AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm...

A really rare type of chawan: wan shaped tea bowl with a rounded brim, made of light coarse clay. The fine iron bearing clay was nearly fully covered with glaze mixed from wood ash and feldspat.

The iron oxide in the body turned the glaze to a bright orange where thin. The bowl shows a fantastic discoloration from tea as a result of many years of careful use.

This chawan was manufactured in the early stage of the 17th cent...

Rare porcelain or (porcelain stoneware?) dish from China, from the 17th century or before. The ceramic is thick and solid, the decoration of peonies is incised then painted in turquoise and aubergine enamels. The incised lines of the design demarcated surfaces comprising the enamels mixing during firing. The peonies are treated simply and energetically, the artist has gone to the essential, his drawing is powerful...

17th Century Tibetan Sakyamuni Thangka, 32 x 24.25 inches, 81 x 61.5 cm. This thankga was in an exhibition at the University of Texas Art Museum.

Buncheong ware in a flattened ovoid form with a raised foot finished with a wide flared rim. It is decorated with a creamy colored slip and the faces are painted with a leafy plant in brown slip, all beneath a clear glaze with a faint celadon tint where pooled in drips along the shoulder, the creamy slip and the glaze are also applied within the recessed base...

Jar with Peaches and Pomegranates (SWC101301)
Ca. 1640-60s, mid- 17th century
Shunzhi / Transitional period, early Qing dynasty
Porcelain with underglaze cobalt blue & overglaze enamels
H: 14 cm / 5.5 in (with lid); 11.8 cm / 4.6 in (without lid)
From a Manhattan, New York private collection

A charming Transitional Shunzhi period wucai jar, well decorated in the classic peaches and pomegranates pattern...

A porcelain storage jar in blue and white with decoration of persons in a garden and a hare mark at the bottom. Tianqi or Transitional period (1620-1640) H. 18 cm Condition: excellent, no chips or cracks

This piece has thin body and permeability by Jingdezhen characteristic. Most of all, the color development by cobalt is beautiful. Certification: written by Noriki Simazu the famous antique researcher in Japan. Size: D:14.2cm/ H: 4.4cm

A Very Rare Inlaid Punchong Bowl with Celadon Glaze: Korea, Early Choson period, 15th Century, This is a shallow Punchong bowl in inlaid black and white slip with willow and two-three lotus buds between white slip inlaid lines with yo’-i heads. There are very similar shape and same pattern inlaid bowls vases with celadon glaze from the late Koryo dynasty...

Ca. 1400s

Well potted with thick, even celadon glaze overall except for the unglazed base and foot. The glaze is of a deep green tone and crackled all over covering the interior of the neck as well. Three floral form appliques decorate the shoulder just below three concentric rings leading up to the neck. A few minor earth stains remain from burial. Overall very good condition.

Diameter: 2 5/8 in., Height: 3 ½ in.

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk...

A fine Ming Wanli blue and white platter with four character mark. Decorated with bird and flowers. Diameter approximately 20 cm. Height approximately 3 cm. In good condition. Free shipping with insurance.

Wanli Period ( 1573 - 1620 ) Excavated in Sulawesi, Indonesia. Chinese porcelain kendi, deriving from a Middle Eastern form, were made in several animal forms in the Ming dynasty, including frog. H: 22,3 cm. B : 12,4 cm. L : 18,5 Condition : No crack, no chip to the body but some glaze fritting which however is typical for such kind of ware.

Chinese bronze rushrest in the shape of a mountain with a dragn head peak at one end. The center front cast with a man fishing. The back a man sitting in a house. Age early 17th century. Size: Length: 7" Width: 1.5" Height: max. 4"

An early Japanese blue & white plate produced in Arita at the end of the seventeenth century. The centre features a roundel carefully painted with a vase of flowers on a verandah. The unusual vase perhaps based upon a Dutch example...

The plate is decorated in late Ming Kraak “fuyo-de” style with a pattern of alternating panels of flowers, Chrysanthemums and Camellias, with Precious objects, interspersed with pendant Lozenge motifs. The central mikomi framed by a narrow atypical floral band depicts an oversized figure holding a rod standing upon a bridge with two oxen set in a classic Chinese “sansui” landscape’...

A large ming swatow dish decorated with polychrome dragon fish at the center and five fish at inner wall.Dish in good conditions ,no chipped,no hairlines, and free from any restorations and additional coloring.Size:38cm diameter.8cm high.

A Chinese porcelain bowl with fluted wall/ blue and white motifs decorations, an unreadable mark inside the foot rim. Ming Dynasty Jiajing to Longqing period, circa mid-16th century. Condition: minor kiln faults and a few tiny glaze flakes on the rim, photo #6 shows two example of them. The bowl is not in a perfect round shape. Please refer to photos for condition details. Diameter: approximately 4-3/4"; height: 2-1/2".