1930's Japanese Plique a Jour Cloisonne Silver Vase with Butterfly, Bird, and Chrysanthemum Marked
It is 7.16 inches (18.2 cm) tall by 5.6 inches (14.2 cm) wide. It is 1.6 lb.
It is tarnished and has hairline cracks, enamel chips, enamel bruising, a hole drilled at the base, old stickers at the side, and surface wears and scratches (as seen in the photos).
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19th Century Chinese Rock Crystal Carved Kwan Yin
The kwan yin is 8 inches (20 cm) tall, and 3 inches (8 cm) wide. She is 1280.2 gram.
She has a chip to the bottle's lip that has been filed smoothly. She also has a chip at the underside of her robe, flea bite and chips at her hair, sleeves and the bottom. She has inclusions and surface wears and scratches (as seen in the photos).
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Song dynasty longquan celadon washer bowl with flower shape rim, bluish green glaze, good condition no damage no chip no crack no restoration, size: 11.5 cm diameter.
Song dynasty longquan celadon washer bowl with green glaze, good condition no damage no chip no crack no restoration, size: 12.5 cm diameter.
An wonderful and elaborate pottery figure of a female house attendant, Ming Dynasty (1368-1644 AD.), dating to c. 1550-1600 AD.
A beautiful, elderly lady, clad in a blue dress with tourquoise sleaves. She is carrying a plate in front of her chest. She is placed on a square plint with tourqoise glaze on the top.
Nicely painted facial details. A very fine and elegant figure from Ming dynasty, with it's careful thick glazing and fine expression.
Size: c. 32,5 cm...
A high quality and truly massive pottery Horseman, dating to the Ming Dynasty (1364-1644 AD).
The largest type of Tomb pottery horsemen we've ever handled or seen on the market. A massive warrior on horseback in realistic proportions and of a sculptural quality that is rarely seen from this period.
The figure is glazed in beautiful green and yellow sancai colors...
A high quality and truly massive pottery Horseman, dating to the Ming Dynasty (1364-1644 AD).
The largest type of Tomb pottery horsemen we've ever handled or seen on the market. A massive warriour on horseback in realistic proportions and of a sculptural quality that is rarely seen from this period.
The figure in armor equipped with a fine style helmet, boots, a halberd and shoulder armour with lion heads...
Laos bamboo basket.
Age: Laos, 20th Century
Size: Height 23.7 C.M. / Width 26 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Japanese bamboo lacquered hat.
Age: Japan, Showa Period, Early 20th Century
Size: Diameter 46.8 C.M. / Height including stand 89.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age including a minor tear on the rim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
A Chinese Qingbai Glazed Melon Shaped Ewer with Lion Cover. Circa, 10th-12th Century, Northern Song Dynasty.
Found in the Philippines.
Featuring a six-lobed melon formed body, tapering to its shoulders onto a straight cylindrical neck with a slender curved spout set opposite a looped strap handle...
Song Dynasty 'Henan' black and iron-oxide glazed Meiping pottery vase or jar. Oval form with high shoulders and small mouth with loop handles on either side. The almost abstract design of two large flowers is freely painted. Lovely rich black glaze on buff color pottery. Unglazed circular foot with glazed inset bottom.
Age: Northern Song Dynasty (960-1127)
Dimensions: 12 1/4" high x 9" wide
Lovely fine Chinese bronze mirror, scalloped edge with raised designs of stylized dragons chasing flaming pearls, central raised loop for attachment, an old silk tassle attached, the mirror side with pitting and varied color, including a deep rust red.
Measures 3 3/8" diameter.
Mirror has dark patina with verdigris, red/brown tones, mineral deposits, the mirror side has little shine remaining.
The mirror is very slightly concave.
The top has encrusted material in the recessed areas, some wit...
A unusually elaborate pottery figure of female Attendant, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1650 AD.
The lady wears a challenging dress, baring her shoulders and bosom. She has an imposing hairdress with flowers, and a flirting facial expression. She carries a large can for wine in her hand, and is standing on a round plint...
