Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Hana no utage Murasaki no omokage" (Flower Party) published by Moriya Jihei in 1859. The print illustrates a scene with Prince Genji seated beside a lake on a raised platform with ladies at his side enjoying cherry blossoms and spring weather. Each panel measures 14 1/2" x 10" (the left panel is slightly more narrow). Very good color and good overall condition...

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing...

Serene 17th Century Japanese standing gold gilt Amida Buddha. Original gold gifting layered over beautifully hand carved gently wood. The buddha stands upon its original lotus base in which both feet sit and slot into the base. The golden rays rises from behind rising in all directions. Carved at a very high level with detail seen down to the smallest touch. In all, there are three removable section. Stunning natural patina that has age very well with Temple incense...

An early 20th century souvenir photo album entitled "The Ceremonies of a Japanese Marriage". with green woven silk boards and nineteen hand coloured photographs with explanatory text.

On the final page "Published by Tamamura, Photographer, Kobe, Japan" and in Japanese,"published in the 38th year of Meiji (1905). . ...

Early 19th century Japanese kashira (metal pommel at the end of the hilt of a sword) with relief decoration of two shishi (Buddhist lions) frolicking among huge peony flowers. Superbly made piece with crisp metalwork, shakudo body with gilding, in excellent condition. Length 1 3/8 inches.

Very unusual 19th century Japanese multimetal pendant in a shape of standing geisha holding an umbrella. Definitely made by a metalsmith who was engaged in making sword parts such as menuki and fuchi / kashira. Very clever design, superb detailing both on front and back, great quality inlays and gilding, in excellent condition. Height 15/16 inches.

Unique Japanese Bronze Usubata (used for Ikebana flower display). Gently sloped open bowl of the large water drop ready to receive a flower arrangement. droplet drops down and bursts out in a well modeled droplet base. Sturdy with original patina consistent with age.

Aft Deco Circa 1930's

Dimensions 12" Wide x 12" High

19th century Chinese snuff dish in a shape of a round saucer with gently concave surface, decorated on the outside with designs seen on ancient Chinese bronzes. Beautiful patina, old age lines, wonderful feel of age. Diameter 1 5/16 inches.

Pair of beautifully hand carved dragon temple corbels. Each is made of solid keyaki hardwood and hand carved with great detail. Original pigment can be seen highlighted in red, gold and black tones. Each dragon is twisting and swirling both looking in different directions. These would have originally been mounted up high within a temple shrine...

An antique Japanese Shinto Shrine (also known as a Kamidana, Yashiro or Omiya) housing the deities Ebisu and Daikoku. The shrine was made from Hinoki (Cypress) and Suginoki (Cryptomeria) while the deities were hand carved from Tsugenoki (Boxwood).

Ebisu is characterized by the lucky Sea Bream (Tai) fish that he holds under his arm. Sitting on a rocky shore, he looks to the water as a protector of fish, fisheries, seafood, fishermen, sea merchants and anything else that is related...

19th century kokutan (ebony) netsuke of a bronze wasp resting on an old rotten log. Rather unusual elegant subject in Japanese taste, beautiful crisp metalwork, dark wood with characteristic ebony sheen from wear. Length 1 3/4 inches.

A Japanese Arita Polychrome Dish. Decorated around the rim with a squirrel among vines growing on a trellis. E18thC. Diameter: 7 3/4" (19.6 cm). Condition: some light wear to enamels.

Set of 8 18th Century Chinese Blue & White Porcelain Tea Cup

The largest cup is 1.7 inches (4.4 cm) tall and 3.5 inches (9 cm) wide. The smallest cup is 0.4 inch (1 cm) tall and 2 inches (5 cm) wide. Total weight is 0.7 Lb.

They have dark spots, chips, and surface wears and scratches . Second largest cup has a crack. (as seen in the photos).

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Chinese Kangxi Period (1661-1722) Wucai Vase with Turtle

It is 5.5 inches (14 cm) tall by 2.3 inches (6 cm) wide. It is 0.5 Lb.

It has dark spots, skip glazes, rubbing gold and paint, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

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A Chinese polychrome cloisonne covered box. The flowers and stylized character decoration in cloisonne, raised above a textured, patinated background which was not enameled. A thin gold wash remaining on the foot rim surface and evident on the cloisons surfaces. The work, patina and the slightly pitted enamels indicative of 19th century work. Condition is fair to good with a few small dents to top which don't visually detract from presentation...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves. There are small holes on every leaf to put a string to bind ...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves. There are small holes on every leaf to put a string to bind ...

A set of rare and complete Burmese metal manuscript (KAMMAVACA) made from metal coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves. There are small holes on every leaf to put a string to bind ...