This is an extremely rare dagger axe from the Dong Son culture in ancient Southeast Asia. It dates to circa 300 BC. Dong Son culture dagger axes are some of the rarest on the market. This beauty measures 27 cm in length and weighs 281 grams. The metal is thin but intact and stable. Don't miss this opportunity to add one of these rare ge to your collection.

This is a terrific example of an openwork handle bronze dagger from the Dong Son culture circa 300 BC. It has been a number of years since we have seen one of these for sale and this one is in particularly nice condition. It measures 315 mm and weighs 276 grams. There is some pitting in the bronze but the metal appears to be solid and stable. There are no signs of repair. Don't miss this opportunity to add one of these rare dagger types to your collection.

This is a bronze dagger from the Dong Son culture in ancient Southeast Asia. It measures roughly 263 mm and weighs 144 grams. It has a spectacular cuprite crystal patina on one side that I could not capture in the photos. There are also the remnants of a wood scabbard in the patina that should be visible in the photos.This piece has stable metal with a sculpted round handle and slender triangular blade. There are no signs of repair to this wonderful dagger.

This is an interesting and rare decorated bronze dagger dating to roughly 200 BC. There is some dispute as to whether it is from the Dian culture (what is now Yunnan Province in China) or the Dong Son culture in ancient Viet Nam. Regardless, I think you will agree that this is an exceptional example of ancient bronze weaponry...

A Yuan dynasty (1277-1367) ewer with wide splayed mouth and incised handle set opposite the sprout applied with black and brownish glaze falling short of the foot.

Only minor abrasion, no chip, crack, repair or restoration. The ewer is In good condition.

The measurement of the Yuan dynasty ewer: Height is 15cm, length from mouth tip to handle is 14cm.

Beautiful antique Japanese bronze vases with raised design of dragons on one side and phoenixes on the other, each vase inscribed, label states that these vases were presented by Members of Congress of Fukuoka Prefecture, Meiji Period (1868-1912). Size: 11 1/2" high x 6" wide.

Japanese woodblock print by Yoshitoshi, from "100 Aspects of the Moon" series.

Japanese early 20th century bronze Ikebana flower container. The container has a pair of dragons done in high relief on the front and back. The entire piece sits on 4 legs. The container is signed by the artist on the bottom. The piece measures 16 1/2" long, 14" wide and 6" tall.

Rare and large Nan jar with naturally running brown glaze. Nan is a Northern Thai ceramic which kilns were found in Nan province.

Age: Thailand, Sukhothai Period, Nan kiln, 14th-16th Century
Measurement: Height 48.5 C.M. / Width 31.5 C.M.
Condition: Nice condition overall (some restoration on mouthrim and a chip on bottom). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Rare and large Nan jar with naturally running brown glaze. Nan is a Northern Thai ceramic which kilns were found in Nan province.

Age: Thailand, Sukhothai period, Nan kiln, 14th-16th century
Measurement: Height 55 C.M. / Diameter 33.5 C.M.
Condition: Nice condition overall (some restoration on mouthrim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a large antique fukusa, Japanese gift cover, 34 inches long and 26 inches wide, without including the tassels. The lid of the wooden box (hiro buta) that carried gifts was often placed upside down to display the gifts. The length of the Fukusa may have been adjusted for the tray.

The design of this Fukusa is based on the old Japanese folk tale, Yoro(Yohro) Waterfall. The waterfall was known as the Fountain of Youth and instead of water falling, Sake wine was falling...

This is an antique fukusa, Japanese gift cover with cranes. A pair of crane is a symbol of longevity and harmony. The embroideries on this fukusa are particularly beautiful. One small hole in the front (smaller than the one in the back) did not show in the photos...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent...

This is a pair of Qing dynasty blue and white flowers motive jar. There are crab apple tree, chrysanthemum and peony plants painted on the jar. On the shoulder of the jar, a band with four sections are painted with lotus flower. The vase is luted together horizontally in two parts as shown in picture no 5. The circa. of this jar is 18th century.

The jar is in very good condition. No hairline crack, no chip or crack, no glaze fritting or repair and restoration...

Thai wooden naga finial carved on both sides and decorated with mirror-tiles, used for decoration on top of the roof.

Age: Thailand, Late Ayutthaya period, circa 18th century
Measurement: Height 103 C.M. / Width 28 C.M. (size excluding stand)
Condition: With natural wears from age. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Thai wooden naga finial carved on both sides and decorated with mirror-tiles, used for decoration on top of the roof.

Age: Thailand, Late Ayutthaya period, circa 18th century
Measurement: Height 110 C.M. / Width 28.5 C.M. (size excluding stand)
Condition: With natural wears from age. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Thai wooden naga finial carved on both sides and decorated with mirror-tiles, used for decoration on top of the roof.

