This is an authentic Sung Dynasty Vase with flora pattern design moulded on it, it in quite a good condition except some minor chips on the mouth rim and it has no repair, no crack....glaze is a bit degraded because of burial and natural corrosion, thanks for looking and feel free to enquire.....

A rare very little Budai in porcelain enameled in "famille rose" style.The iron red enamel of beautiful vivid colour. The god is seating. Very little size, probably this divinity was make for travellers. Budai was the god of good fortune,abundance of good health. and perhaps a dealer travelling keep him with him. Good condition, no restoration. Normal wear for centuries-old porcelain. China later 18th century earlier 19th. Hight: 4,8cm.

Burmese wood carving with gilded gold of the wall partition decorated with elaborated flower design. This set of teak wood carving composes of 11 pieces attached to one another.

Age: Burma, Mandalay Period, 19th Century
Size: Length 320 C.M. / Height 64.5 - 155.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

A collection of four small stoneware elephants with different celadon glazes from the Si Satchanalai or Sawankhalok kiln in Thailand. Dimension: tallest: c. 10.5 cm long x 8.2 cm high, smallest: c. 7 cm long x 5.6 cm high. Condition: two elephants with slightly chipped ears.

Diameter approximately 36 cm. More pictures are available. In good condition.

Height: 18.5 cm (7.3 in)
Width: 11.4 cm (4.5 in)

This unique Satsuma vase is hand potted and shaped to resemble a cloth bag with a tied sash drawing in the neck. The piece is unsigned, but is definitely by a master artist. There a two main panels of figures, one of a group of Lohan gathered around a dragon and the other showing young children studying scrolls. The gilt borders surrounding the panels are very well done...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed)...

From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage...

Antique Chinese shallow bowl with a horse jumping through waves. The horse has a green book tied to it's back with a red sash over a pink and green blanket. THe rim of the bowl is painted with clouds. The back of the bowl is painted with green and blue waves. It measures 8.25" wide. Circa 1900.

A magnificent Yuan 14th century Qingbai glaze dragon shape boat, item decorated with detailed dragon boat with human passenger and covered with bluish white qingbai glaze.
Boat is in good condition with one of the human head is being reattach / repaired, still a very magnificent and important piece.
Size: 20 cm wide.

A rare Qing Dynasty Chinese porcelain Buddhist stupa, superbly modeled and enameled with multi-toned flowers and scrolling leaves, a chain of Buddhist lion masks and gold gilt accented jeweled motif on a pink ground. The long, graduated 13-tiered conical spire, symbolic of the of the 13 stages of enlightenment, is decorated with thin floral bands. The Buddhist umbrella is topped with a blue and white glazed canopy on which sits a green treasure vase with red ribbons...

Japanese antique Kakeimon porcelain cone-shaped dish. Delicately painted with chrysanthemum flowers, using palette colors of underglaze blues, overglaze reds, green yellow and grey. Raised moriage and incised white flower on white body. Good condition.

Provenance McIntrye Collection
Edo period, circa 1800s
Size: H 3 1/2" x W 5 1/2"

Chiseled wood sculpture representing a seated monkey holding peaches of longevity in his hands.
The figure of the monkey with longevity peaches is a popular image in China, however this subject was also widely used by the Japanese. According to the legend the monkey Sun, king of monkeys, upset that he was not invited to the banquet of the Queen Mother, entered the garden of the goddess Xiwangmu in the mountains of Kun Lun and ate all the heavenly peaches she grew there...

A beautiful set of ten small shallow dishes, each uniquely decorated with a poem and image from the Edo period Sasashima Kiln of central Nagoya. The box, titled Sasashima Yaki Teshio Jumai (10 Sasashima Salt Dishes) is dated inside to the Tenpo era, (1830-1844). Each dish is 9 cm (3-1/2 inches) diameter and all are in excellent condition. Salt dishes were small plates used to hold salt, pickles or other condiments in a traditional Japanese meal...

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

Chinese incense burner bronze censer with wooden stand. Xuande mark, Qing dynasty. 10,5 cm mouth diameter. 11,5 cm from handle to handle. 8 cm high. Censer in original condition except has smooth dent at the body. please see on the pictures.

Diameter approximately 13.5 cm. There is a hair line at the cover, only 1 cm. There are 2 soft chips at the covers. More pictures are available. In good condition.

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color...