A unusually elaborate pottery figure of female Attendant, Ming Dynasty (1368-1644 AD.), dating to late Ming period c. 1550-1650 AD.
The lady wears a large thick robe and has an imposing hairdress. She is wearing a purse front of her chest and is standing on a round plint. She is glazed in tourqouise and dark blue colours.
Nicely painted facial details, careful thick glazing and a fine expression.
Size: c. 27,5 cm...
A fine group of three gilt bronze belt plates, of slightly rectangular form, each bearing a decoration in relief representing a musician playing an instrument. Gilt bronze, with a nice patina, partly green, partly reddish. China, Tang dynasty. Dimensions: 3.1 x 3.2 cm. Very good condition
Ivory netsuke depicting a sitting monkey holding a peach, with the little one next to him stretching out his hand to ask for the fruit.
Himotoshi is natural.
Period: Meiji end of 19th century.
Dimensions: 3.3 x 3.3 x 2.3 cm.
Conservation status: Excellent condition
Ivory manju netsuke with inlays in the Shibayama technique depicting one of the seven Deities of good luck: Fukurokuju 福禄寿, god of knowledge and long life.
The netsuke is signed Kōgyokusai 光玉齋 with ivory engraving on the back.
Period: Meiji end of 19th century.
Dimensions: 1.6 x 4.3 cm.
Conservation status: Excellent condition
Ivory okimono depicting the goddess Kannon standing on a lotus flower. With her right hand she holds a koro while with her other hand she holds a jewel that grants her wishes.
She signs Gyokushin 玉心 engraved on red lacquer under the base.
Period: Meiji end of 19th century.
Dimensions: 25 x 7 x 6 cm.
Conservation status: Excellent condition
Ivory okimono, depicting a farmer with an Onagadori rooster and a child on his shoulder offering food to the rooster.
The sculpture, carved from a single block, is finely engraved with details of the rooster's feathers and kimono. The Hōzan signature is engraved on red lacquer under the base.
Period: Meiji end of 19th century.
Dimensions: 27 x 8 x 6 cm.
Conservation status: Excellent condition
A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.
The figure with many fine details. A high helmet with decorations, the harness is covered with dark blue and tourqouise colors. Note the lions on the shoulder and the stomach belt. He is wearing a grenade in his hand. Pigmented colors in red, white, black of which much remains.
The head is attachable as on most larger ming figures...
A large and high quality Ming Dynasty pottery figure of a warrior probably an officer, dating to 1368-1644.
The figure with many fine details. A high helmet with decorations, the harness is covered with Green and Yellow Sancai colors. Note the lions on the shoulder...
This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage.
Size::length:162㎝ / Width129cm
19th Century Japanese Cast Iron with Gold & Silver Inlay Tea Kettle Tetsubin Signed Ryubundou (Kinryu-Do) at the lid
It is 9.45 inches (24 cm) tall measured with handle up and 5.11 inches (13 cm) tall measured with handle down by 7.09 inches (18 cm) wide. It is 1950 gram. It will hold 1400 (ml) CC of water.
It is tarnished and has oxidation, rust, rubbing of gold, cut marks at the rim at the underside of the lid, and surface wears and scratches (as seen in the photos).
19th Century Chinese White Jade Carved Hair Pin for Korean Court Binyeo
It is 10.75 inches (27.3 cm) in length by 1.5 inches (3.81 cm) wide. It is 94.3 gram.
It has inclusions, minor pitting near the end of the pin, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you...
Thai wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.
Age: Thailand, 19th Century
Size: Height 25.1 C.M. / Width 10.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
A Chinese Yue Celadon Glazed Vase with Horns. Circa, 10th Century, Song Dynasty.
Found in the Philippines.
Featuring an ovoid shaped body supported by a straight foot, tapering inwards to its shoulders onto a slightly flaring neck. Its body is carved with horizontal lines with each corner row adorned with applied horns. It is covered overall in an olive-green 'Yue' celadon glaze, except for the feet.
Measurements: height (30.5cm).
Condition: one small glaze chip on the rim but is ot...
Laos wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.
Age: Laos, 19th Century
Size: Height 38.3 C.M. / Width 15 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
16th Century Ming Dynasty Chinese Bronze Duck Form & Fish Three-Part Incense Burner 明銅寶鴨式熏爐
It is 15.5 inches (39.3 cm) tall by 9.7 inches (24.6 cm) wide. It is 4434 gram (9.8 lb).
It is tarnished and has rubbing of patina, repairs (resoldered and traces of glue) at the stand, oxidation, imperfect casting, cut marks, and surface wears and scratches (as seen in the photos).
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Burmese lacquer seated Buddha on the throne, with gilded gold and glass.
Age: Burma, Early Mandalay Period, Early 19th Century
Size: Height 54 C.M. / Width 24.5 C.M. / Depth 20.3 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.
Chinese burnished Neolithic bowl with side lugs, there is a repair on the edge noted in last enlargement and some of the black pigment in the design is not original. Majiayao culture circa 3000BCE. D: 12cm/4.8in and H: 6.8cm/2.6in.
Large Ming jar with blue underglaze chrysanthemum pattern in perfect condition. This was fired in Guangdong Province and locally, this type is referred to as a “gunpowder” jar although, I don’t know if this was it what it was really used for. Included is a decent wood lid. H: 20cm/7.9in and W: 19cm/7.5in.
Rare grey pottery recumbent dog, circa Han Dynasty. Traces of original white pigments- very friendly looking “doggo”. Excellent condition. L: 25cm/9.8in and W: (midpoint) 8cm/3.1in.
An image of the white robed Kannon (Quanyin), Goddess of Mercy, by Mashimizu Zoroku dating from the early 20th century. Exquisitely crafted,
The figure is 14.5 x 12 x 21.5 cm (5-3/4 x 4-3/4 x 8-1/2 inches) and is in excellent condition.
Kannon, also known as Guan-yin in Chinese or Avalokitasvara is a Bodhisattva, (one who has prolonged their own eternal enlightenment to stay behind to alleviate the suffering of others in this ephemeral world. Generally shown as feminine or androgynou...
1938's Japanese Woodblock Print Paul Jacoulet Sunset Menado Celebres "Coucher De Soleil A Menado"
It is 17 inches (43.3 cm) long by 13.38 inches (34 cm) wide.
It has creases, dog ears corners, stains, browning, yellowing, fading, toning, foxing, discoloration, and tapes at the back (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it ...
Fine Tall Chinese Tang Dynasty Painted Pottery Lady with Oxford TL Test (44cm)
Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.
The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...
Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test
This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...
A small Shigaraki pottery urn of very rough clay dating from the 16th century covered in thin natural ash glaze. The squat form known as Uzukumaru is very popular for its simplicity in Japanese Tea Aesthetics. About the shoulder is a lattice fence design engraved into the earth, otherwise it is unadorned and very humble. It is 14 cm (5-1/2 inches) diameter, roughly the same height enclosed in an ancient wooden storage box. There is an old age-darkened chip to the rim, otherwise is in surprisin...
A pair of masks representing the two variations of Tengu, the long nosed Tengu and the Karasu (Crow) Tengu mounted on a wooden placard dating from the Meiji period. Each mask is of carved and lacquered wood with inset glass eyes. The placard is 38cm (15 inches) wide 22.5 cm (9 inches) tall and the masks are roughly 11 cm (4 inches plus) in depth. It looks as if the Karasu Tengu mask has had the eyes repaired, and they appear cloudy by comparison to those of the the long nosed partner.
T...
An anonymous hyper realistic ceramic version of a skull about which crawls snake, circling down the cheek and exiting through the eye socket, late Meiji to Taisho period. It is 11 x 16.5 x 10 cm. This type of object was popular in the later 19th to early 20th centuries as a talisman. The dilapidated wooden box bears a label reading Mayoke Ko-To-Sei Dokuro (Protective Old Ceramic Skull).
Cotton furoshiki, indigo dye wrapping cloth with shop's name , which is chain stitched with cotton yarn. It also has sashiko in two corners. Some small rips and mending patches. The first half of the 20th century. W:136cm, L:134cm
Young Chinese lady in enameled porcelain in the famille rose style. She is represented standing, holding a fan, and rests on a square base. Her dress is richly decorated with flowers and butterflies. His face is calm and smiling. She is very beautiful. This type of statuette decorated with this specific palette of colors was executed in large numbers in China at the end of the 18th century and the beginning of the 19th under the reign of the Jiaqing Emperor of China. Usually these statuettes are...
17th Century Chinese Wucai Chocolate Rim Vase with Peony & Phoenix
It is 12.4 inches (31.5 cm) tall by 8.67 inches (22 cm) wide. It is 6.4 Lb.
It has dark spots and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item t...
Fine antique Indian amulet-talisman holder pendant "Patri" from 19th-century Rajasthan, India. It is made of solid, high-quality 900 silver sheet metal in the shape of a heart-shaped box. The design features a pierced and engraved pattern of two peacocks and the Tree of Life, bordered by a scrolling foliate pattern. The bottom of the pendant is adorned with three groups of four elaborate silver beads, while the top is fitted with faceted triple suspension loops. The reverse side of the pendant i...
Antique 19th century Chinese Qing Dynasty extremely well carved ornate gilt wood figure of a laughing Buddha – Budai.
This seated deity wears a loose robe parted in front, revealing his large, protruding belly. His left hand resting on a raised knee, grasping a peach fruit string his right hand is holding the string of a cloth bag at his side.
MEASUREMENTS (approximately):
Height: 25 cm (9.84 inches).
Width at the widest point: 21 cm (8.27inches).
CONDITION: In good ...
Tai Lue Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.
Tai Lue is a tribal people living in Burma, it is difficult to find Buddha from this ethnic group.
Tai Lue Buddhas look more primitive than typical Burmese Buddhas.
Age: Burma, Shan Period, 18th Century
Size: Height 51.7 C.M. / Width 14.5 C.M. / Depth 12 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enl...
The bird-faced Kami (god) Doryo Daigongen strikes a powerful pose astride the back of a mischievous white fox. Doryo is purported to have been an ascetic monk who turned himself into a Tengu when he vowed on his deathbed to protect the Mountain Temple Complex of Daiyuzen in modern day Kanagawa prefecture. This legend inspired a cult which rose to great prominence in the Edo period. To this cult the figure was the ward of Budo (martial arts). Originally this figure would have had feathered wi...
The Chinese god of longevity is depicted standing holding a peach branch laden with fruit in his left hand. The peach is the symbol of immortality. The artist has represented Shoulao slightly bent by the weight of his years, his gait is hesitant and his step seems reduced and slow. The left arm rests on the kidneys to relieve the pain. The details are finely sculpted, the hairs of the beard are precisely incised. The facial expression is well rendered. The hair is pulled back into a bun covered ...
Antique Chinese wooden box lacquered red and gold with designs of palace life. Noble figures and scholars stroll through gardens with fine pavilions and trees. The lid lifts to reveal a continuation of the theme.
Dimensions: 2 1/2" high x 13 1/4" long x 7 1/2" wide
Antique Chinese gilt bronze figure of a bodhisattva standing on a lotus. Flowing drapery and high hair style with crown. Hands in Gyan Mudra (knowledge). Downcast eyes and compassionate expression. Overall patina.
Age: 19th century
Dimensions: 14 3/4" high x 5" wide x 5" deep
Antique Japanese bronze usubata in the shape of a boat. Held up by little waves, it seems to float along on the water. Made for ikebana flower arranging. Signature on the bottom in a raised cartouche.
Age: Meiji Period (1868-1912)
Dimensions: 5 1/4" high x 9" long x 5 1/4" wide
Japanese antique woodblock print by Utamaro (1753-1806) of a young nobleman on horseback holding a hunting falcon. Surrounding his horse are three beautiful female attendants and a young boy holding another falcon. In the background, Mt Fuji rises from the mist.