Age: Thailand, Late Ayutthaya period, circa 18th century
Measurement: Height 104 C.M. / Width 28 C.M. (size excluding stand)
Condition: With natural wears from age. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a square and heavily potted export plate, circa 18th century. On the cavetto of the plate, it has a band of flora design with roulette diapers and ruyi head all around. On the inner of base plate, it has a scene of a river with pavilion and houses surrounded with weeping willows and pine trees. Near the front of the pavilion, two people were seen engaged in a discussion and to the left of the pavilion; it appears like a lady is crossing the bridge...

This baby carrier panel is a lovely old piece. Embroidered with a very intricate flowing pattern using silk floss and wrapped thread and satin stitch techniques. This piece is bordered with hand-loomed fabric. The back of the piece has recently been replaced. Condition is good 19" x 21.5

Burmese reddish brown glazed jar with V-shaped design on the body.

Age: Burma (Myanmar), circa 18th century
Measurement: Height 39.8 C.M. / Diameter 36 C.M.
Condition: Nice glaze and condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a large doll, probably dated from Meiji to Taisho period, modeling a maiden from the Genroku era (1688-1703). Genroku culture which was the beginning of uprising power of the merchants in the Osaka area was glamorous and quite a contrast to the stiff culture of the samurai. Partially green lipstick that is shown on this doll became fashionable at the time. Her hair style is called Taka (high) Shimada or Bunkin Taka-Shimada...

This is a 19th century famille jaune brush pot with butterfly and watermelon motive incised with a feathery wave like yellow background. The butterfly symbolizes joy and felicity or to the effect meaning longevity...

This is a simple blue and white porcelain hand made spoon from 19th century China. It measures roughly 9.5 cm and is in good condition but may have minor chips. Makes a great conversation piece or decorative accent. I have several available. This one has a hand applied, post glaze character on the underside that likely was inscribed by the original owner.

This is a simple blue and white porcelain hand made spoon from 19th century China. It measures roughly 9.5 cm and is in good condition but may have minor chips. Makes a great conversation piece or decorative accent. I have several available.

This is a simple blue and white porcelain hand made spoon from 19th century China. It measures roughly 9.5 cm and is in good condition but may have minor chips. Makes a great conversation piece or decorative accent. I have several available.

This is a simple blue and white porcelain hand made spoon from 19th century China. It measures roughly 9.5 cm and is in good condition but may have minor chips. Makes a great conversation piece or decorative accent. I have several available.

Here is a beautiful blue and white Chinese porcelain incense stand from the 19th century. It has two marks on it - one in the glaze and one which appears to have been applied later in red. These make great flower holders or just display it for its intrinsic beauty. Minor chips to edges.

In the mid 15th C a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the “Dragon’s Embrace.” Around 1994 local fishermen began finding pottery in their nets. This is a beautiful little round porcelain box from the now famous Hoi An shipwreck. This one is roughly 6.3 cm in diameter. It has little sea creatures still stuck to the underside - visible in the last enlargement.

Here is a great little decorated Khmer or Champa pottery pipe. This particular piece is heavily decorated with some minor damage in the form of chips to the rims and body. It measures almost 6cm in length. I currently have three of these that were all recovered by divers from the red river delta, which accounts for their pristine condition.

Here is a great little decorated Khmer or Champa pottery pipe. This particular piece is heavily decorated with some minor damage in the form of chips to the rims and body. It measures almost 6cm in length. I currently have three of these that were all recovered by divers from the red river delta, which accounts for their pristine condition.

Gorgeous Chinese coat made all of silk with silk embroidered design of blue and white peonies, chrysanthemums and butterflies on an orange silk ground, pattern of waves and rocks along hem, sleeves of white silk embroidered with more flowers and butterflies, forbidden stitch (see detail photo), ribbon applique on sleeves and neck, lined in light blue silk, minor spots and fraying on sleeves, c. 1900. Size: 44 1/2" high x 56" wide

Rare pair of shrine guardians in the shape of foxes, both sitting on a two tiered elevation. The right one holds a moving jewel in its mouth, the left one a stick. Middle brown, dense wood with a beautiful patina where hands touched the backs and heads of the foxes and the bases. Red staining on inside of ears, inside the mouths, in nostrils. Crystal eyes. Bases made of the same wood. Bases inscribed: Hono, Osaka, shinshachu (in faith of mankind); Hokkinin (sponsors), Osaka, Minami Horie, jogo:...

These are very unique Japanese zuishin dolls from the late Edo period (1603-1868). The dolls are commonly called Daijin minister dolls but they are actually figures of the Toneri, the imperial guardsmen and escorts from the Heian period (794-1185). The clothing of the dolls is rich and elaborate just like Kabuki actors on stage. At first, we thought these may be Takeda ningyo (Takeda theater dolls) from the same period (older Takeda dolls - late Edo to early Meiji) but the embroideries on t...

Two stacks of each 5 flat boxes or trays for storing kozuka, fuchi-kashira or other small and flat objects, the tops both covered with a lid. Both stacks stand on a rectangular bottom plate, tied with a braided silk rope. Shitan (sandal wood). Meiji period, around 1900.
Bottom plate: 9 7/8 x 8 5/8 in. (25 x 21.8 cm). Each tray 8 3/8 x 4 ¾ x 1 1/16 in. (21.4 x 12.1 2.8 cm).
Bottom plate with split, traces of re-gluing at the trays, braid virtually worn down, minor warping of the sides ...

A seated bronze figure of Buddha in the earth-touching gesture. The Buddha sits on a platform with openwork scroll patterns. The face is round with facial features done in an free and unusual manner that give a tranquil, meditative expression.

Period: Burma 17th/18th Century

Size: Height = 11.8 cm, Diameter of base: 6.8 cm

Condition: Good. There is a tubular opening at the back of the platform perhaps for a canopy.

This is a Yuan Dynasty (1227 – 1367) cizhou style vase painted in iron brown colour. There are two layer of glazing on this cizhou vase. The dark olive colour glaze can be seen at the rim of the mouth and about half an inches from the splayed foot base. It is first glazed with a dark olive green glazing and then a white layer of glaze is applied, and then the cizhou painting on it. The painting is stylized into sections. The top is painted with some form of plants (grass) followed by the lotus...

A superb quality set of court musician dolls for Japanese Girl’s Day, Hina Matsuri.
The Hina festival takes place every March 3rd in Japan and it is a day of celebration for the well-being of every girl in the family. In earlier days, people were more susceptible to natural disasters or diseases, so in order to keep evil spirits away, this day was spent giving offerings to God. This custom was adopted from the 7th century Chinese ceremony that originally took place on the beach. The Ja...

Japanese Takeda doll, Benkei. We originaly thought this doll was Benkei but somehow he was changed into to Samurai Kiyomasa (16 to 17th century samurai general). We should be correcting or leave him as is with a tiger. Circa Meiji period (1868-1912). 15 inches tall, 14 1/2 inches across platform.

Japanese silk and gold embroidery depicting two cockerels and peonies. The peonies are a symbol of wealth. This imagery can also be interpreted as a father and son motif of passing on knowledge with a moral compass symbolism.The gold thread is 24-karat gold hand-hammered onto the thread.

Meiji period Circa 1860's.

67-1/2" high, 44-3/4" wide

Japanese Meiji Period large bronze vase. The vase is a stylized chrysanthemum blossom, with the leaves at the base and the long petals reaching up and forming the main portion of the large vase. Unsigned. The vase measures 23 1/8" tall and 10" in diameter at the widest.

This is a small and beautiful bronze censer in lotus shaped. It has the Great Ming Xuande Seal mark, but circa 19th Century.

The measurement of the bronze censer: the height is 7.1cm and the width is 11.5cm.

Shipping: Buyer will bear the cost of shipping with insurance.

Sankampaeng jar with naturally running brown glaze, Sankampaeng is a Northern Thai ceramic which kilns were found in Chiangmai province.

Ages: Thailand, Sukhothai Period, Sankampaeng kiln, 14th-16th Century

Measurement: Height 31.2 C.M. / Width 24.5 C.M.

Condition: Nice condition overall (some repairs on mouthrim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fe...

Nan brown glazed jar with double mouthrim. Nan is a Northern Thai ceramic which kilns were found in Nan province.

Ages: Thailand, Sukhothai period, Nan kiln, circa 14th-16th century

Measurement: Height 23.5 C.M. / Diameter 20 C.M.

Condition: Nice condition overall (some repairs on mouthrim, and a minor chip on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the ship...

This is a Han dynasty funerary pottery tripod censer of grey colour, painted with pigment. There are traces of red and white colour pigment on the body as well as on the edge. The tripod censer stands on three short pediform feet. The holes above the body and the raising of the three feet suggests that it may have been used as an incense burner. Such tripod censer in good condition is hard to come by.

Provenance: DoveBid Auction, Nov 2003.

The tripod censer is in good condi...

This is a 17th century, coloured stone Buddha statue. It is curved out of a single piece of solid rock. The clothing on the body is maroon in colour and the boarder around the sleeve and neck is in black colour. The Buddha face, hand and feet are covered with traces of gold leaf gilding. The head is originally painted in blue colour but later painted with black paint. The head also has circle design on it all around. The base of the statue suggests that the Buddha statue is curved out of a singl...

Syllabub or custard cup (or pot de crème) in the shape of a bud or a fruit within relief moulded, stylized scale leaves. The lid modelled as a small Mandarin cap. Decorated with European style flowers and gilt borders. Late Qianlong. Cf Swedish publications Gyllenswärd (1977) p. 133 and Wirgin (1998) p. 19, where the same border is depicted and dated to 1784, ordered for the Swedish King. The border closest to the knob of the lid has a neoclassical, "fasces" motif. Height (including lid): 4"/...

A blue and white octagonal plate, Qianlong period, of flat shape with sharp cut and brown-glazed rim. Decoration of flowers, rock and a willow tree surrounded by a Kanghsi type border. Diameter "8½ to 9¼/ 21,5 to 22,5 cm. Condition: rim frits and glaze imperfections as shown on photos, otherwise fine.

This is a large size Liao dynasty (907–1125 A.D.)moulded polychrome earthenware dish with leaded glaze. It rests on a short foot rim, a slightly flat everted base before rising upwards. It has a simple floral motive. On the underside, the glaze is in dark brown in colour, all the way down just before the short foot rim exposing the earthenware.

There is no crack, chip, repair or any restoration. Minor glaze fritting (picture 4) at roughly about 10 and 1 o'olock. Three very small sp...

This is a Yuan Dynasty(1277-1367) celadon covered box. The top cover has a double circle with radiating club shaped like a sun ray all round. Just below it, is the design of foliage circling the all round. The flower part of the covered box also has foliage design design followed by a club shaped motif. The colour of the top half is lighter than the lower half of the covered box.

The covered box has minor abrasion and minute pinholes. No chip, crack, repair or restoration. Generally ...

Elegantly modeled Satsuma teapot of Cherry Blossom Viewing, Scene encircling body of teapot with diamond shaped top border in a dark green. Very good condition with some wear to gilt and signature. Signed"____ZAN". 5 inches high. Taisho Period.

I was thrilled to acquire this rare Mongolian textile. Utilizing all couching embroidery technique on red wool fabric, it depicts 2 golden dragons chasing the sun. The condition of this piece is remarkably good condition for its age, showing 2 small areas of repair on the top corners. It measures 40" long by 18" from the top to the bottom tip of the tasseles

This is a wonderful Qing Dynasty child's hat from Shui minority group in the Rong Jiang area. It is traditional looking Chinese cap style made with silk fabric and silk split thread embroidery, and top knot. This hat is over 100 years old, and has wonderfully soft patina, and shows some wear. Truely charming

Description: A beautiful triplet of agate beads were excavated from Liao tomb. With still glittery condition, incursions was obvious on the surface with milky white tone. Date: Liao Dynasty(AD907-1125) Width: 1.7cm

Description: A beautiful pair of agate beads were excavated from Liao tomb. With still glittery condition, incursions was obvious on the surface with milky white tone. Date: Liao Dynasty(AD907-1125) Width: 1.6cm

A powerful drawing of Shoki, a demon queller, is hand painted over two nobori banners (each has two panels sewn together) on a thick and loosely woven cotton. The size of two panels together is huge; approx. 66 inches wide (5.5 ft, 1.68 meters) and 166 inches long (13.8 ft, 4.2 meters) without counting the loops on a side and top!

Many Japanese custom start with the purification ceremony; beginning the year with New Year's ceremony followed by the Setsubun in February, which takes place be...

This is a very beautiful cylindrical body brush pot painted with varied scenery in famille rose palette with a continuous scene of lakeside landscape of distance pavilion, walled monastery and tea house scattered amidst tress and layered mountains in various shade of blue and green and red with texture stroke and with high peaks in the distance.

There are people walking about and in the tea house set in a tranquil and peaceful lake side and mountain village atmosphere. On the lake wit...

This pair of Famille Rose Mille Fleures (thousand flowers) demitasse are late Qing Dynasty products. The saucers are 4 3/4 inches in diameter and 1 inch high, the cups are 2 1/4 inches high and 2 1/8 inches wide. They depict a large pink peony in the center while chrysanthemum, lily, hibiscus, iris and several unknown flowers cover entire bodies. The cups have bamboo design handles. There are Guang Xu (1875~1908) marks and three separate floral (peony) designs on the bottoms. Aside from some...

This late 19th century Chinese blue and white vase is 9 ¼ inches high and 4 ½ inches on the widest part. It depicts a mother lion playing with her cub. Aside from two small chips on the rim, it is in great condition.

This rare Qing Dynasty mirror folds flat for storage and traveling. The hand-carved wooden frame depicts bamboo stalks, and the mirror cover carving depicts an iris plant in full bloom. The cover drops forward and down thru the legs to the rear where it acts as a back support while the mirror is in use. Protected by a rear wood panel, the original silvered glass mirror does show its age. It can be easily replaced by sliding the rear wooden panel upward. The bottom of the front frame shows so...

This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition