cm height, 19 cm diameter from head to tail.

Rare Five dynasties yue ware celadon large incense burner, good condition with small damage restoration on lower rim and near foot ring, good glaze please picture for detail size: 17 cm diameter 10.5 cm height.

Three small amulets cast in the form of deities standing in formal dress. Bronze, with partly encrusted reddish-green patina. China, Han dynasty. Height: 52, 54 and 54 mm. All in good condition.

Small statue of Buddha, in monk's robes, sitting cross-legged on an elevated lotus throne, holding a bowl in his left hand, his right hand in protecting and blessing posture (abhaya mudra). The statue was cast in the style of the Liao dynasty Buddha images. Bronze, with fine age patina. Qing Dynasty, 18th century. Slight abrasion due to age, otherwise very good condition.

Burmese wooden lotus Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base with gilded gold.

Age: Burma, Mandalay Period, 19th Century
Size: Height 13 C.M. / Width 8.6 C.M. / Depth 4.2 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Very fine, unusually small Tang image of a courtier, excellent condition with complete original pigments. Lovely face with calm and dignified expression. H: 17cm/6.8in

Rare antique classical period Kandyan standing Buddha, carved from Jackwood, circa 18thCE. H: 18cm/7in, please note in enlargements outstretched hand in the abhaya mudra and unisha are missing.

Antique Japanese pair of geese made of bronze. A mated pair, the gander stands with with beak open in conversation. The goose stands nearby. Soft details of feathers and feet. Dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 9" wide x 6" deep

Antique Japanese set of five lotus leaves and blossoms. Carved of wood and lacquered silver. Made for a Buddhist altar, these leaves and blossoms symbolize the stages of the path toward enlightenment. Every petal of the lotus flower is carved separately. Each blossom and leaf comes fitted with a custom metal stand so they can be rearranged at will.

Age: Taisho Period

Dimensions: approx 27 1/4"hight (tallest leaf)

Chinese Qing dynasty Kangxi marked baluster form cabinet vase densely decorated in underglaze blue on a white porcelain ground with four vertical rectangular landscape panels surrounded by a background of flowers floating on water. Geometric bands at the top rim. Slightly flared base and unglazed stepped foot. A robust and well executed six-character kaishu Kangxi period mark in a double ring is on the glazed base. 6 3/4" high. Possibly of the period and no later than circa 1900. Very good...

Chinese Qing dynasty Yongzheng to Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with a long scaled four-clawed dragon at the center front extending over the rim from the reverse to chase a flaming pearl among clouds. According to Wang Qingzheng in “A Dictionary of Chinese Ceramics,” this style of decoration where the design begins in the interior and wraps “over the wall” to continue onto the exterior (or vice versa) emerged in the Ming dynasty and f...

A large bronze incense-burner and cover well cast as two fighting Buddhistic lions. Chinese or Japanese, 19th century. 22 cms x 30 cms.

Japanese keyaki wood toad.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 11.2 C.M. / Width 16.7 C.M. / Length 21.7 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...

Antique Japanese musha-ningo (samurai doll) of the Empress Jingū-kōgō (Okinagatarashi-hime no Mikoto 170 - 269). The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a ship wreck. Upon her return, she birthed a son, Ōjin (Honda...

A nice pair of brass figures of deities, Krishna dancing on the Cobra and female deity dancing, India or Nepal, c 19th.-20th. cent.

Size: 8,8-10,2 cm.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...

Fine lot of two early bronze figures, probably 18th. century or earlier.

Size: 57-53 mm.

Condition: Near Very fine intact with fine wear from worship.

Provenance: Ulf Gudmundsen, 1950s-2012.

An interesting and finely made 'Kissing Bird' opium weight, Late Shan, 19th./20th. cent.

Weight: 10 Tical / 167,62 grams

Condition: Good Very fine, attractive with a nice brown patina.

Provenance: Collection of Gunna Munkvad, Denmark, aquired from the 1950s-1980s.

The urn is made of very hard porcelain stoneware, the body and lid were turned. 5 cases were glued to the slip on the shoulder, as they are deeply hollow, without however crossing their support, I think that they must have served as a receptacle for incense sticks, a decoration of petals and stylized flowers is vigorously incised before firing, then covered with a cracked celadon glaze. Chinese work from the Song dynasty around the 11th-12th century. A chip in the setting, 3 of the five cases ...

Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims. The external reserves are decorated with figures and characters, each of which is represented with great care and precision. Signed Kyoto Satsuma with Shimazu clan mon under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 15 cm. State of conservation: Very good

Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge. Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl. Signed Kozan under the base. Origin: Japan Period: Meiji end ...

Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold. Signed Senzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6.5 x 15 cm. State of conservation: Very good

A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head. I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement. Signed Harumitsu (Seikō) entered a square uppercut. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30 x 11.5 x 10 cm. – Weight: 2.3 kg. State of conservation: Very goo...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm. ...

Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest. He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it. Origin: Japan Period: Meiji end of 19th century. Dimensions: 31.5 x 23 x 13 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle. In a gesture of instinct and necessity, he clings to the closest companion below him to maintain his balance, while firmly clutching a large umbrella as a defensive weap...

Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish. The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care. Origin: Japan Period: Meiji end of 19th century. Dimensions: 24.5 x 10 x 6.5 cm. State of conservation: Very good

Chinese pottery flute player musician panel.

Age: China, Song Dynasty, 10th - 12th Century
Size of panel only: Height 40.5 C.M. / Width 20.3 C.M.
Height including stand: 52.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual ...