Japanese Meiji Period Imari Vase beautifully rendered in perfect condition. Scrolling vine wrapped around the neck of the vase. Vibrant orange and reds with fine gold coloring detailing the peony flowers. Cartouche on bottom. Size: 16.625" Height x 6.5" Diameter.

A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century...

Ca. early 1800s

In the style of Okuda Eisen, possibly made in Kyoto at one of the Kiyomizu Kilns. One of a set of five or ten used for individual servings of sweets or other items in a tea ceremony context. Made from porcelain with thick overglaze green enamel and rapidly painted floral designs in red enamel. This style was popular in Kyoto in the late 1700s and 1800s, and was revived again in the 1900s...

Probably late 1800s

Decorated with a scene of birds and trees in the Kakiemon palette and style in overglaze enamels on a clear glazed white porcelain background. The base is slightly recessed and the footring is unglazed, exposing the hard, white porcelain paste. The shoulder is carved with a groove design that radiates from the base of the neck and is decorated with a scattered flower design in overglaze red enamel. The base is painted with an underglaze blue fuku mark in cursive script...

Ivory netsuke representing a bamboo shoot (takenoko).

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

From imaginary animals to natural and domestic elements, the subjects represented in netsuke are varied. The netsuke could represent elements of daily life...

This deep plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted peachs and flowers, and the last painted with gold. Very sophisticated piece. Size: 28.8cm(D) 5.0cm(H)

Japanese Antique Gold Enamel Kinrande Bowl made by XII Eiraku Zengoro (1823–1896) with Phoenix Motif and Exquisite Gold Kintsugi Repair The bowl has a cobalt blue signature of the potter translated as "Made by Eiraku in Great Japan" XII Eiraku Zengoro (1823–1896) belongs to one of the most influential Kutani pottery family in Kyoto in 19 century. He became the head of the family in 1843 at the age of 20 with the name Wazen after retirement of his father Hozen...

This well carved 19th century wood netsuke is 1 3/8” high, 1 1/8” wide and 1” thick. It depicts a man wearing a shi-shi (lion) mask and playing a drum. Aside from two toes missing on his right foot, it is in good condition.

Very rare large hexagonal plate. Turtles and cranes as the symbol of longevity in Japan are depicted with color and gold, it's very gorgeous. Size: 42.2cm(D) 4.0cm(H)

Japanese Imari porcelain figure of a seated girl. Beautifully done in a blue, yellow, green, and red under glaze. A wonderful, fine example for the discerning collector. 9 inches, 23cm tall. Excellent Condition. From a prominent and widely exhibited collection.

This child with a pleasant face happily rides his toy horse, the horse looking just as pleased. The entirety is a porcelain sake server from the Saga region on the southern Island of Kyushu, home to Imari, Hirado and other porcelain ware. A bung of black persimmon wood has been added as a lid in the shape of a Chinese hat. It is 21 x 12 x 21 cm (8 x 4-3/4 x 8 inches) and in overall fine, original condition, dating from the 19th century.

Set of 6 antique charming Japanese celadon shaped porcelain fish plates. The plates are decorated with red and gold scales and gold fins. They measure 9.25" long 5.5" tall. the bowl is supported with a round rim on the base, it is coated with a pale turquoise glaze. Meiji period pre-1900.

Horn netsuke of an reclining ox.

In Japan, the ox (ushi) is the second sign of the zodiac. It is considered usefulness and willingness. Reclining, it is the emblem of Sugawara Michizane (845-903), a great scholar, minister of emperor Daigo (897-930) and statesman of the Heian period. Under the pressure of the Fujiwara family, he was driven into exile to the island of Kyûshû and he rode away upon a bull. Unfairly punished, his memory is rehabilitated after his death...

This is a Superb 1800's hand-carved boxwood rendering of a muscular blind masseur or Totsuka Beggar netsuke, an excellent example of this popular Japanese character, who is crouching and lifting a heavy Stone. He is wearing only a fundoshi. Outstanding detail, clever use of the materials, and patination; His left eye and teeth are inlaid with a natural material. Very nice uneven himotoshi. Signed Gyokkei in a red stained rectangular inlaid natural material reserve...

A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim...

A Japanese Imari Tokuri. Decorated in the typical palette with alternate panels of a Carp leaping a waterfall and a Dragon in clouds above a Tiger 19thC. Height: 7 3/8″ (18.7 cm). Condition: excellent, light wear to gilding

The size of bowl: 6 7/8" Dia x 2 1/8" Very unusual Japanese Ko Imari Porcelain Namasu Bowl. The bowl has the design of flower motif in the center with bamboo leaves around. The side wall has two windows of phoenix bird and tropical plants. Bewteen them, gold Karakusa and spider mums design in gold and red. Very well painted. The shape of bowl is also nice with curving up. Outside has blue underglaze design...

A stunning Japanese Imari plate featuring a stand of blue iris with 2 delicate butterflies overhead. In excellent condition, it measures 9.75 inches in diameter. Dates Meiji, circa 1875.

Two Jubako stacking porcelain boxes enclosed in their unique wooden boxes which are both enclosed together in an additional outer wooden box for protection. According to the lid, the designs were by Kinoshita Itsuun and Uragami Gyokudo, and the pieces were made by Kawamoto Hansuke. Hansuke is considered the progenitor of porcelain production in Seto, and it was through an act of industrial espionage that he was able to bring the techniques, until then the secrets of the Kyushu potteries, to Seto...

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the last EDO period. Extremely minute strokes in this piece are very excellent. No repairs or damages. Size: 18.8cm (D) 3.0cm(H)

Late 19th or early 20th century Japanese satsuma bowl is 2 ½ inches tall and 7 inches in diameter. It has a magnificent insect and floral design on both the interior and exterior. It has an old repair on the rim and a small hairline crack. Signed.

Large and unusual Japanese antique fish plate. Made to look as if one fish overlaps the other with raised details such as fins and eyes. The large white fish is further decorated with blossoming branches, butterflies and a small bird with gold details. The bottom fish is orange with blue fins and intricate scales painted in gold. Scrolling vines and peony flowers decorate the rim of the underside of the plate.

Age: Meiji Period (1868-1912)

Dimensions: 17 3/8" long x 9 3/...

A Set of Five Japanese Hirado Bowls. Each decorated with a single blossom. The shaped indented rim echoed in the decoration. Hirado 19thC. Diameter; 18.0 cm. Condition: four dishes excellent, one dish has a 1.5 cm fine hairline from a small firing fault in the rim

Magical, richly sculpted and beautifully formed Pair of Blue Kutani Porcelain Cats. Meiji Period. 8 inches (20cm) high.

Imari ware bowls for serving small amounts of food were known as "kurowanka." These bowls feature a "sansui" land & sea scape scene in underglaze cobalt blue on a porcelain body. Each piece is in god condition with individual measurements of H.4cm X Dia.15cm.

9" 19th century Kakiemon plates, slightly rounded, with blue flower baskets over blue underglaze. There are blue sprays on the undersides, each bears a Fuku mark.

Condition: Excellent, no chips, hairlines or repairs.

This is a 19th century, excellently hand-carved Netsuke depicting a very surprised Rat Catcher, who is standing on one foot, while holding the tale of a rat that is crawling on his back. Another rat is crawling on the floor , near his foot. Outstanding detail and expression, as well as a two-tone patina. Unsigned. Netsuke measures 1.10 inches (2.8cm) wide, and 2.78 inches (7.1cm) tall.

c. 1875-1900
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
Height: 17 cm / 6.7 in
Diameter: 16.8 cm / 6.6 in
From a Kansas City, MO estate & private collection

A large and unusual late Qing famille rose stem cup, dating from the Guangxu reign. Marks around the stem and on the inside foot reveals it was custom-made as a sacrificial vessel for a 'Li' family's ancestral altar. The bottom mark, 'jiqian', means 'to remember the heaven...

19th Century Japanese Matsu (Korean Pine Wood) Ittobori Netsuke: Daruma Toy, Signed Sukesada 19th Century, Matsu Wood Netsuke skillfully hand-carved in the Ittobori (one Cut) style by Sukesada in the form of a Daruma Toy or “okiagari koboshi”, meaning the little priest that gets up. Sukesada came from the Hida province of Japan. He carved in the style invented by Sukenaga and enhanced by Matsuda, which consisted in using simple straight cuts in two-tone chosen Matsu (Korean pi...

Meiji period, late 1800s

This shallow bowl-shaped dish is set on a high foot with the characteristic Nabeshima comb pattern encircling it. The interior is painted with a design of chrysanthemums in cobalt blue of clear, rich tone. The underside is painted in the same cobalt blue with four groupings of four coin designs often seen on dishes of this size and shape. It is covered overall in a fine clear glaze with only the footring exposing the refined porcelain paste. Good condition with no ...

A pair of superbly, thinly potted porcelain bowls with white glaze and overglaze enamel and gilt floral decoration and a phoenix to the center. The rim glazed in brown enamel. Kakiemon, Arita ware. Diameter : 14,4 cm. Condition : Perfect

From a large collection of Edo period Nabeshima and Hirado-ware, this intricately crafted vase features two serpentine dragons intertwined across the face of the round porcelain vessel. In addition to the carved dragons, the body displays a painted third dragon, much fiercer than the two in relief. Overall in very good condition, there appear to be fine repairs made to the horns of one dragon.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughou...

A Japanese Very Fine and Large Satsuma Vase by KINKOZAN-19th C. Japan, Meiji Period, late 19th Century. This exclusive large jar is well potted and massive decoration on body overall with gold and colorful polychrome enamels. It is applied a pair of large handles fashioned as shishi handles clasping a tasseled ring and a wide floral form rim, a brocade lappet collar and petal form band at the base bracketing a continuous figure narrative of large scale Samurai warriors and Japanese courtier...

A pair of Hirado dishes decorated with scenes adapted from the woodcuts of Utagawa Hiroshige. The dish on the left hand side is adapted from the Sixty Nine Stations of the Kiso Kaido, principally the station at Itabishi and in part, the pedlar with basket, the station at Takasaki. The dish on the right hand side shows a group of figures struggling against a gale probably inspired by the woodcutShono Shono from the Fifty three Stations on Tokaido Highway, but adapted with a great deal of licence....

An unusual very heavy and coarsely potted Imari shallow dish of gong shape form decorated with a central motif of a Kirin within an arabesque of foliage surrounded by a diaper band. The rim decorated with roundels, marumon, and wreath shaped medallions in underglaze blue with enamel details. The dish is further decorated with gambolling shishi with cash symbols in enamels.The reverse is similarly decorated as the interior. A six character nien hao for the Chinese Ming Emperor Jiajing The body o...

Boxwood pipe case and tobacco pouch made of a gourd with a boxwood Daruma face with inlaid mother of pearl eyes. Japan, late Edo, 1st half 19th century. Dimensions: pipecase L. 19,5 cm, pouch H. 8,5, W. 8,5 cm.

An unusual Arita bowl decorated to the exterior with an auspicious Hundred Chinese Boys pattern, baizi tu, which shows karako, Chinese boys, engaged in various playful activities, principally Fan and Flag waving, moving large objects and chasing chicken. There may be references to various Chinese folk tales within the procession. The enormous water jar is probably a reference to the tale of Sima Guang and so on. Some of the figures may represent avatars of the Eight immortals identifiable by th...

Imari ware soba choko from the mid-Edo Period (1600-1868). Porcelain with underglaze cobalt blue painting of "houzuki" (Chinese lantern plant), a very unusual and delightful pattern among soba choko.H.5.5cm, Dia.8cm.

This is a excellently carved Japanese Netsuke depicting a group of 10 rats gathered on top of turtle. Outstanding symmetry and detailed piece; very life-like. Signed on an oval reserve, Akihisa, a carver that worked in the 19th century in Japan. Netsuke measures 1.65 inches (4.2cm) wide, and 0.96 inches (2.4cm) tall.

Pair of beautiful Kakiemon porcelain dishes painted with a motif of peaches and pomegranates. Age: 19th century. Size: Height: 1.25" Diameter: 5.75"

A rare large Kameyama bowl of sanpan form decorated to the interior with a painting of a large koi carp. The border decorated with patterns of prunus against a cracked ice pattern and sekigaha wave pattern. The exterior decorated with auspicious Bats. The stern displaying a seal mark for the Kameyama (Turtle mountain) kiln. The dish was probably produced for use in Shippoku Ryori, Chinese style table dining, the famous Edo period cuisine of Nagasaki. The Kameyama kiln was closed in 1865 at the...

Japanese Meiji period Imari porcelain 7 1/4” diameter x 3” deep bowl. The center of the bowl holds a central circular medallion with a stylized floral pattern pattern in underglaze blue (sometsuke). The interior and exterior sides are decorated in underglaze blue and overglaze polychrome enamel with gilt highlights and features three cartouches with flying phoenix birds on a white ground separated by rust-red and gilt medallions holding an animal motif set against a cobalt ground. Late 19th...

Large hollow porcelain bowl with polychrome decoration of flowers, landscapes, and a samurai on horseback.

The village of Kutani, located in the province of Kaga, is a famous place for the production of ceramics, characterized by a particular decoration. The first pottery kilns were built around 1640 at the instigation of the lord of the province, eager to encourage the nascent industry.
The industry of Kutani developed considerably and became famous towards the end of the 17...

A pair of Imari ware soba choko (soba noodle dipping cups) from the mid-Edo Period (1600-1868,) porcelain with underglaze cobalt blue painted design of "tampopo" (dandelion) and "cho cho" (butterflies.) H.6cm, Dia. 8.5cm. Each cup has the dandelion pattern on front, and butterflies on back. The painting on these cups is wonderfully playful, and a fine example of the stylized brushstrokes of mingei (folk) wares. The pattern of dandelion (or thistle?) and butterflies is unique, and I have yet to s...

An exquisite pair of 19th century Sometsuke porcelain bottles decorated with butterflies among seasonal flowers. The winged creatures float effortlessly among the bamboo, Chinese bell flower, wild chrysanthemum and other seasonal flora. Each bottle is peaked by a simple rounded wooden bung, and they come enclosed in an age darkened wooden carrying box with hand forged iron handle. They are roughly 15 cm (6 inches) tall each and in excellent condition. Although untitled, these are likely a very...

Japanese Nabeshima Tree Branches Footed Dish

Description & Size: 5.84 x 20.32 x 11.43 cm (2.3" x 8" x 4.5") height & wide top & base

Age: Mid - Late 18th; Material: Porcelain; Production: Handcrafted

This is an exceptional Japanese nabeshima shallow bowl form & footed dish with lightly painted blue branches on white background. The back is painted blue with 3 flowers surrounded by blue foliage couple with painted blue comb border on the foot. It's a classi...

This is an excellently and intricately carved boxwood netsuke depicting a Boat full of passengers (11 of them) dressed in various garb, carrying different articles and set in different poses. One of them, in the rear of the boat, seems to be either sunbathing or nurturing an ailment; another is wearing a large Amigasa Kasa hat; there is woman carrying a baby in her arms. It is full of great form and expressions. Unsigned. Netsuke has a rich patina. It measures 0.78 inches (2.0cm) wide, 2....

Used for ceremonial purposes by the Xia, Shang, and Zhou dynasties. Traditionally, the jue vessel was made of bronze with a pouring spout on either end and a pair of capped posts rising from the rim. This ceramic jue cup is done in fine porcelain with underglaze enamel and is described on the tomobako as being a jue-shaped incense burner (korou). One of Chikusen’s finest works, the painting shows a pastoral scene in the countryside in Japan.

Miura Chikusen (1854 - 1915) was an exc...

Sensational Meiji Period C.1890 Imari Charger. Motif of Ikebana flower arangements. Very art deco and like a painting. Hand drawn with cobalt blues and fired at high temperatures. Signed by Fukuichi, a reknown Imari artist in Kyushu. 13"x 13". Ask for shipping quote.

This is beautiful Japanese Satsuma koro stand 4 1/4 in height 5 2/4 in diameter is in very good condition with No damage. No hair line chip or damage.only some old age gold wear The koro has master hand painted work use a lot of gold with very fine detail If you have question please let me know Only PayPal payment use Shipping cost will provide with your shipping address Thank you

An oak leaf shaped moulded dish of six-sun size in “Ko Sometsuke” style decorated in underglaze blue with three seated figures sitting around a low table with a typical Chinese style landscape of mountainous islets in a costal setting with a Ting, small pavilion in the foreground. The reverse decorated with prunus blossom sprigs and a seal for the Kameyama kiln in the centre of the foot-ring. Dating late Edo, Tenpo era. The kiln was established on the slopes of Mount Kazagashira near Nagasa...

A thickly potted Arita porcelain vase finely decorated with polychrome enamels depicting three Cranes amongst flowering Peony shrubs. This item was made in Japan in the 19th Century. Condition: excellent - no damages and no restoration. 24.5cm (9.5inches) high.

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

A fine Iron red vase decorated with flowers.Qing dynasty. 12,7cm high. Good conditions.

This carved ivory netsuke of a smiling mask is 1 1/2" long and 1 1/8" wide. It is a late 19th century piece; it is not signed. It is in excellent condition.

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

An antique Japanese porcelain hibachi (brazier) with a hand painted blue and white sometsuke design of a landscape scene and an indoor garden design. Key fret pattern along the base with a background of Chrysanthemum blossoms and a repeating eight window floral design along the top. Unusual mushroom style pedestal shape.

Age: Meiji Period (1868-1912) Dimensions: 18" Diameter x 12" High

Excellently potted japanese porcelain dishes, decorated in underglaze Cobalt blue with a nice landscape scenery. Nabeshima - style, Meiji Period 1868 - 1912 ) Diameter : 20,8 cm. Condition : Perfect. Provenance : Old German collection. ( All in all we do have 4 pieces of the same kind of dishes on offer ( 2 pairs )).

Small Kagamibuta (button that acts as a netsuké in traditional Japanese clothing). However the size of this one is unusually too small. To my knowledge, there is no Kagamibuta of this size (32mm) usually the diameter of these exceeds 50mm. This is not the only particularity of this jewel, indeed the presence of glass paste is absolutely exceptional, there too, I do not know of any other netsuké, manju or kagamibuta created in this material. The very high quality of the metal plate allows us to...

Large porcelain bowl, decoration painted in red iron oxide on cracked glaze, gold details. On the outside, Buddhist lions (Shishi) are represented moving among peonies. Inside are finely drawn landscapes in reserves and elegant cranes in flight. Each landscape is annotated with Chinese characters which probably indicate what place it is. Under the Kutani kilns mark. Very nice example of this production and beautiful size. Good condition, a firing defect on the heel which can be seen in the photo...