Utamaro is most famous for his bijin-ga (pictures of beauties). He was taught by Sekien and heavily influence by Kiyonaga. Utamaro is considered one of the great masters of Japanese woodblock printing.
Signed: Utama...
Japanese antique woodblock print by Utagawa Toyokuni I (1769-1825) of a woman and boy. The lady holds a bamboo branch festooned with decorations possibly for the Tanabata Festival. In the upper left is a blossoming branch hung with paper strips of writing (tanzaku). During Tanabata this writing would be wishes.
Toyokuni I started work in the studio of Toyoharu at the age of 14. He was heavily influenced by the print artist, Utamaro. Toyokuni I later became one of the most influential p...
Ancient 2nd - 3rd century A.D. Gandhara finely sculpted in grey schist stone figure of a seated Buddha.
The haloed Buddha Shakyamuni seated in in meditation posture dhyanasana with his hands folded in his lap and his feet covered by the pleated robe, the folds of the sanghati flowing over both shoulders, revealing the anatomy of his torso, and covering his legs, the wavy hair tied in a bun over the ushnisha, seated on a throne carved with going downwards stylized geometrical pattern.
P...
Bag made of one kind of hemp, probably imported one, such as jute or sisal, which is used for coins. It has many mending patches.
Late 19th to early 20th century. W:38.5cm, L:70cm
Inro with 4 squares decorated with Toba riding his mule, on the reverse a rooster under a bamboo. Toba, the rooster and the bamboo are inlaid with mother-of-pearl and lacquered with gold powder on a background of red lacquer in slight relief. The mule is inlaid with pewter. This style of inlay is from Ogawa Haritsu (Ritsuo) who was active in Japan at the end of the 17th century and the beginning of the 18th. Interesting detail, the kirikane inlays are in pewter which is unusual, usually they a...
These polylobed wooden cups covered with a thick layer of sculpted cinnabar red lacquer were to be used as planters. The interiors and undersides are lacquered in black. It is very likely that the interiors were lined with gilded copper or tin containers, in order to protect the lacquer from permanent humidity, the black lacquered backgrounds suffered from this humidity.A fractured place reveals a piece of textile. Some scholars affirm that the use of textile to reinforce the lacquers would no...
A skeleton sits among the dried grasses, alone and forgotten, perhaps reflecting on his life in this earie painting by Buddhist priest Higuchi Ryuon dated Meiji 6 (1873). Ink on paper, it is 41.5 x 179.5 cm (16-1/4 x 70-1/2 inches) and is in fine condition; completely remounted in a border of two subtle shades of black with colorful piping and features black lacquered rollers with mother of pearl flakes. It comes in a kiri-wood box.
Higuchi Ryuon (1800-1885) was a priest of the Jodo s...
A set of three spouted nesting bowls decorated in the traditional Mugiwara pattern of alternating stripes of russet red, pale blue and orange emanating like rays from the center. The larger bowl is 9.5 cm (just under 4 inches) diameter, 5.5 cm (2 inches) tall. The smallest is roughly 7.5 diameter, 4.5 cm tall and all 3 are in excellent condition, enclosed in an old kiri-wood box.
This traditional pattern is called ``Mugiwarade'' because its vertical stripes resemble ears of wheat. It has ...
A Dojin licking Dango-treats dances in erratic dashes of soft wet lines and swift dark strokes of flying white on this vertical presentation by Edo period eccentric Doi Goga. Ink on paper it is 43 x 184.5 cm (17 x 72-1/2 inches) and has been completely remounted in dark silk with bone rollers. The creature clutches the raku-in stamp in his upper hand, the other stamps seem to follow his feet like footsteps. It comes enclosed in an age darkened wooden box. Known as the “Mad monk” Goga had...
SOOTY BUDDHA WITH HALF FACE
Wood. Late Edo period, 19th century, Japan. Aesthetically well‐proportioned. H 19 x 5 x 5 cm (7.48 x 1.96 x 1.96in). Condition is as is as seen.
selected by Jinta
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